Down 264 this week

Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008)

R  |   |  Documentary, Biography, Music  |  19 December 2008 (UK)
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.8/10 from 5,931 users   Metascore: 73/100
Reviews: 27 user | 94 critic | 28 from

A portrait of the late gonzo journalist Hunter S. Thompson.



(screenplay), (writings)
Watch Trailer
0Check in

Watch Now

From $0.99 on Amazon Instant Video


User Lists

Related lists from IMDb users

a list of 41 titles
created 30 Apr 2012
a list of 32 titles
created 25 May 2012
a list of 43 titles
created 07 Aug 2012
a list of 21 titles
created 19 Oct 2012
a list of 24 titles
created 05 Nov 2013

Connect with IMDb

Share this Rating

Title: Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008)

Gonzo: The Life and Work of Dr. Hunter S. Thompson (2008) on IMDb 7.8/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of Gonzo: The Life and Work of Dr. Hunter S. Thompson.

User Polls

5 nominations. See more awards »



Learn more

People who liked this also liked... 

Biography | Comedy
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

Semi-biographical film based on the experiences of gonzo journalist Hunter S. Thompson.

Director: Art Linson
Stars: Peter Boyle, Bill Murray, Bruno Kirby
    1 2 3 4 5 6 7 8 9 10 7.2/10 X  

A documentary on the life and death of Hunter S. Thompson.

Director: Tom Thurman
Stars: Ed Bradley, Bob Braudis, Douglas Brinkley
    1 2 3 4 5 6 7 8 9 10 8.1/10 X  

Alex Gibney explores the charged issue of pedophilia in the Catholic Church, following a trail from the first known protest against clerical sexual abuse in the United States and all the way to the Vatican.

Director: Alex Gibney
Stars: Alex Gibney, Terry Kohut, Gary Smith
    1 2 3 4 5 6 7 8 9 10 7.7/10 X  

A documentary about the Enron corporation, its faulty and corrupt business practices, and how they led to its fall.

Director: Alex Gibney
Stars: John Beard, Tim Belden, Barbara Boxer
    1 2 3 4 5 6 7 8 9 10 7.1/10 X  

A probing investigation into the lies, greed and corruption surrounding D.C. super-lobbyist Jack Abramoff and his cronies.

Director: Alex Gibney
Stars: Jack Abramoff, Tom DeLay, William Branner
Magic Trip (2011)
    1 2 3 4 5 6 7 8 9 10 6.7/10 X  

A freewheeling portrait of Ken Kesey and the Merry Pranksters' fabled road trip across America.

Directors: Alison Ellwood, Alex Gibney
Stars: Stanley Tucci, Ken Kesey, Timothy Leary
    1 2 3 4 5 6 7 8 9 10 7.4/10 X  

An in-depth look at the rise and fall of New York Governor Eliot Spitzer, including interviews with the scandalized, former politician.

Director: Alex Gibney
Stars: Eliot Spitzer, Michael Schwendeman, Kim Allen
    1 2 3 4 5 6 7 8 9 10 7.3/10 X  

Chronicles fundamentalist Islam's rise to power and explores Wright's struggle to maintain his objectivity as a journalist writing about Islamic terror.

Director: Alex Gibney
Stars: Lawrence Wright
Documentary | Crime | War
    1 2 3 4 5 6 7 8 9 10 7.9/10 X  

An in-depth look at the torture practices of the United States in Afghanistan, Iraq and Guantanamo Bay, focusing on an innocent taxi driver in Afghanistan who was tortured and killed in 2002.

Director: Alex Gibney
Stars: Alex Gibney, Brian Keith Allen, Moazzam Begg
Documentary | Short
    1 2 3 4 5 6 7 8 9 10 -/10 X  

Dr Edie Widder is a biologist and a deep sea explorer. She's been fascinated with bioluminescent sea creatures since she her very first dives in the ocean. Using her underwater photography,... See full summary »

Director: Alex Gibney
    1 2 3 4 5 6 7 8 9 10 7.6/10 X  

A documentary on the infamous gonzo journalist, Dr. Hunter S. Thompson.

