| Photos (See all 75 | slideshow) | Videos (see all 23) |
| Brad Pitt | ... | Mr. O'Brien | |
| Sean Penn | ... | Jack | |
| Jessica Chastain | ... | Mrs. O'Brien | |
| Hunter McCracken | ... | Young Jack | |
| Laramie Eppler | ... | R.L. | |
| Tye Sheridan | ... | Steve | |
| Fiona Shaw | ... | Grandmother | |
| Jessica Fuselier | ... | Guide | |
| Nicolas Gonda | ... | Mr. Reynolds | |
| Will Wallace | ... | Architect | |
| Kelly Koonce | ... | Father Haynes | |
| Bryce Boudoin | ... | Robert | |
| Jimmy Donaldson | ... | Jimmy | |
| Kameron Vaughn | ... | Cayler | |
| Cole Cockburn | ... | Harry Bates | |
| Dustin Allen | ... | George Walsh | |
| Brayden Whisenhunt | ... | Jo Bates | |
| Joanna Going | ... | Jack's Wife | |
| Irene Bedard | ... | Messenger | |
| Finnegan Williams | ... | Jack @ 2 | |
| Michael Koeth | ... | Jack @ 5 | |
| John Howell | ... | R. L. @ 2 | |
| Samantha Martinez | ... | Samantha | |
| Savannah Welch | ... | Mrs. Kimball | |
| Tamara Jolaine | ... | Mrs. Stone | |
| Julia M. Smith | ... | Beth | |
| Anne Nabors | ... | Rue | |
| Christopher Ryan | ... | Prisoner | |
| Tyler Thomas | ... | Tyler Stone | |
| Michael Showers | ... | Mr. Brown | |
| Kimberly Whalen | ... | Mrs. Brown (as Kim Whalen) | |
| Margaret Hoard | ... | Jane (as Margaret Ann Hoard) | |
| Wally Welch | ... | Clergyman | |
| Hudson Lee Long | ... | Mr. Bagley (as Hudson Long) | |
| Michael Dixon | ... | Dusty Walsh | |
| William Hardy | ... | Jack's Work Colleague | |
| Tommy Hollis | ... | Tommy | |
| Cooper Franklin Sutherland | ... | Robert #2 | |
| John Cyrier | ... | Bi-Plane Pilot | |
| Erma Lee Alexander | ... | Erma | |
| Nicholas Yedinak | ... | Nicholas Swimmer | |
| rest of cast listed alphabetically: | |||
| Jackson Hurst | ... | Uncle Ray | |
| Crystal Mantecon | ... | Elisa | |
| Erinn Allison | ... | Mrs. Bates (uncredited) | |
| Charlotte Biggs | ... | 1950's Woman (uncredited) | |
| Benjamin Dane | ... | Symphony Patron (uncredited) | |
| Michael E. Harvey | ... | Lame Man (uncredited) | |
| Matt Hislope | ... | Clown (uncredited) | |
| Zach Irsik | ... | Jack's Son (uncredited) | |
| Scott Jefferies | ... | Businessman (uncredited) | |
| Gregory Kelly | ... | Prisoner (uncredited) | |
| Jodie Moore | ... | Mr. Walsh (uncredited) | |
| Kathryn Rawson | ... | Capitol Secretary (uncredited) | |
| Danielle Rene | ... | Third Women (uncredited) | |
| Debbi Tucker | ... | Neighbor Lady (uncredited) | |
Directed by | |||
| Terrence Malick | |||
Writing credits(WGA) | ||
| Terrence Malick | (written by) | |
Produced by | |||
| Nigel Ashcroft | .... | producer: natural history | |
| Ivan Bess | .... | associate producer | |
| Greg Eliason | .... | producer: natural history (as Gregory Eliason) | |
| Dede Gardner | .... | producer | |
| Nicolas Gonda | .... | co-producer | |
| Sarah Green | .... | producer | |
| Grant Hill | .... | producer | |
| Carlo Hintermann | .... | line producer: Italy | |
| Susan Kirr | .... | line producer | |
| Brad Pitt | .... | producer | |
| Bill Pohlad | .... | producer | |
| Donald Rosenfeld | .... | executive producer | |
| Paula Mae Schwartz | .... | co-executive producer | |
| Steve Schwartz | .... | co-executive producer | |
| Sandhya Shardanand | .... | associate producer | |
Original Music by | |||
| Alexandre Desplat | |||
Cinematography by | |||
| Emmanuel Lubezki | (director of photography) | ||
Film Editing by | |||
| Hank Corwin | |||
| Jay Rabinowitz | |||
| Daniel Rezende | |||
| Billy Weber | |||
| Mark Yoshikawa | |||
Casting by | |||
| Vicky Boone | |||
| Francine Maisler | |||
Production Design by | |||
| Jack Fisk | |||
Art Direction by | |||
| David Crank | |||
Set Decoration by | |||
| Jeanette Scott | |||
Costume Design by | |||
| Jacqueline West | |||
Makeup Department | |||
| Jean Ann Black | .... | makeup artist: Mr. Pitt (as Jean A. Black) | |
| Darylin Nagy | .... | makeup department head | |
| Kelly Nelson | .... | hair department head | |
| Alissa Shores | .... | assistant hair stylist (as Alissa Rose Shores) | |
| Michaela Farrell | .... | additional makeup artist (uncredited) | |
| Tracy Fleming | .... | assistant hair stylist (uncredited) | |
| Meredith Johns | .... | makeup artist (uncredited) | |
| Kara Sutherlin | .... | assistant makeup artist (uncredited) | |
| Charles Yusko | .... | hair stylist (uncredited) | |
Second Unit Director or Assistant Director | |||
| Leora Backer | .... | first assistant director: second unit | |
| Bobby Bastarache | .... | first assistant director | |
| Cleta Elaine Ellington | .... | second assistant director (additional photography) | |
| Vanessa Gaitan | .... | additional second assistant director | |
