The Tree of Life (2011) - News Poster


As Industry Awards Move Forward, ‘The Shape of Water’ Takes the Lead

As Industry Awards Move Forward, ‘The Shape of Water’ Takes the Lead
The new year has brought the usual wave of guilds and industry groups weighing in on the year’s best work. Editors, art directors, casting directors, writers, makeup artists, and now, producers, have all chimed in this week, with cinematographers, sound mixers, visual effects artists, and directors still to come.

And pay attention. This is momentum week, as Oscar voters receive ballots Friday and will vote for a single pressure-cooked week. It will be pencils down on Jan. 12.

The December circuit made it clear what film is the critical darling of the year: Jordan Peele’s “Get Out,” which has claimed 12 best picture prizes so far. But “critics don’t vote for Oscars” is always an important mantra this time of year. Conversely, the guilds have crossover membership with the film Academy, so it’s worth taking serious note of their choices.

At this point, Guillermo del Toro’s “The Shape of Water” has reaped the most
See full article at Variety - Film News »

‘Not Directed by Terrence Malick’ Shows the Master Filmmaker’s Huge Influence — Watch

  • Indiewire
‘Not Directed by Terrence Malick’ Shows the Master Filmmaker’s Huge Influence — Watch
Terrence Malick is one of the most influential filmmakers alive, with everyone from Christopher Nolan and David Gordon Green to John Hillcoat and Andrew Dominik citing him as an inspiration. To show the extent to which the “Badlands,” “The Thin Red Line,” and “The Tree of Life” director has left his mark on a generation of directors, Vimeo user Jacob T. Swinney made a video called “Not Directed by Terrence Malick” made up of shots from other filmmakers whose work bears a distinct resemblance to Malick’s. Watch below.

Read More:Terrence Malick-Produced ‘Awaken’ Trailer: Awe-Inspiring Doc Follows Humans’ Relationship With Technology — Watch

Borrowing the music that graced the trailer for “To the Wonder,” the strikingly made video cuts between Malickian footage from a range of films: “Ain’t Them Bodies Saints,” “George Washington,” even “Man of Steel” (whose first teaser had a heavy Malick influence that was sorely lacking from
See full article at Indiewire »

Jessica Chastain: "Town & Country"

  • SneakPeek
Sneak Peek new images from "X-Men: Dark Phoenix" actress Jessica Chastain, in the January 2018 issue of "Town & Country" magazine, wearing Prada, Bottega Veneta, Givenchy, Ralph Lauren, and a whole lot more, photographed by Matthew Brookes:

After graduating in 2003 from New York's Juilliard Drama School Chastain spent years doing live theater.

In 2011, she appeared in four films including "The Tree of Life", "Take Shelter", "The Help" and "The Debt", followed by "Zero Dark Thirty", earning her an Oscar nomination.

Starring in "Interstellar", Chastain's other features include "A Most Violent Year", "Crimson Peak", "The Zookeeper's Wife", "The Martian" and the current "Molly's Game".

"Probably there are some people who feel great about themselves," said Chastain.

"...and don’t second-guess anything they say or do or wear, but that's just not me..."

Click the images to enlarge and Sneak Peek Jessica Chastain...
See full article at SneakPeek »

'Bingo: The King of the Mornings' ('Bingo: O rei das manhas'): Film Review

'Bingo: The King of the Mornings' ('Bingo: O rei das manhas'): Film Review
Rounding off a vintage year for scary clowns on the big screen, Bingo: The King of the Mornings is a boisterous Brazilian comic drama charting the explosive rise and fall of a blue-haired children’s television star with debauched offscreen appetites. Oscar-nominated editor Daniel Rezende, whose credits include Terrence Malick’s The Tree of Life and Fernando MeirellesCity of God, does a pretty solid job on his feature directing debut. Currently screening in U.K. theaters following a successful domestic run, the film was chosen as Brazil’s official Academy Awards contender in the foreign-language category, though it ultimately failed to make the final...
See full article at The Hollywood Reporter - Movie News »

