A baby alligator is flushed down a Chicago toilet and survives by eating discarded laboratory rats injected with growth hormones. The small reptile grows gigantic, escapes the city sewers, and goes on a rampage.
Michael V. Gazzo
An idyllic wildlife cruise disintegrates into terror when a party of tourists are stalked by a massive man-eating crocodile. Pete McKell, a cynical American travel writer, joins a disparate group of holiday-makers on a river cruise through the waters of Kakadu National Park. Initially Pete clashes with their tour captain, Kate, a feisty young woman who assumes he is just another 'city-slicker' in search of a quick thrill. After an uneventful day cruising the river, Kate is reluctantly persuaded to steer their boat into unexplored territory. They discover a secluded lake but terror strikes when their craft receives a powerful blow from beneath the murky depths and begins to sink. With little choice, she beaches the vessel on the closest dry land -a tiny mud island. With a rising tide and only half an hour of daylight left, fear grips the group as they realize they are trapped in the lair of a 'rogue' crocodile, governed only by its need to hunt and kill. Begrudgingly, Pete and Kate ... Written by
The Age 6th of May 2000
When the croc attacks the boat, Pete is sitting in the back right of the boat talking to Kate, as shown by the way they are each facing to speak. Over Pete's shoulder we see the croc streak through the water to ram the boat from the right-hand side. Yet in the next shot, where the boat flips upwards from the impact, it's clearly being hit from the passengers' left. See more »
Never Smile at a Crocodile
Written by Frank Churchill and Jack Lawrence
Performed by The Paulette Sisters
Published by Walt Disney Music Company (ASCAP)
License courtesy of Sony BMG Music Entertainment (Australia) Pty Limited See more »
I thought this would be a real cheesy B movie but was in for a great surprise.
Starting with the cinematography and the initial town scenes I figured this may be half decent. Things picked up even more with the scenes on the boat introducing the characters. Small touches like the guy letting his loved ones ashes into the water and the photographer having a sly chow down on a hidden sandwich were really cool touches. Bigger budget films should take note! It got better from there, not showing too much of the croc and building suspense with good pacing and realistic reactions from the cast. The cinematography and editing on the river journey were great. After seeing this I almost want to go to the Northern Territories. Almost, but not after the Croc finally shows its face.
This is one primal beast. The film does a good job of keeping it under wraps for the early portion of the film but when it finally shows its face its a great moment. The visual fx are faultless and the croc acts in a very realistic manner.
In the second act the filmmakers do a great job at ratcheting up suspense, using a great set up involving the river. I wont spoil it here but its so simple but very effective.
I am a jaded monster film fan and this one had me wanting to see it for a second time straight away.
Crocs and Alligators seem to be the whipping boys of the film industry with so many comedy or low budget appearances. To finally to see one with real teeth and to give it a go with a good story and great fx is fantastic. I would recommend this to anyone after a monster night out.
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