Working from his home in a converted windmill, Jonathan Creek is a magician with a natural ability for solving puzzles. He soon puts this ability to the use of solving impossible crimes and mysterious murders.
After a serial killer imitates the plots of his novels, successful mystery novelist Richard "Rick" Castle gets permission from the Mayor of New York City to tag along with an NYPD homicide investigation team for research purposes.
Det. Supt. Peter Boyd (played by Trevor Eve) is the leader of a multi-discipline police team of detectives and scientists, the Cold Case Squad, which investigates old, unsolved murder cases using modern methods and new technology that may not have been available during the original investigation.
Lucas Hood (Antony Starr), an ex-con and master thief assumes the identity of a murdered sheriff where he continues his criminal activities. His past seems to haunt him by those he betrayed... See full summary »
My name is Sam Tyler. I had an accident, and I woke up in 1973. Am I mad, in a coma, or back in time? Whatever's happened, it's like I've landed on a different planet. Now, maybe if I can work out the reason, I can get home.
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I'm giving a vote of 9 out of 10 to Life on Mars, even though I know BBC America must be butchering the episodes they are screening in the US. IMDb says the runtime is 58 minutes. After you take out the commercials and endless promos BBC America runs each hour (at least 8 or 9 minutes must be for that brain sucking waste of time, Footballers Wives), I'm guessing we in the US are viewing about 44 minutes out of the 58. So good is Life on Mars, however, I'm willing to put up with it--and hope for the full version DVDs later.
What makes this show tick? Perhaps it's the ever present dreamscape quality--made possible by the slight sepia tint seemingly applied on most setups, which combine with the bright incandescent interior lighting of the institutional quality police stations, bar rooms, and housing projects to give a greenish, otherworldly haze to many scenes.
Combine this with the fun look back into a time without computers, fax machines and those damnable cell phones and you have poor Sam Tyler facing off with an English version of Dirty Harry. Combustible. Not to mention that Sam's holier than thou attitude is beginning to lose out to the realists on the beat. All of it makes for a very interesting hour--or 44 minutes.
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