| Phil Hardage | .... | first assistant director: underwater unit (as Philip Hardage) | |
| Susan Jasso | .... | additional second assistant director (as Susan A. Jasso) | |
| Scott R. Meyers | .... | second second assistant director | |
| Katie Tull | .... | key second assistant director (as Kathleen Tull) | |
Art Department | |||
| Marc Baird | .... | storyboard artist | |
| Mark Lambert Bristol | .... | storyboard artist | |
| Raul V. Carrera | .... | lead greens | |
| D. Childress | .... | sculptor | |
| Tom Christopher | .... | set dresser | |
| Chris Clayton | .... | set dresser | |
| Debbie Cortez Haber | .... | second buyer | |
| Paola Cortés | .... | art department intern | |
| Ruth De Jong | .... | art department coordinator | |
| Derek Drewes | .... | construction foreman (as Derek Avery Drewes) | |
| James Wiley Fowler | .... | set dresser (as James Fowler) | |
| Ken Gaston-Kilgore | .... | set dresser (as Kenneth Gaston Kilgore) | |
| David Hack | .... | leadman | |
| Elliott Hostetter | .... | on-set dresser | |
| Alec Jhangiani | .... | art department production assistant | |
| Leslie Kolter | .... | property assistant | |
| Ellen Lampl | .... | graphics | |
| Jay F. McCuin | .... | property assistant | |
| Shay Miller | .... | lead scenic artist (as R. Shay Miller) | |
| Sarah Natsumi Moore | .... | set dresser | |
| Victoria Ramirez | .... | prop assistant | |
| Mark Spacek | .... | art department assistant | |
| Byron Scott Thomas | .... | property master | |
| Robert K. Weinberger | .... | construction coordinator (as Robert Weinberger) | |
| Amy Bell | .... | set decoration buyer (uncredited) | |
| Elysia Van Deusen | .... | prop fabrication (uncredited) | |
| Jeri Woodward | .... | paint foreman (uncredited) | |
| Randal Woodward | .... | lead scenic (uncredited) | |
| Joshua Zeigler | .... | carpenter (uncredited) | |
Sound Department | |||
| Erik Aadahl | .... | co-supervising sound editor | |
| Erik Aadahl | .... | sound designer | |
| Bryan Arenas | .... | sound consultant: Dolby | |
| Craig Berkey | .... | sound designer | |
| Craig Berkey | .... | supervising sound editor | |
| Craig Berkey | .... | supervising sound re-recording mixer | |
| David Burk | .... | assistant sound editor | |
| Kay Colvin | .... | sound utility | |
| Jenna Dalla Riva | .... | foley recording assistant | |
| Susan Dawes | .... | dialogue editor | |
| Joel Dougherty | .... | sound editor | |
| Will Files | .... | additional sound designer | |
| Kirk Francis | .... | sound mixer | |
| Brooke Graeff | .... | foley assistant | |
| Shawn Harper | .... | sound utility (as David Sean Harper) | |
| Jack Heeren | .... | foley recording mixer | |
| Mildred Iatrou | .... | dialogue editor (as Mildred Iatrou Morgan) | |
| Scott Jacobs | .... | boom operator | |
| Goro Koyama | .... | foley artist | |
| Vanessa Lapato | .... | additional sound editor | |
| Helen Luttrell | .... | dialogue supervisor | |
| Andy Malcolm | .... | foley artist | |
| John Marquis | .... | additional sound editor | |
| Jared Marshack | .... | sound mix technician | |
| James Morioka | .... | dialogue editor | |
| Stephen Muir | .... | foley recording assistant | |
| Jeremy Peirson | .... | additional sound re-recording mixer | |
| John Pritchett | .... | sound mixer | |
| Matt Reale | .... | sound re-recording engineer | |
| David M. Roberts | .... | boom operator | |
| Christopher Scarabosio | .... | additional sound re-recording mixer | |
| Hamilton Sterling | .... | foley editor | |
| John Joseph Thomas | .... | additional sound editor | |
| Don White | .... | foley recording mixer | |
| Byron Wilson | .... | adr supervisor | |
| Marcus Chandler | .... | sound utility (uncredited) | |
| Michael Miller | .... | original dialogue mixer (uncredited) | |
| Chris Navarro | .... | adr mixer (uncredited) | |
| Beauxregard Neylon | .... | adr mixer (uncredited) | |
| Jason Oliver | .... | adr recordist (uncredited) | |
| Jan Petrov | .... | adr recordist (uncredited) | |
| Troy Porter | .... | adr mixer (uncredited) | |
| John Soukup | .... | sound transfer (uncredited) | |
| Jonathon 'Earl' Stein | .... | sound mixer: second unit (uncredited) | |
| Ryan Young | .... | adr mixer (uncredited) | |
Special Effects by | |||
| Brian Cross | .... | special effects technician | |
| Don Hastings | .... | special effects coordinator | |
| Ryan Roundy | .... | special effects foreman | |
Visual Effects by | |||
| Michael Adkisson | .... | 2d artist: Prime Focus VFX | |
| Briana Aeby | .... | visual effects coordinator: Prime Focus VFX | |
| Negin Bairami | .... | digital artist: Double Negative | |
| Kamilla Bak | .... | digital artist: Double Negative | |
| Adam Barnett | .... | technology support | |
| Judy Barr | .... | digital artist: Double Negative | |
| Lyndon Barrois | .... | animation supervisor: Prime Focus VFX | |
| Andy Bean | .... | digital artist: Double Negative (as Andrew Bean) | |
| Lizzie Bentley | .... | digital artist: Double Negative | |
| Frederic Besse | .... | research and development: Double Negative | |
| Alex Betts | .... | scientific visualization research programmer: University of Illinois National Center for Supercomputing Applications | |
| Andy Boyd | .... | additional visual effects: Method Studios | |
| Brent Breedveld | .... | 3d artist: Prime Focus VFX | |
| Volker Bromm | .... | visual effects: pop III star simulation, Texas Advanced Computing Center | |
| Kari Brown | .... | digital artist: Double Negative | |
| Nik Brownlee | .... | digital artist: Double Negative | |
| Mike Bryant | .... | research and development: Double Negative | |
| Bruce Buckley | .... | 3d artist: Prime Focus VFX | |
| Jeremy Buttell | .... | 3d artist: Prime Focus VFX | |
| Jesse James Chisholm | .... | plate set surveyor (as Jesse Chisholm) | |
| Crystal Choo | .... | visual effects coordinator: Prime Focus VFX | |
| Tim Christensen | .... | 2d artist: Prime Focus VFX | |
| Karen Clarke | .... | visual effects producer: Double Negative | |
| Jeff Clifford | .... | research and development: Double Negative | |
| Kia Coates | .... | digital artist: Double Negative | |
| Donna Cox | .... | scientific visualization producer/designer: University of Illinois National Center for Supercomputing Applications | |
| Ryan Cronin | .... | 3d artist: Prime Focus VFX | |
| Nick Damico | .... | 3d artist: Prime Focus VFX (as Nicholas Damico) | |
| Megan Danzerfer | .... | 3d artist: Prime Focus VFX | |
| Adrian De Wet | .... | plate supervisor | |
| Tom Debenham | .... | visual effects: One of Us | |
| Brian Delmonico | .... | digital artist | |
| Miles Drake | .... | studio manager: Double Negative | |
| Conrad Dueck | .... | 3d artist: Prime Focus VFX | |
| Olivier Dumont | .... | visual effects supervisor: Method Studios | |
| Traci Duran | .... | visual effects production assistant | |
| Gus Duron | .... | digital opticals editor | |
| Mathieson Facer | .... | 3d artist: Prime Focus VFX | |
| Mike Fagundes | .... | 3d artist: Prime Focus VFX | |
| Devin Fairbairn | .... | tracking artist | |
| Chaya Feiner | .... | visual effects: One of Us | |
| Erin Ferguson | .... | visual effects coordinator | |
| Brody Fikker | .... | 3d artist: Prime Focus VFX (as Brody Fikkert) | |
| Michael L. Fink | .... | senior visual effects supervisor: Prime Focus: VFX (as Michael Fink) | |
| Richard Fox | .... | digital compositor | |
| Andrew Francis | .... | digital colorist: Efilm | |
| Evan Fraser | .... | 3d artist: Prime Focus VFX | |
| Bradley Friedman | .... | digital effects supervisor (as Bradley J. Friedman) | |
| Stephanie Gilgar | .... | visual effects: Method Studios | |
| Kevin Gillen | .... | visual effects: Method Studios | |
| Dan Glass | .... | senior visual effects supervisor | |
| Simon Glover | .... | visual effects: pop III star simulation, Texas Advanced Computing Center | |
| Sally Goldberg | .... | visual effects: One of Us | |
| Elias Gonzalez | .... | 2d artist: Prime Focus VFX | |
| Adam Gravois | .... | digital artist | |
| Trevor Greif | .... | visual effects: pop III star simulation, Texas Advanced Computing Center | |
| Dean Gula | .... | visual effects coordinator: Prime Focus VFX | |
| Sharna Hackett | .... | visual effects coordinator: Double Negative | |
| Alexa Hale | .... | visual effects coordinator | |
| Matt Hall | .... | scientific visualization research programmer: University of Illinois National Center for Supercomputing Applications | |
| Emily Hamel | .... | visual effects production assistant | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Oliver Harding | .... | research and development: Double Negative | |
| Chris Harvey | .... | visual effects consultant: Prime Focus VFX | |
| Aeon Henderson | .... | digital artist: Double Negative | |
| Bryan Hirota | .... | visual effects supervisor: Prime Focus VFX | |
| Brian Howald | .... | 2d artist: Prime Focus VFX | |
| Alex Howe | .... | visual effects: element photography unit, One of Us | |
| George Hull | .... | visual effects artist | |
| Ludovic Iochem | .... | digital artist: Double Negative | |
| John L. Jack | .... | visual effects: Evil Eye Pictures | |
| Mike Jahnke | .... | 3d artist: Prime Focus VFX | |
| Kristine-Joeann Jasper | .... | digital artist: Double Negative (as Kris Jasper) | |
| Steve Jaworski | .... | visual effects: Evil Eye Pictures | |
| Stephen King | .... | 3d artist: Prime Focus VFX | |
| Ralf Klessen | .... | visual effects: pop III star simulation, Texas Advanced Computing Center | |
| Marcin Kolendo | .... | digital artist | |
| Sheldon Kruger | .... | 3d artist: Prime Focus VFX | |
| Bridgitte Krupke | .... | visual effects producer: Prime Focus VFX (as Bridgitte Nance Krupke) | |
| Jason Labbe | .... | 3d artist: Prime Focus VFX | |
| Ken Lam | .... | 2d artist: Prime Focus VFX | |
| Sam Lane | .... | visual effects editor: Double Negative | |
| David Lebrun | .... | digital artist: Double Negative | |
| Key Hyung Lee | .... | digital artist: Double Negative (as Key Lee) | |
| Matthew Lee | .... | 3d artist: Prime Focus VFX | |
| Eric D Legare | .... | 3d artist: Prime Focus VFX (as Eric Legare) | |
| Abdrew Leung | .... | 2d artist: Prime Focus VFX | |
| Andrew H. Leung | .... | 2d artist: Prime Focus VFX (as Andrew Leung) | |
| Stuart Levy | .... | scienific visualization research programmer: University of Illinois National Center for Supercomputing Applications | |
| Lawrence Littleton | .... | digital artist | |
| Blaine Lougheed | .... | plate set surveyor | |
| Ian Mackinnon | .... | visual effects: One of Us | |
| Scott Marriott | .... | visual effects: One of Us | |
| Ruheene Masand | .... | visual effects coordinator | |
| Sean Mattini | .... | digital colorist assistant | |
| Jamie McCarter | .... | visual effects: One of Us | |
| Matt McDonald | .... | visual effects: Evil Eye Pictures | |
| Andrew McEvoy | .... | visual effects character animator (as Andy McEvoy) | |
| Gurel Mehmet | .... | digital artist: Double Negative | |
| Angela Meyer | .... | visual effects production assistant: method studios | |
| Nathan Millsap | .... | 3d artist: Prime Focus VFX | |
| Glen Milner | .... | visual effects: element photography unit, One of Us | |
| David Mlin | .... | scientific visualization reference imagery: University of Illinois National Center for Supercomputing Applications | |
| Lauren Morimoto | .... | additional visual effects: Evil Eye Pictures | |
| Per Mørk-Jensen | .... | digital artist: Double Negative (as Per Mork-Jensen) | |
| Kenneth Nakada | .... | 2d artist: Prime Focus VFX | |
| Cameron Neilson | .... | additional visual effects: Evil Eye Pictures | |
| Sam Nixon | .... | 3d artist: Prime Focus VFX | |
| Paul Norris | .... | digital artist: Double Negative | |
| Alban Orlhiac | .... | digital artist: Double Negative | |
| Gruff Owen | .... | 2d supervisor: Double Negative | |
| Chris Panton | .... | visual effects: One of Us | |
| Dominic Parker | .... | visual effects: One of Us | |
| Chris Parks | .... | visual effects: fluid painting sequences, Image Quest 3-D | |
| Peter Parks | .... | visual effects: fluid painting sequences, Image Quest 3-D | |
| Rutul Patel Nair | .... | 2d artist: Prime Focus VFX (as Rutul Patel) | |
| Ami Patel | .... | digital artist: Double Negative | |
| Robert Patterson | .... | scientific visualization designer: University of Illinois National Center for Supercomputing Applications | |
| Chris Pember | .... | 3d artist: Prime Focus VFX | |
| Rachael Penfold | .... | visual effects: One of Us | |
| Tony Power | .... | visual effects coordinator: Prime Focus VFX | |
| Nathan Reidt | .... | 3d artist: Prime Focus VFX | |
| Paul Riddle | .... | visual effects supervisor: Double Negative | |
| Laurent-Paul Robert | .... | digital artist: Double Negative (as Laurent Robert) | |
| Andrew Roberts | .... | 3d artist: Prime Focus VFX | |
| Daniel P. Rosen | .... | visual effects: Evil Eye Pictures | |
| Olivier Ryard | .... | digital artist: Double Negative | |
| Diganta Saha | .... | systems administrator: Prologue | |
| Matthias Scharfenberg | .... | visal effects color supervisor: Double Negative | |
| Gareth Schultz | .... | systems support: Prime Focus VFX | |
| László Sebõ | .... | 3d artist: Prime Focus VFX | |
| Michael Shand | .... | visual effects supervisor: Prime Focus VFX (as Mike Shand) | |
| Mayumi Shimokawa | .... | 2d artist: Prime Focus VFX | |
| Dan Shoring | .... | visual effects: element photography unit, One of Us | |
| Benson Shum | .... | 3d artist: Prime Focus VFX | |
| Andrew Singl | .... | systems support: Prime Focus VFX | |
| Dan Snape | .... | digital artist: Double Negative | |
| Michael Spaw | .... | digital supervisor: Prime Focus VFX | |
| Trevor Strand | .... | 2d artist: Prime Focus VFX | |
| Frederick George Stuhrberg | .... | 3D scanning | |
| Steve Switaj | .... | motion control operator | |
| Andy Tamandl | .... | 3d artist: Prime Focus VFX | |
| Jeff Tetzlaff | .... | 3d artist: Prime Focus VFX | |
| Patrick Thompson | .... | 2d artist: Prime Focus VFX | |
| Clint Thorne | .... | 3d artist: Prime Focus VFX | |
| Stephen Thornhill | .... | digital artist: Double Negative | |
| Robert Timmins | .... | visual effects: element photography unit, One of Us | |
| Zelda Tinska | .... | studio manager: Double Negative | |
| Claudia Torres | .... | digital artist: Double Negative | |
| Douglas Trumbull | .... | visual effects consultant | |
| Christoph Unger | .... | digital artist: Double Negative | |
| Ryan Urban | .... | digital artist | |
| Tharyn Valavanis | .... | 3d artist: Prime Focus VFX | |
| Jonathan Vaughn | .... | visual effects: Method Studios | |
| Dmitry Vinnik | .... | 3d artist: Prime Focus VFX (as Dimitri Vinnik) | |
| Ted Waine | .... | research and development: Double Negative | |
| Shawn Wallbridge | .... | systems support: Prime Focus VFX | |
| Robert Ward | .... | 3d artist: Prime Focus VFX (as Rob Ward) | |
| Michael D. Werckle | .... | visual effects character animator (as Mike Werekle) | |
| Jennifer Wood | .... | research and development: Double Negative | |
| Ged Wright | .... | digital artist: Double Negative | |
| Jesús L. Yapor | .... | 2d artist: Prime Focus VFX | |
| Phil Young | .... | digital artist: Double Negative | |
| Trevor Young | .... | digital artist: Double Negative | |
| Jack Zaloga | .... | visual effects: Method Studios (as Jack Zalonga) | |
| Dan Browne | .... | systems administrator: Evil Eye Pictures (uncredited) | |
| Chad E. Collier | .... | data technician: Method Studios (uncredited) | |
| Robert Coquia Jr. | .... | data management vfx (uncredited) | |
| Donnie Creighton | .... | vfx di color correction coordinator: Prime Focus (uncredited) | |
| Aleksandar Djordjevic | .... | senior compositor: Method Studios (uncredited) | |
| Graham Dunglinson | .... | visual effects producer: Method Studios (uncredited) | |
| Gabby Gourrier | .... | executive producer: Method Studios (uncredited) | |
| Christoffer Hulusjö | .... | technical director: Prime Focus VFX (uncredited) | |
| Martin Lazaro | .... | visual effects artist: Method Studios (uncredited) | |
| Taz Lodder | .... | technical support: Double Negative (uncredited) | |
| Peter Marin | .... | visual effects artist: Method Studios (uncredited) | |
| Jacqueline Rosado | .... | digital intermediate producer (uncredited) | |
| Joe Sambora | .... | production assistant (uncredited) | |
| Dan Seddon | .... | CG lead: Method Studios (uncredited) | |
| Randal Shore | .... | visual effects executive producer: Prime Focus VFX (uncredited) | |
| Nowell Valeri | .... | matchmove supervisor: Evil Eye Pictures (uncredited) | |
Stunts | |||
| Jeff Schwan | .... | stunt coordinator (as Jeff P. Schwan) | |
| Wes Ahl | .... | stunt rigger (uncredited) | |
| Balint Pinczehelyi | .... | stunt rigger (uncredited) | |
| Paul Willis | .... | stunt rigger (uncredited) | |
Casting Department | |||
| Sarah Dowling | .... | casting assistant: local | |
| Kathy Driscoll | .... | casting associate (as Kathleen Driscoll-Mohler) | |
| Jenny Goddard | .... | casting assistant: local | |
| Luciano Silighini Garagnani | .... | extras casting assistant (uncredited) | |
| Mallory Lopez | .... | extras casting assistant (uncredited) | |
Costume and Wardrobe Department | |||
| Suzy Freeman | .... | costume supervisor | |
| Naomi Gathmann | .... | additional costumer (as Naomi Gathman) | |
| Lara Graffunder | .... | costume production assistant (as Lara Lewis) | |
| J.R. Hawbaker | .... | assistant costume designer | |
| Annette Hoffman | .... | additional costumer | |
| Esther Marquis | .... | seamstress (as Esther Mary Marquis) | |
| M. Caroline Pruet | .... | set costumer | |
| Cheryl G. Smith | .... | additional costumer | |
| Stephanie A. Steel | .... | set costumer | |
| Yvonne Wilburn | .... | set costumer | |
| Stephany Baskin | .... | set costumer (uncredited) | |
| Lexi Cuesta | .... | additional costumer (uncredited) | |
| Susan Gaedke McGill | .... | costumer (uncredited) | |
| Nyima Johnston | .... | set costumer (uncredited) | |
| Rona Lamont | .... | costumer (uncredited) | |
| Kortney Lawlor | .... | costumer (uncredited) | |
| Tonya Leonard | .... | set costumer (uncredited) | |
Editorial Department | |||
| Tony Bacigalupi | .... | assistant editor | |
| Julia Bloch | .... | associate editor | |
| Nick Ellsberg | .... | post-production assistant | |
| Shane Hazen | .... | post-production assistant | |
| Shane Hazen | .... | post-production consultant | |
| Brian Kibbie | .... | negative cutter: Magic Film & Video Works | |
| Reno Lauro | .... | post-production assistant | |
| Aliyah Lopez | .... | film lab liaison: Laser Pacific | |
| Philippe Majdalani | .... | digital intermediate | |
| Sean Mattini | .... | digital intermediate | |
| Conner McKinley | .... | post-production coordinator | |
| Bryan McMahan | .... | film lab liaison: Laser Pacific | |