Director: Wayne Ewing
Stars: Bob Braudis, Douglas Brinkley, Alex Cox
    1 2 3 4 5 6 7 8 9 10 6.9/10 X  

Behind Those Eyes provides a magnifying glass into the behind-the-scenes dynamism of Brad Arnold, Matt Roberts, Todd Harrel and Chris Henderson, both on and off the tour. The movie ... See full summary »

Director: Alex Gibney
Stars: Daniel Adair, Brad Arnold, Todd Harrell


Credited cast:
Himself (archive footage)
Himself - Narrator
Joe Cairo ...
New York Studio Shoot
David Carlo ...
New York Studio Shoot
Victor Ortiz ...
New York Studio Shoot
Gilleon Smith ...
New York Studio Shoot
New York Studio Shoot
Melissa Otero ...
New York Studio Shoot - Typist
Pierre Adeli ...
Taco Stand Shoot
Angela Berliner ...
Taco Stand Shoot
Taco Stand Shoot
Taco Stand Shoot
Rest of cast listed alphabetically:
Oscar Acosta ...
Himself (archive footage)
Himself (archive footage)
Sonny Barger ...


Fueled by a raging libido, Wild Turkey, and superhuman doses of drugs, Thompson was a true "free lance, " goring sacred cows with impunity, hilarity, and a steel-eyed conviction for writing wrongs. Focusing on the good doctor's heyday, 1965 to 1975, the film includes clips of never-before-seen (nor heard) home movies, audiotapes, and passages from unpublished manuscripts. Written by Anonymous

Plot Summary | Add Synopsis

Motion Picture Rating (MPAA)

Rated R for drug and sexual content, language and some nudity | See all certifications »

Parents Guide:





Release Date:

19 December 2008 (UK)  »

Also Known As:

Hunter  »

Box Office

Opening Weekend:

£42,384 (UK) (19 December 2008)


£42,384 (UK) (19 December 2008)

Company Credits

Show detailed on  »

Technical Specs


Sound Mix:


Aspect Ratio:

1.85 : 1
See  »

Did You Know?


When the film mentions that Hunter Thompson had a crush on Jefferson Airplane singer Grace Slick, archival footage instead shows the Airplane's first female singer, Signe Anderson. See more »


Features To Tell the Truth (1956) See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

The smartest guy at the bar
13 July 2008 | by (Berkeley, California) – See all my reviews

After Enron: The Smartest Guys in the Room, Taxi to the Dark Side, and this vivid, significant depiction of the Sixties and Seventies superstar journalist Hunter Thompson, Alex Gibney has emerged as clearly one of the best documentary filmmakers we've got and also one of the most prolific.

Gibney tells a very smart, very verbal, very funny but also intensely significant story here. Some of the people who speak most highly of Thompson on camera are Billy Carter, William McGovern, and longtime Republican presidential adviser Pat Buchanan,as well as writer Tom Woolf and Thompson's editors at Rolling Stone, for which he did his best periodical pieces, the notable ones turned into books. More intimate details--but the man was such a perpetual performer that public and private are hard to separate--come from Thompson's first and second wives. And the English artist Ralph Steadman, who illustrated the writing, has much to say, as do plenty of others. When Steadman first met Thompson he fed the Brit Psilocybin and he was never the same. Steadman became an invaluable cohort and collaborator and his wild drawings provide a perfect visual counterpart to Thompson's written words on screen.

Thompson was a notorious wild man from early on. "I wouldn't recommend sex, drugs or insanity for everyone, but they've always worked for me," he said. Prodigious in his consumption of drugs and alcohol, he was witness to some of the great events of his time, and got deeply involved in politics and opposition to the Vietnam war and of course the counterculture. Lean, athletic, flashily dressed, with trademark balding pate, big sunglasses, cigarette holder and drink in hand, Thompson was a demon at the IBM Selectric, gleefully spinning out brilliant pieces nobody else could have written, a master of outrage and wit.

