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The Tree of Life (2011)

 -  Drama | Fantasy  -  17 May 2011 (France)
6.7
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Ratings: 6.7/10 from 113,431 users   Metascore: 85/100
Reviews: 946 user | 556 critic | 43 from Metacritic.com

The story of a family in Waco, Texas in 1956. The eldest son witnesses the loss of innocence and struggles with his parents' conflicting teachings.

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Title: The Tree of Life (2011)

The Tree of Life (2011) on IMDb 6.7/10

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Nominated for 3 Oscars. Another 92 wins & 72 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Hunter McCracken ...
Laramie Eppler ...
...
...
Grandmother
Jessica Fuselier ...
Guide
Nicolas Gonda ...
...
Architect
Kelly Koonce ...
Bryce Boudoin ...
Robert
Jimmy Donaldson ...
Jimmy
Kameron Vaughn ...
Cayler
Cole Cockburn ...
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Storyline

The impressionistic story of a Texas family in the 1950s. The film follows the life journey of the eldest son, Jack, through the innocence of childhood to his disillusioned adult years as he tries to reconcile a complicated relationship with his father (Brad Pitt). Jack (played as an adult by Sean Penn) finds himself a lost soul in the modern world, seeking answers to the origins and meaning of life while questioning the existence of faith. Written by alfiehitchie

Plot Summary | Plot Synopsis

Genres:

Drama | Fantasy

Motion Picture Rating (MPAA)

Rated PG-13 for some thematic material | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

17 May 2011 (France)  »

Also Known As:

El árbol de la vida  »

Box Office

Budget:

$32,000,000 (estimated)

Opening Weekend:

$372,920 (USA) (27 May 2011)

Gross:

$13,303,319 (USA) (21 October 2011)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

Color:

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

The scene with the bats flying in the evening skies was not computer generated animation. Shot in Austin, the bats under Congress bridge is a well-known phenomenon as one of the largest known bats population in the world, and they all live under a bridge. During spring and fall, the bats can be seen flying out in the evening to begin their daily hunt for food. See more »

Goofs

The credits say that Johannes Brahms's fourth symphony, second movement is heard (in a version by Herbert von Karajan, not Arturo Toscanini as in the film), but it is the fourth movement. See more »

Quotes

[first lines]
Jack: [in a whisper] Brother. Mother. It was they who led me to your door.
[choir singing dirge]
See more »

Connections

Featured in Conan: Annie, Get Your Glock (2012) See more »

Soundtracks

Ascending and Descending
Written by David Hykes
Performed by David Hykes and The Harmonic Choir
Courtesy of Harmonic Presence Foundation
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

 
A matchless and immensely complex vision of childhood
16 May 2011 | by (Belfast, NI) – See all my reviews

The first thing to say about 'The Tree of Life' is that it is ESSENTIAL VIEWING for anyone who believes that the cinema is a great art, and an early front-runner for 'Film of the Decade'. I first heard about this project in the early 80s when the film world was awash with rumours that Malick had a project that was 'Cosmic, too cosmic even for Hollywood' (John Sayles). And, being a number one fan of Malick's magical realism, I have been metaphorically holding my breath ever since.

Normally, in describing a film one says this is the story of... da da da da. But this film is NOT a story in any but the crudest sense of the word. It is an impression... an impression of a childhood - perhaps Malick's own childhood, which becomes, through Malick's poetry, an impression of childhood itself... of being tactile, of feeling the love of one's parents, of experiencing the arrival of a sibling, of learning to walk... of a thousand things that we take for granted, but are wonderful and shape us more than we can imagine. It is by far the most brilliant evocation of rural childhood that, as far as I can remember, the cinema has ever given us.

This is a film of gesture and movement, of happiness and insecurity, of learning to love and learning to fear. It is unlike any commercial film I have ever seen.... it is as if Stan Brakhage had been given a $100 million budget. The trouble is that Malick may have been too uncompromising. Many, perhaps, sadly, most, of the film-going public, in my experience, find abstraction in films difficult. This is the most abstract film most of them will probably ever see... but it's wonderful and moving and visually stunning. So the question is will they stick with it. With immense sadness, I have to say that I have my doubts.

The much vaunted 'history of the universe' sequence is stunning and is like a poetic editing of all of the most stunning images from science documentaries. It adds even more gravitas to a film that is as philosophically weighty as it is visually impressive. Douglas Trumbull was a special effects consultant and many might immediately think of comparing this sequence with the 'Stargate' climax of 2001: A Space Odyssey.

The film's philosophical/metaphysical weight rests, to some large extent on its deeply ingrained spirituality. Of course, this aspect has been there from the beginning with Malick, but here it is much more up-front. The film charts the paths of a family of characters. In the mother's opening line of dialogue she recounts how 'The nuns told us that there are two ways through life, the way of Nature and the way of Grace.' In the film, the characters show how much the difference between these two paths influences the personalities of the characters and the lives that they lead.

Because of this, it has a profound religious sense but without trace of piety or sentimentality. And if, like me, religion is not your thing, don't worry, the film's wonders do not require belief to reveal themselves.

There remains to be said a few words on Malick's stylistic approach. All of his films are incredibly visually rich, 'The Tree of Life' is no exception. But more important even than this is that large sections of 'The Tree of Life' are made in the magical style that he monumentalised in the two 'abstract' sections of 'The New World' - the love affair between Capt Smith & Pocahontas and the amazing final 20 minutes of the film covering her death. It is this fusion of magnificent meaningful imagery and musical montage that lifts this work to levels barely conceived of by most filmmakers.

'The Tree of Life', for all its wonders, is certainly not perfect as it seems again that Malick's dislike for dialogue has become a thorn in his side, as it was for 'Days of Heaven' and we get some embarrassing pauses as characters wordlessly confront one another or stare meaningfully into the void. It is not the matchless masterpiece to challenge 'Citizen Kane' that I was secretly hoping for, but it is wondrous and moving and unforgettable, a staggering piece of cinema that gives the impression of being immensely more meaningful than it appears at first sight... one just needs to put all of the pieces together... not in the narrative sense, for there is barely any narrative, but connecting up Malick's, 'universal' vision with the images of childhood that he presents. An example here is the confrontation between the two dinosaurs that has a resonance with the relationship between young Jack and his father.

All in all, this is one of those films, where it is more important to let one's psyche experience the incredible richness of the film's emotions, than to try to understand it intellectually - at first viewing, at any rate! (And I am sure that Malick would concur about the experience versus understanding conundrum.)

Finally... it is a very, very good idea to watch 'The New World' immediately before seeing 'The Tree of Life' - on DVD or VOD (if it is not being shown locally by some insightful cinema) because, stylistically, it puts you in the 'right groove' to appreciate Malick's cinematic expression... perhaps THE wonder of modern cinema.


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Movies that are symphonies- poetic/ basically cinematography and music The_Rusholme_Salute
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