| Rachel McPherson | .... | second assistant editor | |
| Jim Passon | .... | color timer | |
| Amy Pawlowski | .... | digital intermediate editor | |
| Loan Phan | .... | digital intermediate | |
| Marla Quintana | .... | post-production assistant: Mr. Malick | |
| Marla Quintana | .... | post-production coordinator | |
| Tom Reiser | .... | digital intermediate | |
| Christopher Roldan | .... | first assistant editor | |
| Steven J. Scott | .... | digital intermediate | |
| Courtney Stephens | .... | post-production assistant: Mr. Malick | |
| Dan Vest | .... | post-production assistant | |
| T.J. Volgare | .... | post-production assistant | |
| Traci Duran | .... | post-production intern (uncredited) | |
| Ryan Gronquist | .... | post production intern (uncredited) | |
Transportation Department | |||
| Randy Cantor | .... | transportation captain | |
| Josh Cary | .... | driver | |
| Francisco De La Fuente | .... | driver | |
| Craig Fehrman | .... | transportation coordinator | |
| Cody Haynes | .... | driver | |
| David Holt | .... | driver | |
| Cliff Hunt | .... | driver (as Cliff G. Hunt) | |
| Dustin Little | .... | driver | |
| Chuck Martinez | .... | production driver | |
| Charles D. Russell | .... | driver | |
| Angie Saenz | .... | driver | |
| Russell E. Scott | .... | picture car coordinator (as Russell Scott) | |
| Wilburn White | .... | driver (as Wilburn W. White) | |
| David Beard | .... | transportation coordinator (uncredited) | |
| Keith Beard | .... | driver: honeywagon (uncredited) | |
| Oscar Carles | .... | driver: honeywagon (uncredited) | |
Other crew | |||
| David Ackerman | .... | assistant chef | |
| Peter Atherton | .... | location scout | |
| Chet Badalato | .... | assistant: Mr. Penn | |
| Jason Baum | .... | intern | |
| Nicole Beaudoin | .... | intern | |
| Charley Beil | .... | intern | |
| Amy Bench | .... | intern | |
| Sally Bergom | .... | intern | |
| Debbie Bilski | .... | craft service (as Debbie Manning Bilski) | |
| Matt Bilski | .... | assistant: Mr. Hill | |
| Randy Bilski | .... | set medic | |
| Frederick P. Bimbler | .... | production attorney | |
| Susan H. Bodine | .... | production attorney | |
| Suzanne Bonifaz | .... | location assistant | |
| Laura Noel Borland | .... | location assistant | |
| Zoe Bower | .... | post production coordinator | |
| Craig Busch | .... | assistant location manager: Houston | |
| Unjoo Lee Byars | .... | main and end titles designer and producer: Prologue Films | |
| Unjoo Lee Byars | .... | main title producer | |
| Mary Beth Chambers | .... | set production assistant (as Mary Beth Meadows) | |
| Barbara Charba | .... | set teacher | |
| Peggy Chen | .... | additional second assistant accountant | |
| Bianca Chiminello | .... | intern | |
| Mark David Christenson | .... | production assistant (as David Christenson) | |
| Bobbi Colorado | .... | animal wrangler | |
| Scott Colquitt | .... | assistant: producer | |
| Kyle Cooper | .... | main and end titles designer and producer: Prologue Films | |
| Paola Cortés | .... | intern (as Paola Cortes) | |
| Jason B. Cox | .... | production assistant | |
| Jose Luis Coyotl Mixcoatl | .... | main and end titles designer and producer: Prologue Films (as José Luis Coyotl Mixcoatl) | |
| Luke Crawford | .... | production assistant: reshoots | |
| Dustin Daniels | .... | location scout | |
| Gerry De Leon | .... | production assistant: Mr. Malick | |
| Kassandra Deans | .... | intern | |
| Steven DeGennaro | .... | intern | |
| Richard DiLorenzo | .... | intern (as Ricgard di Lorenzo) | |
| Felicity Donarski | .... | accounting executive: Tiver Road Entertainment | |
| Alicia Downard | .... | intern | |
| A.J. Edwards | .... | key artistic consultant | |
| Richard Ehlert | .... | assistant chef | |
| Shari Eichler | .... | set teacher | |
| Elena Eidelberg | .... | intern | |
| Elena Eidelberg | .... | intern (as Elena Elderberg) | |
| Jenny Fitzgibbons | .... | production accountant | |
| Keith Fraase | .... | artistic consultant | |
| Ashley Frith | .... | intern | |
| Geoffrey Frost | .... | intern | |
| Rebecca Fulton | .... | script supervisor | |
| Vanessa Gaitan | .... | production assistant | |
| Nicole Garcia | .... | intern | |
| Don Gillespie | .... | payroll accountant | |
| Don Gillespie | .... | post-production accountant | |
| Hayden Goldblatt | .... | production attorney | |
| Hans Graffunder | .... | production coordinator | |
| Kristi Gusman | .... | intern | |
| Dikega Hadnot | .... | intern | |
| Juan Pablo Hernandez | .... | set production assistant | |
| Henry Hobson | .... | typographer | |
| Andrew K. Hodge | .... | assistant location manager: Western tour (as Andrew Hodge) | |