Fueled by craziness, substances, and his own tongue-in-cheek joie de vivre, he devised his own outrageous style of writing in which cold clear fact was blended with wild invention and the adjectives and metaphors flew like hornets around a honey pot. Others too partook of the kind of journalism he practiced. The times--the flamboyant and boisterous and revolutionary Sixties and early Seventies-- seemed to call for a new more violent, more committed language in journalism. Norman Mailer also wrote about the democratic convention in Chicago in 1968 and on hand for Esquire were the likes of Jean Genet and William Burroughs. Three is something of Burroughs in Thompson, the drugs and the outrage and a way of seeing convention as conspiracy. One of Thompson's famous quotes gives a hint of the link: "America... just a nation of two hundred million used car salesmen with all the money we need to buy guns and no qualms about killing anybody else in the world who tries to make us uncomfortable." This was the moment when the distinction between fiction and non-fiction blurred: Tom Wolfe (The Electric Kool-Aid Acid Test, which used raw material from the more adventurous Thompson), Thompson's act of "embedded journalism" as Wolfe calls it, Hell's Angels), Truman Capote's murder story In Cold Blood done for The New Yorker, were all variations on the idea of the "non-fiction novel." Mailer had done a heroically personal and novelistic account of the 1967 March on the Pentagon, The Armies of the Night. The film might do a bit more to put Thompson in all this context, but it's clearly implied. He called his wild style "gonzo" journalism.

Thompson also wrote about Las Vegas as the American dream and about Nixon, whom he loathed. He also used a tape recorder a lot. This provides great material for the film. So does the Terry Gilliam film version of Fear and Loathing in Las Vegas; and Johnny Depp, who played Thompson in the film and became a great fan and friend, reads salient passages sitting in front of a well-stocked bar. Depp paid for the spectacular monument/funeral for the writer that Thompson had--on film--planned out long before, in which his ashes are fired into the Colorado hills. Ralph Steadman did the sketches. This is shown at the end of the film and provides a lovely son et lumière finale.

Thompson's innate violence may explain how he could have blended in so well for a while with the Hell's Angels. He kept at least twenty firearms on hand in his house, all loaded, his first wife reports. He always planned to end his life with suicide and he shot himself. He did it on a nice day in February almost as a family event, with his son, daughter-in-law and grandson at the house and on the phone with his wife, a shot to the head, at the age of 68, not an act of depression but the completion of a careful plan. It was over. And he had been here to see George W. Bush and predict the decline and fall of the American empire. A late collection of short pieces is entitled Hey Rube: Blood Sport, the Bush Doctrine, and the Downward Spiral of Dumbness.

His dissipation took its toll and so did fame. He fell into playing a self-parodying avatar of himself and his writing deteriorated after the later Seventies, so he had about ten good years and about twenty not-so-good ones. Some have dwelt on his decline; Gonzo doesn't. His writing faltered as early as 1974 when he went to Zaire with Steadman to cover the Foreman-Ali "Rumble in the Jungle" and he got drunk at the pool during the fight and never finished the story. Given how bright he burned and how hard he lived, it was inevitable that the man would burn out early And writing did not by any means fizzle out even into the Nineties. There is an immense wealth of spinoffs on film; Gibney had rich, rich material to work with here.

The best that could happen is that this beautifully edited and greatly entertaining film makes a host of new converts to the writing.

17 of 18 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Anyone else think Hunter looks like... arianhojat
What theatres? CRowsey
How would Hunter have covered the recent Presidential elections? venusnfurs
What Happened to Oscar Zeta Acosta nfl_jags
Sounds good, but... mc309604
his necklace? millerlubi

Contribute to This Page

Create a character page for: