Fashion designer Amer Atrash, perpetually on the verge of success, is undergoing a personal crisis in both his marriage and his business. Attributing his misfortune to bad karma from a ... See full summary »
Seemingly disparate portraits of people -- among them a single mother, a high school principal, and an ace student -- Distinctly American -- all affected by the proliferation of guns in American society.
Marcia Gay Harden,
A year after Hurricane Katrina, Al Collins, a high school basketball coach in Marrero, Louisiana, assembles a team of players who had previously attended five different schools before the ... See full summary »
A young man is recruited by a secret cult of VIPs to battle the infestation of an ultra-exclusive New York City lounge. As their utopian plans teeter between success and failure, a ... See full summary »
Fashion designer Amer Atrash, perpetually on the verge of success, is undergoing a personal crisis in both his marriage and his business. Attributing his misfortune to bad karma from a wrongdoing committed fifteen years prior, he sets out to correct his mistake, and in doing so, experiences a spiritual awakening. Written by
I saw the movie just because I generally like the subject: Ripple Effect. I mean, it's appealing... the idea of unpredictable chains of events.
But I have to admit this movie was horrible. Not because it is a low budget movie, but because they completely ignored the audience. The main character is so unattaching that you cannot really relate to him (worsened by the really poor acting of Mr. Calland). Furthermore, the story is so abstract it becomes meaningless. Then there is nothing to attach to than vague monologues (not even particularly mentally stimulating) of Forest Whitaker (which, together with Virginia Madsen, may be the only two that do the minimum in this movie to deserve the title of actor).
This movie might be interesting as an exercise for some directing class in the University, but not for release as a commercial title. The movie is so self-centered in its futile exercise of movie-making that it completely obliterates the viewer... and when that happens... there's just no turning back. Fast forward... really fast.
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