Art, a drug-addicted dealer and hustler, arrives at his girlfriend Cody's apartment to find that she has overdosed on heroin. He tries to fix things by traveling back in time in an attempt to prevent her death.
Monday morning. Paul Wertret, 50, heads off to his job as a manager at the International Credit and Trade Bank. He arrives at 8 o'clock on the dot, as usual. He enters a meeting room, takes... See full summary »
LES FRANKEN (Michael Rapaport) leads a painfully unremarkable life as a metermaid until he enrolls in a drug study for an experimental anti-depressant. An unexpected side effect of the drug convinces Les he is developing special powers and must quit his job to answer his new calling in life - Superhero. A very select group of people in life are truly gifted. Special is a movie about everyone else. Written by
I used to dream about flying. It went the same way every night. I realized that I could fly. No that's not quite right, I realized that there was no reason I *couldn't* fly, and after that I'd float off the ground and soar above the city. But I haven't had that dream in a while now. Lately, I dream about more ordinary things, like doing my laundry, or shopping for groceries, or riding on elevators. I wonder why that is?
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Over-Serious and Smotheringly Dark, This is One Bitter Pill
An introverted meter maid attempts to change his pathetic personal life by participating in an anti-anxiety drug study, but quickly runs into some psychotic side-effects. When the drug alters his perception of reality, his mind takes the cue to mean he's developed super powers, which he immediately applies to the streets as a self-styled hero. A dark comedy that's quite similar to Rainn Wilson's odd superhero send-up Super, it's often hopelessly lost in the deep, complicated middle ground between absurdist comedy and bleak, grizzled reality. Character actor and stand-up comic Michael Rapaport plays a good sympathetic lead, but his naive nature and good intentions only make the tribulations he endures that much more difficult for the viewing audience. It's a light, energetic first act that's backed by a tough, distressed greater story, and the frequent reminders that the protagonist is hallucinating steal most of the drama from its root concept. A troubling little package that can't quite settle its own private identity crisis.
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