| David Suchet | ... | Hercule Poirot | |
| Jenny Agutter | ... | Adela Marchmont | |
| Patrick Baladi | ... | Rowley Cloade | |
| Eva Birthistle | ... | Rosaleen / Eileen | |
| Elliot Cowan | ... | David Hunter | |
| Amanda Douge | ... | Lynn Marchmont | |
| Penny Downie | ... | Frances Cloade | |
| Richard Durden | ... | Pebmarsh | |
| Claire Hackett | ... | Beatrice Lippincott | |
| Richard Hope | ... | Supt. Harold Spence | |
| Celia Imrie | ... | 'Aunt' Kathy Cloade | |
| Nicholas Le Prevost | ... | Major James Porter | |
| Tim Pigott-Smith | ... | Dr. Lionel Woodward | |
| Elizabeth Spriggs | ... | Mrs Leadbetter | |
| Pip Torrens | ... | Jeremy Cloade | |
| Tim Woodward | ... | Enoch Arden / Charles | |
| David Yelland | ... | George the Butler | |
| Martha Barnett | ... | 'True' Rosaleen |
| Episode Crew |
Directed by | |||
| Andy Wilson | |||
Writing credits | ||
| Agatha Christie | (novel) | |
| Guy Andrews | (screenplay) | |
Produced by | |||
| Michele Buck | .... | executive producer | |
| Phil Clymer | .... | executive producer: Chorion Plc. | |
| Helga Dowie | .... | line producer | |
| Delia Fine | .... | executive producer: A&E Television Networks | |
| Trevor Hopkins | .... | producer | |
| Emilio Nunez | .... | supervising producer: A&E Television Networks | |
| David Suchet | .... | associate producer | |
| Damien Timmer | .... | executive producer | |
Original Music by | |||
| Stephen McKeon | |||
Cinematography by | |||
| Sue Gibson | (director of photography) | ||
Film Editing by | |||
| Jamie McCoan | |||
Casting by | |||
| Maureen Duff | |||
Production Design by | |||
| Jeff Tessler | |||
Art Direction by | |||
| Denise Ball | |||
| Pilar Foy | |||
| Paul Gilpin | (supervising art director) | ||
Costume Design by | |||
| Sheena Napier | |||
Makeup Department | |||
| Christine Greenwood | .... | makeup designer | |
| Susan Parkinson | .... | makeup artist (as Sue Parkinson) | |
| Kate Roberts | .... | makeup artist | |
| Sian Turner | .... | make-up: David Suchet | |
Production Management | |||
| Alasdair Whitelaw | .... | post-production supervisor | |
Second Unit Director or Assistant Director | |||
| Marcus Catlin | .... | first assistant director | |
| Aron Clayton | .... | third assistant director | |
| Sean Clayton | .... | second assistant director | |
| Lee Tailor | .... | second assistant director | |
| Emily Perowne | .... | trainee assistant director (uncredited) | |
Art Department | |||
| Justin Ackroyd | .... | prop hand | |
| Richard Barratt | .... | stand-by props | |
| Zoe Clarke | .... | prop hand (as Zoe Clark) | |
| Tone Gibbs | .... | dressing props (as Tony Gibbs) | |
| Jim Grindley | .... | property master | |
| David Lewis | .... | production buyer | |
| Robert Muskett | .... | stand-by carpenter (as Bob Muskett) | |
| Joanne Ridler | .... | stand-by art director | |
| Mike Syson | .... | dressing props | |
| Gus Wookey | .... | construction manager | |
| Emma Godwin | .... | assistant production buyer (uncredited) | |
| Paul Mitchell | .... | stand-by props (uncredited) | |
Sound Department | |||
| John Downer | .... | supervising sound editor | |
| Billy Mahoney | .... | dubbing mixer | |
| Sarah Morton | .... | dialogue editor | |
| Ashley Reynolds | .... | sound maintenance engineer | |
| Andrew Sissons | .... | sound recordist | |
| Filipa Principe | .... | foley editor (uncredited) | |
| Nigel Squibbs | .... | assistant dubbing mixer (uncredited) | |
Special Effects by | |||
| Graham Longhurst | .... | special effects | |
Visual Effects by | |||
| Jonathan Hills | .... | visual effects | |
Stunts | |||
| Nick Wilkinson | .... | stunt coordinator | |
| Ray Donn | .... | stunt double: David Suchet (uncredited) | |
Camera and Electrical Department | |||
| Steve Costello | .... | lighting gaffer | |
| Jon Hurley | .... | clapper loader | |
| Mary Kyte | .... | focus puller | |
| Dave Moore | .... | best boy (as David Moore) | |
| David Price | .... | rigger (as Dave Price) | |
| Xandy Sahla | .... | camera operator | |
| Colin Strachan | .... | grip | |
Costume and Wardrobe Department | |||
| Jason Gill | .... | costume | |
| Charlotte Mitchell | .... | costume | |
| Philip O'Connor | .... | dresser: David Suchet (as Phil O'Connor) | |
| Zoe Meskell | .... | costume trainee (uncredited) | |
| Gabrielle Spanswick | .... | costume supervisor (uncredited) | |
Editorial Department | |||
| Chris Beeton | .... | colorist | |
| Simon Giblin | .... | on-line editor | |
| Adam Harvey | .... | assistant editor | |
Transportation Department | |||
| Mark Beeton | .... | unit driver (uncredited) | |
| Sean O'Connor | .... | driver: David Suchet (uncredited) | |
Other crew | |||
| Sam Baker | .... | production coordinator | |
| Natalie Cheary | .... | publicist | |
| Marissa Cowell | .... | script supervisor | |
| Elton Farla | .... | unit medic | |
| Louisa French Greenslade | .... | assistant coordinator (as Louisa French-Greenslade) | |
| Thom Green | .... | production runner | |
| Peter Hale | .... | stand-in: David Suchet | |
| Paula Jack | .... | dialect coach | |
| Gail Kennett | .... | production executive | |
| Gina Nocero | .... | senior publicist: A&E | |
| Emily Perowne | .... | floor runner | |
| Sheila Price | .... | production accountant | |
| Patrick Smith | .... | publicist | |
| Tom Stourton | .... | location manager | |
| Peter Tullo | .... | location manager | |
| Tracey Waller | .... | title design | |
| Beth Willis | .... | script editor | |
| Simon Neville | .... | armorer (uncredited) | |
| Series Crew These people are regular crew members. Were they in this episode? |
Sound Department | |||
| Lionel Strutt | .... | adr mixer | |
Other crew | |||
| Mark Albela | .... | location manager | |
| Daren Thomas | .... | location runner | |
| Main series | Episode guide | Full cast and crew |
| Company credits | External reviews | IMDb TV section |
| IMDb Drama section | IMDb UK section |
Here's a family so dysfunctional that it could have wandered in from one of Simenon's Maigret novels rather than Agatha Christie. The Cloade family are full of rather awful people and as usual the question is which one of them is going to end up face down on the library carpet.
Poirot isn't on stage for a lot of the middle of the story, but when he springs into action he makes up for it.
In retrospect, it's easy to point out some clues which are so obvious that we never noticed them. But then 'twas ever thus with Agatha Christie.
There are a couple of modern touches -- Christie would never have used the word "shit" or included casual references to homosexuality. But they do say every generation re-makes the classics anew.
As always with these made for TV movies, the period atmosphere looks wonderful.
I'm sure the 1930s weren't this agreeable in real life, but they look great here.