After discovering most of the police force is on the take, Sam must decide how to handle it and figure a way to get DCI Hunt on board. The fact the mob boss is responsible for terrorizing his mother ...
A thriller set in London, in which a politician's life becomes increasingly complex as his research assistant is found dead on the London Underground and, in a seemingly unrelated incident, a teenage pickpocket is shot dead.
Continual references are made to The Wizard of Oz (1939). In episode 1.1, Tyler leaves the station with the intention of walking back to reality. He says to Cartwright that he is going to 'follow the Yellow Brick Road'. In episode 1.2, after the principal drama has resolved, Tyler suggests to Hunt that he transfers him back to the division he came from. Hunt obliges, picking up his phone and saying that 'the Wizard will sort it out because of the wonderful things he does'. Throughout the series Hunt insultingly refers to Tyler as 'Dorothy'. In episode 2.2, Elton John's song 'Goodbye Yellow Brick Road' can be heard in the soundtrack while in the final episode (2.8), the song 'Over The Rainbow' can be heard in the soundtrack. See more »
My name is Sam Tyler. I had an accident, and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home.
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Stumbled on this series on BBC America and miss it terribly now that the first season is over.
Great over-arching conflict (Is Sam imagining he's from the future? Is he living inside his coma-induced reality? Or did he really travel back in time?) intermingles well within each episodes crime to solve. Loved when promises a witness complete anonymity if the guy will agree to finger the perpetrator in a line up; handled in a way that recognized the humor without diminishing the seriousness.
Plus, even though it's promoted as Sam's story, the series would suffer greatly without the Guv (DCI Gene Hunt). In the US, Philip Glenister's character would too easily be a cardboard-flat, corrupt, irredeemable cop. Here he's written and played with many shades letting you cheer for him at times, loathe him at others, pity his neanderthal ways, respect his desire to be a "good cop" while shaking your head at his twisted definition of a "good cop." He's a smart and unpredictable foil for Sam. They're each a better man for having to deal with the other even as they resent the complication and will never fully agree on their methods. There's a grudging respect building between them.
It's Sam's and Hunt's push me-pull you relationship that makes this must-see for me.
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