DCI Gene Hunt is back, but he's no longer the self-styled "Sheriff of Manchester." Flanked by his faithful sidekicks, Ray Carling and Chris Skelton, and drawn by the action and intrigue of ... See full summary »
Sydney Ford has a problem... Two of them, actually: his overbearing wife and his tedious job. Seeking an escape from his perpetually unhappy existence, Sydney pulls his old telescope out of... See full summary »
Jil Wilson Robinson,
A thriller set in London, in which a politician's life becomes increasingly complex as his research assistant is found dead on the London Underground and, in a seemingly unrelated incident, a teenage pickpocket is shot dead.
Danny Kavanagh leaves Liverpool for the Lake District, finding work at a hotel and love with a local girl named Emma. Yet Danny remains an outsider in the close-knit community, and through ... See full summary »
The story of Gene Hunt continues in the spin off Ashes to Ashes (2008) See more »
My name is Sam Tyler. I had an accident, and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home.
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I'm giving a vote of 9 out of 10 to Life on Mars, even though I know BBC America must be butchering the episodes they are screening in the US. IMDb says the runtime is 58 minutes. After you take out the commercials and endless promos BBC America runs each hour (at least 8 or 9 minutes must be for that brain sucking waste of time, Footballers Wives), I'm guessing we in the US are viewing about 44 minutes out of the 58. So good is Life on Mars, however, I'm willing to put up with it--and hope for the full version DVDs later.
What makes this show tick? Perhaps it's the ever present dreamscape quality--made possible by the slight sepia tint seemingly applied on most setups, which combine with the bright incandescent interior lighting of the institutional quality police stations, bar rooms, and housing projects to give a greenish, otherworldly haze to many scenes.
Combine this with the fun look back into a time without computers, fax machines and those damnable cell phones and you have poor Sam Tyler facing off with an English version of Dirty Harry. Combustible. Not to mention that Sam's holier than thou attitude is beginning to lose out to the realists on the beat. All of it makes for a very interesting hour--or 44 minutes.
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