Bingo: The King of the Mornings review – hectoring tale of porn star turned clown

Daniel Rezende’s version of the life of Brazil’s Bozo takes the myth for granted and is guilty of some lazy screenwriting tricks

Daniel Rezende is the Oscar-nominated editor who worked on Meirelles’s City of God and Malick’s The Tree of Life; now he makes his feature directing debut with this movie – Brazil’s official Academy Awards entry for best foreign film. It is a strangely heavy-handed and hectoring redemption drama, based on the true story of the former porn actor Arlindo Barreto, who in the 80s became a huge hit throughout Brazil as “Bozo”, a wacky clown on Saturday morning kids’ TV. But he was contractually obliged to keep his real identity a secret. Unable to taste the pleasures of celebrity, Barreto underwent a kind of drug-fuelled breakdown, after which he jettisoned his vanity and emerged spiritually enlightened.

The corporate brand identity of Bozo is apparently
See full article at The Guardian - Film News »

50 Shades of Grey to Brokeback Mountain: are these really the most boring films ever?

Showgirls? The Blair Witch Project? And not a Bertolucci film in sight? The public’s judgment has hit a new low with this list of cinematic snorefests

The British public, wrong as they are about everything, have just outdone themselves. A survey has been published – a survey to promote a new type of washing machine, but still – listing the 20 most boring films of all time. And, lord, it is a mess. Let’s begin by showing you which films the public chose:

1. 50 Shades of Grey

2. The Blair Witch Project

3. Star Wars Episode I: The Phantom Menace

4. Brokeback Mountain

5. Transformers

6. The Postman

7. The Artist

8. Australia

9. Vanilla Sky

10. Seven Years in Tibet

11. Batman and Robin

12. 2001: A Space Odyssey

13. The Matrix Revolutions

14. Showgirls

15. Far and Away

16. The Tree of Life

17. Noah

18. Meet Joe Black

19. Lincoln

20. Cleopatra

Continue reading...
See full article at The Guardian - Film News »

"Silent Running" 45Th Anniversary Screening, L.A., December 13

  • CinemaRetro
By Todd Garbarini

Douglas Trumbull’s 1972 film Silent Running celebrates its 45th anniversary with a special screening at Laemmle's Ahrya Fine Arts Theatre in Los Angeles. Starring Bruce Dern, Cliff Potts, and Ron Rifkin, the G-rated film runs 89 minutes and is being showcased on the big screen in a rare opportunity.

Please Note: Director Douglas Trumbull and Producer Michael Gruskoff are scheduled to appear in person for a Q & A following the screening.

From the press release:

Silent Running (1972)

45th Anniversary Screening

Wednesday, December 13, at 7:30pm at the Ahrya Fine Arts

Q&A with Special Guests Director Douglas Trumbull and Producer Michael Gruskoff

Laemmle Theatres and the Anniversary Classics Series present a 45th anniversary screening of the groundbreaking sci-fi movie Silent Running which marked the directorial debut of special effects wizard Douglas Trumbull. Set 100 years in the future, the prophetic script by Deric Washburn, Michael Cimino, and Steven Bochco
See full article at CinemaRetro »

10 Fight Club Facts You Never Knew

10 Fight Club Facts You Never Knew
Today, it's an oft-quoted classic, but Fight Club was only a modest success when it was released in 1999. Its cult film status was cemented by repeated VHS and DVD viewings, thanks to the brilliant performances by Brad Pitt, Edward Norton, and Helena Bonham Carter in David Fincher's adaptation of the novel of the same name. By now, we're all as familiar with the movie's twist as we are the whole bit in The Sixth Sense. Yes, there's the whole "first rule of Fight Club," but we've all shared anecdotes like the subversive frames hidden in the movie, or the Starbucks cups in every scene. Here, we look at 10 things you never knew about Fight Club.

The Producers courted four different directors.

