Directed by | |||
| Mark Andrews | |||
| Andrew Jimenez | |||
Writing credits | ||
| Andrew Jimenez | (written by) & | |
| Mark Andrews | (written by) | |
Produced by | |||
| Brad Bird | .... | executive producer | |
| John Lasseter | .... | executive producer | |
| Osnat Shurer | .... | producer | |
Original Music by | |||
| Michael Giacchino | |||
Film Editing by | |||
| Steve Bloom | |||
Production Design by | |||
| Ronaldo Del Carmen | (as Ronnie Del Carmen) | ||
Art Direction by | |||
| Robin Cooper | |||
Production Management | |||
| Paul Cichocki | .... | post-production supervisor | |
| Nicole Paradis Grindle | .... | production manager | |
| Marcia Gwendolyn Jones | .... | pre-production supervisor | |
Art Department | |||
| Jason Deamer | .... | production artist | |
| Laura Phillips | .... | production artist | |
| Peter Sohn | .... | production artist | |
Sound Department | |||
| Dustin Cawood | .... | assistant sound editor (uncredited) | |
Visual Effects by | |||
| Jessica Abroms | .... | simulation lead | |
| Randy Berrett | .... | matte painter | |
| Sungyeon Joh | .... | technical artist | |
| Jeffrey Kember | .... | technical artist | |
| Ken Lao | .... | lighting supervisor | |
| Holly Lloyd | .... | technical artist | |
| Meg McWhinney | .... | shading artist | |
| David Munier | .... | technical artist | |
| Andrew Pienaar | .... | lighting artist | |
| Bill Polson | .... | supervising technical director | |
| Josh Qualtieri | .... | shading lead | |
| Bill Sheffler | .... | character supervisor | |
| Dan Sukiennik | .... | modeling technical director | |
| Dan Sukiennik | .... | visual effects modeler | |
Camera and Electrical Department | |||
| Patrick James | .... | camera lead | |
Animation Department | |||
| Don Crum | .... | animator | |
| Chris DiGiovanni | .... | animation manager | |
| Ike Feldman | .... | animator | |
| Travis Hathaway | .... | animator | |
| Angus MacLane | .... | supervising animator | |
| Matt Majers | .... | animator | |
| Michal Makarewicz | .... | animator | |
| Dave Mullins | .... | animator | |
| Dan Nguyen | .... | animator | |
Editorial Department | |||
| Joshua Hollander | .... | color grader (as Josh Hollander) | |
| David Lortsher | .... | color grader | |
| Louis Rivera | .... | color grader | |
| Chris Vallance | .... | assistant editor | |
| Jeff Wan | .... | color grader | |
Music Department | |||
| Frank Macchia | .... | music preparation | |
Other crew | |||
| Erin Cass Allen | .... | production secretary (as Erin Allen) | |
| Susan Frank | .... | production assistant | |
| Daniel A. Goodman | .... | production coordinator (as Daniel Goodman) | |
| Alex Mandel | .... | production coordinator | |
| Dana Leigh Murray | .... | production coordinator (as Dana Murrray) | |
| Becky Neiman | .... | end credits designer | |
| Josh Ling | .... | projectionist (uncredited) | |
Thanks | |||
| Simon Bax | .... | special thanks | |
| Ed Catmull | .... | special thanks | |
| Adam Cohen | .... | special thanks | |
| Mary Coleman | .... | special thanks | |
| Steve Jobs | .... | special thanks | |
| Sarah McArthur | .... | special thanks | |
| Kevin Reher | .... | special thanks | |
| Lois Scali | .... | special thanks | |
| Tim Simonec | .... | special thanks | |
| Susan T. Tatsuno | .... | special thanks | |
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| Tin Toy | Juke Box Jamboree | The Restless Sax | Seven Brides for Seven Brothers | The School of Rock |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Animation section | IMDb USA section |
Wow, the first thing I noticed was how stunning this looked. Of course, I have been watching a ton of 40s, 50s and 60s cartoons in the last two months so something this new - and with surround sound - is a shock to see and hear, and is extremely impressive.
Even in this computer era, this is a stunning short little animated story. Sometimes I couldn't believe what I was seeing and hearing as two one-man bands compete for a coin from a little girl. All they want is a little money for their efforts, but this little girl is a tough sell. The music by these two guys is spectacular.
Others have gone into detail so there is no need for me to comment except I will stick up for the two incredible one-man-band players. The little girl was a nasty, little so-and-so. However, as a cartoon it was amazing and almost too much for words. It just makes me wish more of this kind of thing could be done. Why can't there be good, original, entertaining and clean cartoons any more? You have to go back to the 30s through the '70s for anything good, like the Looney Tunes or the Pink Panther
This Pixar cartoon shows the incredible animation that could be done for short cartoons today This was an extra feature that came with the "Cars" DVD.