| Jonathan Reeves Holt | .... | intern (as Jon Holt) | |
| Mitch Horwits | .... | president: Rover Road Entertainment | |
| Emma Janzen | .... | intern | |
| Mark Jarrett | .... | key assistant location manager | |
| Greg Jones | .... | insurance agent: CMM Entertainment | |
| Lisa Kaselak | .... | researcher | |
| Kate Kennard | .... | intern | |
| Nazia Khan | .... | assistant: Mr. Pitt | |
| Laura Kincaid | .... | intern | |
| Laura King | .... | unit medic | |
| Paul Knaus | .... | location assistant | |
| Barry Lacina | .... | location assistant | |
| Bill Lanier | .... | assistant production coordinator | |
| Russell Leighty | .... | research coordinator | |
| Kana LiVolsi | .... | intern | |
| David Long | .... | caterer: Locations Catering | |
| Jaime Lovell | .... | intern | |
| Jolynn Martin | .... | assistant: Mr.Pohlad | |
| Sato Masuzawa | .... | assistant: Mr.Penn | |
| Gary Mau | .... | main and end titles designer and producer: Prologue Films | |
| Scott Maxson | .... | production secretary | |
| John McNees | .... | consultant | |
| Lisa McPherson | .... | set production assistant | |
| Lauren Mikus | .... | assistant: Mr. Gonda | |
| Angie Miller | .... | business affairs coordinator: River Road Entertainment | |
| Elle Moody | .... | intern | |
| Josh Moorehead | .... | chef (as Josh Morehead) | |
| Mary Mullane | .... | intern | |
| Brian Murphy | .... | set production assistant | |
| Deanna Noccro | .... | insurance agent: CMM Entertainment | |
| Chris Oelkers | .... | double: organist | |
| Nathaniel Park | .... | main and end titles designer and producer: Prologue Films | |
| Shobie Partos | .... | location scout | |
| John K. Patterson | .... | location manager | |
| Thomas Pavlechko | .... | hand double: Mr. Pitt | |
| Hussain Pirani | .... | intern | |
| Joel Poage | .... | assistant chef | |
| Morgan Pollitt | .... | assistant: Ms. Green | |
| Shane Pritchett | .... | intern | |
| Matt Pulliam | .... | assistant research coordinator | |
| Michael Reinarts | .... | financial officer: River Road Enterainment | |
| Jessica Renzi-Bailey | .... | location assistant | |
| Brian Scofield | .... | intern | |
| Trey Shults | .... | intern | |
| Dana Silverman | .... | accounting clerk | |
| Dana Silverman | .... | assistant: Ms. Green | |
| Tom Skapars | .... | creative coordinator: River Road Entertainment | |
| Keenan Smart | .... | consultant: natural history | |
| Jessica Smith | .... | production coordinator: River Road Entertainment | |
| Keith Smith | .... | production assistant | |
| Adam Sorin | .... | intern | |
| Garin Sparks | .... | additional production assistant | |
| Katy Stafford | .... | intern | |
| Spooky Stevens | .... | unit publicist | |
| Jennifer June Strawn | .... | intern | |
| Cameran Surles | .... | intern (as Cameron Surles) | |
| Chris Todd | .... | intern | |
| Roger Uvalle | .... | intern | |
| Quinn Walton | .... | intern | |
| Tol Ware | .... | office production assistant | |
| Craig Whitney | .... | set production intern | |
| Jenni Wieland | .... | first assistant accountant | |
| Christine Wolf | .... | intern | |
| Elena Wong | .... | production coordinator | |
| Tommy Woodard | .... | film commission specialist: Utah | |
| Heidi Zienty | .... | intern | |
| Deborah Zipser | .... | head of business affairs: River Road Entertainment | |
| Christa Zofcin | .... | business affairs | |
| Jessica Cosentino | .... | production assistant (uncredited) | |
| James Wiley Fowler | .... | diver (uncredited) | |
| Julie E. Furnas | .... | assistant: Mr. Penn, Houston (uncredited) | |
| Jennifer Hallmark | .... | accounting assistant (uncredited) | |
| Rowdy Kelley | .... | location scout manager: northern califonia (uncredited) | |
| Damon Phillips | .... | body double (uncredited) | |
| Marvin Schroeder | .... | arms supplier (uncredited) | |
| Desirae Wallace | .... | accounting clerk (uncredited) | |
Thanks | |||
| Saar Klein | .... | special thanks | |
| Wallace Shawn | .... | special thanks | |
| Claire Simpson | .... | special thanks | |
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| Big Fish | Creation | C.R.A.Z.Y. | The River | Into the Wild |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb USA section |
The first thing to say about 'The Tree of Life' is that it is ESSENTIAL VIEWING for anyone who believes that the cinema is a great art, and an early front-runner for 'Film of the Decade'. I first heard about this project in the early 80s when the film world was awash with rumours that Malick had a project that was 'Cosmic, too cosmic even for Hollywood' (John Sayles). And, being a number one fan of Malick's magical realism, I have been metaphorically holding my breath ever since.