It's hard to imagine anyone else behind the camera, but producers approached at least three other directors for the job before making a deal with David Fincher, who
See full article at MovieWeb »

Charles Dance set for The Book of Vision with Terrence Malick executive producing

Variety is reporting that Charles Dance (Game of Thrones) has signed on to headline The Book of Vision alongside Lotte Verbeek (Outlander), Sverrir Gudnason (Borg/McEnroe) and Filippo Nigro (Suburra).

The fantasy-mystery is being directed by Carlo Hintermann, with Terrence Malick executive producing, and “follows a young Italian doctor named Eva (Verbeek) who, while studying the history of medicine at the National Institutes of Health in Maryland, discovers an 18th-century text about a Prussian doctor (dance) which hides a mystery. As Eva studies the book, she brings back to life the stories it contains.

See Also: Peter Dinklage and Charles Dance producing Quasimodo series

Italian filmmaker Hintermann served as second unit director on Malick’s The Tree of Life, and has also co-written a book and directed a documentary on the U.S. auteur. The Book of Vision marks his directorial debut, and filming is now underway in Belgium.
See full article at Flickeringmyth »

What ‘Bingo’ Director Daniel Rezende Learned From Being a Film Editor

  • The Wrap
What ‘Bingo’ Director Daniel Rezende Learned From Being a Film Editor
“You look at it, you know it’s right.” That’s what Daniel Rezende came to realize when he was directing “Bingo: The King of Mornings.” Rezende is an Oscar-nominated film editor for “City of God” and has also worked on “The Motorcycle Diaries” and “The Tree of Life,” so he knows how to follow his instincts. And he told TheWrap’s Awards Editor Steve Pond how his experience as an editor shaped his work when directing his feature film debut. “There’s no such thing as a rule on how to make a movie,” Rezende said at The Wrap
See full article at The Wrap »

‘Game of Thrones’ Star Charles Dance Set for ‘The Book of Vision’; Terrence Malick Exec-Producing (Exclusive)

‘Game of Thrones’ Star Charles Dance Set for ‘The Book of Vision’; Terrence Malick Exec-Producing (Exclusive)
Game of Thrones” star Charles Dance, Dutch actress Lotte Verbeek, and rising Swedish actor Sverrir Gudnason (“Borg/McEnroe”) will topline “The Book of Vision,” an English-language fantasy/mystery directed by Italy’s Carlo Hintermann and executive produced by U.S. auteur Terrence Malick. Principal photography on the pic began Monday in Belgium.

The film, which was pitched to buyers at Rome’s Mia market, is a time-shifting tale “centered around the history of the doctor-patient relationship,” said Hintermann, whose collaborations with Malick include serving as second-unit director on the Italian shoot of the Palme d’Or-winning “The Tree of Life.” Hintermann also co-wrote a book on Malick and directed a documentary about working with him.

The Book of Vision” follows a young Italian doctor named Eva who, while studying the history of medicine at the National Institutes of Health in Maryland, discovers an 18th-century text about a Prussian doctor which hides a mystery. “As Eva studies
See full article at Variety - Film News »

San Sebastián: Gullane Boards Marco Bellocchio’s Mafia Thriller ‘The Traitor’ (Exclusive)

San Sebastian — Brazil’s Gullane has joined Italy’s Ibc Movie, Kavac Film and Rai Cinema, Germany’s The Match Factory Production and France’s Ad Vitam to produce Marco Bellocchio’s “The Traitor.”

Michael Weber’s The Match Factory will also handle international sales rights. Set to shoot in Italy, Brazil, the U.S. and Germany, “The Traitor” is a biopic of Tommaso Buscetta, the first high-ranking Mafia boss to turn informant on the Cosa Rostra in what Bellocchio regards as a an act of heroic betrayal.

Buscetta’s testimony led to the first big trial against organized crime and the conviction of hundreds of Mafia members.

Buschetta, who had a Brazilian wife, was living in Brazil when two of his sons and brothers were killed by the Corleonesi mob, which encourages him, when extradited to Italy, to collaborate with Italian prosecutors, becoming Cosa Nostra’s first high-ranking informer.

