| Jim Brown | ... | Himself | |
| Tony Muhammad | ... | Himself (as Minister Tony Muhammad) | |
| Forest Whitaker | ... | Narrator |
Directed by | |||
| Stacy Peralta | |||
Writing credits(WGA) | ||
| Stacy Peralta | (written by) & | |
| Sam George | (written by) | |
Produced by | |||
| Baron Davis | .... | producer | |
| Jesse Dylan | .... | producer | |
| Rachel Griffin | .... | line producer | |
| Dan Halsted | .... | producer | |
| Quincy Jones III | .... | executive producer | |
| Steve Luczo | .... | executive producer | |
| Shaun Murphy | .... | producer | |
| Stacy Peralta | .... | producer | |
| Gus Roxburgh | .... | producer | |
| Cash Warren | .... | producer | |
Cinematography by | |||
| Tony Hardmon | |||
Film Editing by | |||
| T.J. Mahar | |||
Production Management | |||
| Tanya Sakolsky | .... | production manager | |
| Kit Vogel | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Apollo Payne | .... | second unit director | |
Sound Department | |||
| Christopher Alba | .... | sound effects editor | |
| Stephanie Brown | .... | supervising sound editor | |
| Katy Davidson | .... | sound intern | |
| Dane A. Davis | .... | co-supervising sound editor | |
| Dane A. Davis | .... | sound designer | |
| Paul Hackner | .... | sound editor | |
| Craig MacLellan | .... | assistant adr recordist | |
| Caleb Mose | .... | sound | |
| Tom Ozanich | .... | sound re-recording mixer | |
| Jussi Tegelman | .... | sound editor | |
| Bryan O. Watkins | .... | sound effects editor | |
Visual Effects by | |||
| Jason Tublewicz | .... | visual effects editor | |
Camera and Electrical Department | |||
| Richard Brooks Burton | .... | aerial cinematographer | |
| Tony Friedkin | .... | additional still photographer (as Anthony Friedkin) | |
| Johnny M.G. Green | .... | additional still photographer | |
| Joe Guidry | .... | additional camera operator | |
| Ben McMillan | .... | gaffer | |
| Ralph Payne | .... | assistant camera | |
| Tanya Sakolsky | .... | additional still photographer | |
| Fulton Singleton | .... | dolly grip | |
| Paul Stukin | .... | additional camera operator | |
| Bryan Wiley | .... | still photographer | |
Editorial Department | |||
| Andy Lichtstein | .... | digital colorist | |
| Aaron Null | .... | post-production assistant | |
| Nicholas Philbrook | .... | assistant editor | |
| Garrett Richardson | .... | post-production intern | |
| Holly Richardson | .... | post-production intern | |
| Christine Seino | .... | assistant on-line editor | |
Music Department | |||
| Brandy Allen | .... | additional music selection | |
| Michelle Dickson Fine | .... | additional music clearance | |
| Debra MacCulloch | .... | music supervisor | |
| T.J. Mahar | .... | music editor | |
| Ric Markmann | .... | composer: additional music | |
| Soul Nana | .... | composer: additional music | |
| Emmanuel Obeng | .... | composer: additional music | |
| Stacy Peralta | .... | music selection | |
| Tanya Sakolsky | .... | additional music selection | |
| Garth Trinidad | .... | music supervisor | |
Other crew | |||
| Genaro Carpio | .... | production assistant | |
| D.K. | .... | consultant | |
| Kamari Dar'Shae Denson | .... | production assistant | |
| Danielle Dreis | .... | production assistant | |
| Terry Goudeau | .... | consultant | |
| Rudolph 'Rockhead' Johnson | .... | consultant | |
| Nicholas Kim | .... | assistant production accountant | |
| Vicky Lindsey | .... | consultant | |
| Johan Martínez | .... | production assistant | |
| Sean McNair | .... | consultant "DK" | |
| Tony Muhammad | .... | consultant (as Minister Tony Muhammad) | |
| Jose Perez | .... | assistant production accountant | |
| Staley Prom | .... | production assistant | |
| Juan Rodriguez | .... | key production assistant | |
| Aqeela Sherrills | .... | consultant | |
| Jennifer L. Stone | .... | lead production accountant | |
| Bo Taylor | .... | consultant | |
Thanks | |||
| Adam Bardach | .... | special thanks | |
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| Boyz n the Hood | The Interrupters | Stander | Judgment Night | Lethal Weapon 2 |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
I watched this documentary as part of the Independent Lens series on PBS, and thought it was great. The film covers a lot of topics related to the gang of South Central Los Angeles, from their earliest history to the socio-economic causes to the effect it has on real families. And it ends with a sense of hope that the people of that community can in fact put an end to the cycle.
It would be easy to do a documentary on this topic that reeks of white guilt or points fingers or cozies up to the gang members. But instead, this film takes a very neutral viewpoint. That's part of what makes it great. Plus, it's very well done technically. The soundtrack is outstanding, the narration is good, and the audio is unusually good for a documentary.
I give it an 8/10.