IMDb > 'Pulp Fiction' on a Dime: A 10th Anniversary Retrospect (2004) (TV)

'Pulp Fiction' on a Dime: A 10th Anniversary Retrospect (2004) (TV) More at IMDbPro »


Overview

User Rating:
5.0/10   49 votes
MOVIEmeter: ?
Down 7% in popularity this week. See why on IMDbPro.
Director:
Meghan O'Hara
Contact:
View company contact information for 'Pulp Fiction' on a Dime: A 10th Anniversary Retrospect on IMDbPro.
Release Date:
12 July 2004 (USA) more
Plot Keywords:
User Comments:
Intellectual Property Rights, sound, color, and script. more (1 total)

Cast

  (Credited cast)

Lawrence Bender ... Himself (also archive footage)

Steve Buscemi ... (archive footage)
Paul Calderon ... (archive footage)
Ed Carroll ... Himself

Ethan Hawke ... Himself (archive footage)

Samuel L. Jackson ... (archive footage)

Harvey Keitel ... (archive footage)

Phil LaMarr ... (archive footage)
Sally Menke ... Herself

Michael Moore ... Himself (archive footage)

Amanda Plummer ... (archive footage)
Karyn Rachtman ... Herself

Ving Rhames ... (archive footage)

Tim Roth ... (archive footage)
Michael Ruggiero ... Himself

Quentin Tarantino ... Himself (also archive footage)

Uma Thurman ... Herself (also archive footage)

John Travolta ... (archive footage)
Frank Whaley ... (archive footage)

Bruce Willis ... (archive footage)
Ronnie Yeskel ... Herself
Gary M. Zuckerbrod ... Himself (as Gary Zuckerbrod)
more

Additional Details

Runtime:
20 min
Country:
USA
Language:
English
Color:
Color

Fun Stuff

Movie Connections:
References Kill Bill: Vol. 2 (2004) more

FAQ

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5 out of 14 people found the following comment useful.
Intellectual Property Rights, sound, color, and script., 23 May 2006
8/10
Author: sales-413 (sales-413@hotmail.com) from United States

To understand cinematography in its fullest we must appreciate all aspects. The script, sound, and color. Consider the music for Pulp Fiction. The story of stories unfolds and interconnects, just as every plot has a climax so could the opportunity for every life story when intermixing with another may produce a climax. Hence, Pulp Fiction becomes multiple climaxes.

Now consider another theme of thinking outside the parameters of conventional thought, creative and through enticing. Pulp Fiction the soundtrack red/black, and a 1964 Library of Congress (65-7201) book Writings of Sigmund Freud also in the same tone, hue, and pattern of red/black. 50 years separating each other in the making. Now consider this under Annuit Coeptis "He hath prospered our beginning" and the reason for the order of Pulp Fiction scenes which seem to make no sense but to entertain. Henry George Fischer wrote "The Orientation of Hieroglyphs" in 1977, based on decoding a similar mass grouping of images. My point, the mind decodes based on non-fiction importance which is the irony of Pulp-fiction. It has been human nature to be logical, to make knowledge, to survive which is the satire of Pulp-fiction since we don't get more out of the movie than multiple climaxes. Like jerking of our minds into a fantasy film. By coincidence The book Writings of Sigmund Freud contains multiple reference guide books via IBM computer codes. The forefront of psychology, and technology also perhaps the subliminal message the Pulp Fiction soundtrack album jacket designer had in mind if possibly inter-fusing the red/black designs.

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