See full article at Variety - Film News »

Win Song to Song starring Ryan Gosling on DVD

Studiocanal is pleased to announce that from cinematic master Terrence Malick (The Tree of Life, To The Wonder), comes Song To Song – a story of a lyrical love triangle – that will be available on DVD and Digital Download from 25th September 2017. To celebrate, we’re giving away a DVD to two lucky winners!

Bv (Ryan Gosling) and Faye (Rooney Mara) are a song-writing couple trying to forge their way in the Austin music scene. However, their relationship grows complicated when they fall into the orbit of a big-shot producer (Michael Fassbender) and his waitress muse (Natalie Portman).

With cameos from music scene stars including Florence Welch, Iggy Pop and The Red Hot Chilli Peppers and a soundtrack including Bob Dylan and Patti Smith, Song To Song a vibrant and alluring exploration into music, love and the turbulent Texan rock and roll scene.

Check out this clip of Actress Natalie Portman
See full article at The Cultural Post »

Brazil Choses ‘Bingo – The King of the Mornings’ as its Foreign-Language Academy Award Submission

Brazil has selected “Bingo – The King of the Mornings,” one of its most awaited debuts of 2017, as its entry for next year’s foreign-language Academy Award.

Produced by Brazilian production powerhouse Gullane, “Bingo – the King of the Mornings'” candidature also marks a victory for Warner Bros. whose Brazilian office co-produced the title, which will be distributed in Latin america by Warner Latin America.

The submission, voted on by a commission of over 200 film specialists, was announced by the Brazilian Film Academy. It appears to have avoided the polemics of last year’s choice when the publicly declared animosity of one member of the candidature jury towards Cannes competition title “Aquarius” caused three filmmakers to refuse to submit their film for consideration.

Long-anticipated, “Bingo – The King of the Mornings” was chosen from among 22 contenders. It marks the first feature as a director of Daniel Rezende, an award-winning editor on Terrence Malick’s “The Tree of Life,” José Padilha
See full article at Variety - Film News »

Can We Stop with the Damn ‘Rotten Tomatoes’ Outrage?!

Oh, for the love of God, why am I still reading about this? Seems like every godd**n week, I see a new article from somebody trying to figure out the ‘Rotten Tomatoes‘ phenomenon or whatever new phenomenon or faux-outrage or whatever bullsh*t about it there is… Here’s one from a few days ago. Here’s one from a couple months ago. Here’s one from Here’s one from Here’s one from the god**nn New York F**king Times! Here’s an episode of “What the Flick” doing a whole Youtube segment on the New York Times article! And here’s another one from Variety, yes that Variety, about how Rotten Tomatoes doesn’t influence box office. (Sigh) Some of those are from last week; here’s an infamous one that I wrote last year!!!!!!!

Which amazes
See full article at Age of the Nerd »

The Craziest Hollywood Movies of the 21st Century — IndieWire Critics Survey

  • Indiewire
The Craziest Hollywood Movies of the 21st Century — IndieWire Critics Survey
Every week, IndieWire asks a select handful of film critics two questions and publishes the results on Monday. (The answer to the second, “What is the best film in theaters right now?”, can be found at the end of this post.)

In honor of Darren Aronofsky’s “mother!,” which just became one of the only movies to ever earn an “F” Cinemascore rating, what is the craziest movie that a major Hollywood studio has released this century?

Joshua Rothkopf (@joshrothkopf), Time Out New York

Talk about a self-answering question. Unless you can point to another movie that brews such an aggressive whirlwind of psychosexual anxiety, starring the biggest star in the world (who is also romantically involved with the director), then we’re talking about “mother!” I’m sure you’ve got “The Wolf of Wall Street” at the ready as an alternative, but how crazy is that film, given
See full article at Indiewire »

Is ‘mother!’ a Head Trip? No, it’s an Allegory! Let the Term Papers Begin!