Normally, in describing a film one says this is the story of... da da da da. But this film is NOT a story in any but the crudest sense of the word. It is an impression... an impression of a childhood - perhaps Malick's own childhood, which becomes, through Malick's poetry, an impression of childhood itself... of being tactile, of feeling the love of one's parents, of experiencing the arrival of a sibling, of learning to walk... of a thousand things that we take for granted, but are wonderful and shape us more than we can imagine. It is by far the most brilliant evocation of rural childhood that, as far as I can remember, the cinema has ever given us.
This is a film of gesture and movement, of happiness and insecurity, of learning to love and learning to fear. It is unlike any commercial film I have ever seen.... it is as if Stan Brakhage had been given a $100 million budget. The trouble is that Malick may have been too uncompromising. Many, perhaps, sadly, most, of the film-going public, in my experience, find abstraction in films difficult. This is the most abstract film most of them will probably ever see... but it's wonderful and moving and visually stunning. So the question is will they stick with it. With immense sadness, I have to say that I have my doubts.
The much vaunted 'history of the universe' sequence is stunning and is like a poetic editing of all of the most stunning images from science documentaries. It adds even more gravitas to a film that is as philosophically weighty as it is visually impressive. Douglas Trumbull was a special effects consultant and many might immediately think of comparing this sequence with the 'Stargate' climax of 2001: A Space Odyssey.
The film's philosophical/metaphysical weight rests, to some large extent on its deeply ingrained spirituality. Of course, this aspect has been there from the beginning with Malick, but here it is much more up-front. The film charts the paths of a family of characters. In the mother's opening line of dialogue she recounts how 'The nuns told us that there are two ways through life, the way of Nature and the way of Grace.' In the film, the characters show how much the difference between these two paths influences the personalities of the characters and the lives that they lead.
Because of this, it has a profound religious sense but without trace of piety or sentimentality. And if, like me, religion is not your thing, don't worry, the film's wonders do not require belief to reveal themselves.
There remains to be said a few words on Malick's stylistic approach. All of his films are incredibly visually rich, 'The Tree of Life' is no exception. But more important even than this is that large sections of 'The Tree of Life' are made in the magical style that he monumentalised in the two 'abstract' sections of 'The New World' - the love affair between Capt Smith & Pocahontas and the amazing final 20 minutes of the film covering her death. It is this fusion of magnificent meaningful imagery and musical montage that lifts this work to levels barely conceived of by most filmmakers.
'The Tree of Life', for all its wonders, is certainly not perfect as it seems again that Malick's dislike for dialogue has become a thorn in his side, as it was for 'Days of Heaven' and we get some embarrassing pauses as characters wordlessly confront one another or stare meaningfully into the void. It is not the matchless masterpiece to challenge 'Citizen Kane' that I was secretly hoping for, but it is wondrous and moving and unforgettable, a staggering piece of cinema that gives the impression of being immensely more meaningful than it appears at first sight... one just needs to put all of the pieces together... not in the narrative sense, for there is barely any narrative, but connecting up Malick's, 'universal' vision with the images of childhood that he presents. An example here is the confrontation between the two dinosaurs that has a resonance with the relationship between young Jack and his father.
All in all, this is one of those films, where it is more important to let one's psyche experience the incredible richness of the film's emotions, than to try to understand it intellectually - at first viewing, at any rate! (And I am sure that Malick would concur about the experience versus understanding conundrum.)
Finally... it is a very, very good idea to watch 'The New World' immediately before seeing 'The Tree of Life' - on DVD or VOD (if it is not being shown locally by some insightful cinema) because, stylistically, it puts you in the 'right groove' to appreciate Malick's cinematic expression... perhaps THE wonder of modern cinema.