A lonely metermaid has a psychotic reaction to his medication and becomes convinced he's a superhero. A very select group of people in life are truly gifted. Special is a movie about everyone else.
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Guy Maddin reluctantly returns to his childhood home, an abandoned Canadian island, where his parents ran an orphanage. As Guy fulfills his dying mother's request to paint the lighthouse ... See full summary »
In a hospital on the outskirts of 1920s Los Angeles, an injured stuntman begins to tell a fellow patient, a little girl with a broken arm, a fantastic story of five mythical heroes. Thanks to his fractured state of mind and her vivid imagination, the line between fiction and reality blurs as the tale advances.
LES FRANKEN (Michael Rapaport) leads a painfully unremarkable life as a metermaid until he enrolls in a drug study for an experimental anti-depressant. An unexpected side effect of the drug convinces Les he is developing special powers and must quit his job to answer his new calling in life - Superhero. A very select group of people in life are truly gifted. Special is a movie about everyone else. Written by
Lawrence Fells
Everett:
Les, would you explain to my retarded sibling here that I can't keep the store open if he insists on throwing our money away on crackhead piss comics?
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It took me quite a while to get past the cinematography. I could find no reason why the entire film was shot hand-held. It brought nothing to the story and was extremely distracting until I got past it and and started appreciating the acting and story. All DP's and directors should know when to put the camera on sticks and trust the actors to bring motion and emotion to the frame. The music was another stumbling bock for me. Extremely obvious and over the top choices were made throughout - and what's truly unfortunate is that I recognized a number of loops that were used in creating the score. Not a good sign. Having said all of this - I still laud the writers and directors for their effort and the actors for their work as well.
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It took me quite a while to get past the cinematography. I could find no reason why the entire film was shot hand-held. It brought nothing to the story and was extremely distracting until I got past it and and started appreciating the acting and story. All DP's and directors should know when to put the camera on sticks and trust the actors to bring motion and emotion to the frame. The music was another stumbling bock for me. Extremely obvious and over the top choices were made throughout - and what's truly unfortunate is that I recognized a number of loops that were used in creating the score. Not a good sign. Having said all of this - I still laud the writers and directors for their effort and the actors for their work as well.