Is ‘mother!’ a Head Trip? No, it’s an Allegory! Let the Term Papers Begin!
A few weeks ago, when Darren Aronofsky’s aggressively out-there Wtf head-trip horror movie “mother!” was oozing onto the radar, it seemed likely to be one of those films that provokes a fiercely divided response. Whatever scandals the movie had in store for us, one contingent, you could imagine, would embrace the outrage; the other would recoil from it. (That’s the way these things tend to go.) An early piece in The Guardian, out of London, suggested that “mother!” might be the most controversial film to emerge from a major studio since “A Clockwork Orange,” and that’s the kind of advertising you can’t buy. A hot potato like “mother!” doesn’t come along every day, or even every year, so it’s fun to be able to say: Let the shock — and fiery debates — begin!

But now that “mother!” has arrived in theaters, it’s proving to be a divisive film, though
See full article at Variety - Film News »

Tales of Two Halves: Christian Petzold's "The State I Am In" and Christoph Hochhäusler's "The City Below"

  • MUBI
Christian Petzold's The State I Am In (2000) and Christoph Hochhäusler's The City Below (2010) will be showing in September and October, 2017 on Mubi in most countries around the world.How can we hang on to a dreamHow can it, will it be the way it seems—Tim Hardin, “How Can We Hang On to a Dream”“When you live in no man’s land, you get stuck with your memories.”—Clara, The State I Am In1. Lovers go on the run while a teenager falls in love. Christian Petzold’s first theatrical feature, The State I Am In (2000), tells two stories simultaneously: that of Hans (Richy Müller) and Clara (Barbara Auer), fugitives pursued by German authorities, and that of their long-suffering daughter Jeanne (Julia Hummer)—who is downcast from the film’s opening scene, in which she meets a German boy named Heinrich (Bilge Bingül) at the beach.Though
See full article at MUBI »

10 Actors Who Were Almost Cast in Marvel's Ant-Man

  • MovieWeb
10 Actors Who Were Almost Cast in Marvel's Ant-Man
Cinephiles and Marvel movie fans were abuzz when writer/director Edgar Wright teased plot details, production photos, and concept footage from Ant-Man, which promised to be an action comedy take on Marvel's travel-sized superhero. Wright ultimately left the project, though Paul Rudd stayed on as Scott Lang for director Peyton Reed, who delivered the 2015 film that earned over $519 million worldwide. But before Rudd entered the scene, Ant-Man himself almost looked quite a bit different.

There were plenty of actors considered for the film's lead and the no-less important parts of Og Ant-Man Hank Pym, the Wasp and/or Hope van Dyne. Today, we look at 10 actors who were almost cast in Marvel's Ant-Man at one point or another. And there are some pretty wild and unique choices to be discovered. As well as some that are simply no brainers. Would any of them have been better than Paul Rudd and Evangeline Lilly?
See full article at MovieWeb »

Darren Aronofsky’s Outrageous ‘Mother!’ Throws Awards Voters a Curveball

Darren Aronofsky’s Outrageous ‘Mother!’ Throws Awards Voters a Curveball
Venice — Every good film festival needs a firestarter: a big, bold auteur film intended to split and disquiet audiences, whereupon the critical reaction winds up consuming as many analytical column inches as the movie itself. Yesterday, after a quiet but consistently respectable start — with the likes of “The Shape of Water” and “Three Billboards in Ebbing, Missouri” premiering to warm consensus — Venice finally got its incendiary opinion-divider a week into the festival, as Darren Aronofsky’s aggressive, terrifying, deeply personal fever-dream “Mother!” was sprung on audiences.

For the first time at Venice this year, fierce boos reverberated around the Sala Darsena as the closing credits rolled — any European festival crowd’s favored way to express artistic disapproval, to the consternation of more temperate Americans and Brits. But the noise didn’t speak for the entire room: seconds later, Twitter made it clear that Aronofsky’s thorny provocation had as many exhilarated admirers as it did incensed detractors
See full article at Variety - Film News »
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