Sam Dunn is a 30-year old anthropologist who wrote his graduate thesis on the plight of Guatemalan refugees. Recenly he has decided to study the plight of a different culture, one he has ... See full summary »
The GET THRASHED journey begins in the early 80s, where Metallica and several other bands laid the groundwork for what would become a lasting impression on the face of heavy metal music. ... See full summary »
Chronicles the history, ideology and aesthetic of Norwegian black metal - a musical subculture infamous as much for a series of murders and church arsons as it is for its unique musical and... See full summary »
A documentary crew followed Metallica for the better part of 2001-2003, a time of tension and release for the rock band, as they recorded their album St. Anger, fought bitterly, and sought the counsel of their on-call shrink.
The making of the Lamb Of God As The Palaces Burn album documentary takes an intimate, 70 minute look into the making of the band's modern, metal masterpiece. Includes in depth new Lamb Of ... See full summary »
In GLOBAL METAL, directors Scot McFadyen and Sam Dunn set out to discover how the West's most maligned musical genre - heavy metal - has impacted the world's cultures beyond Europe and ... See full summary »
Since 1978, Anvil has become one of heavy metal's most influential yet commercially unsuccessful acts. In 2006, after a fledging European tour Anvil sets out to record their thirteenth album and continue to follow their dreams.
Steve 'Lips' Kudlow,
In the late summer of 2006, in the middle of the insurgency, filmmakers Eddy Moretti and Suroosh Alvi traveled to Baghdad to meet and interview the only heavy metal band in Iraq, ... See full summary »
Sam Dunn is a 30-year old anthropologist who wrote his graduate thesis on the plight of Guatemalan refugees. Recenly he has decided to study the plight of a different culture, one he has been a part of since he was a 12-year old: the culture of heavy metal. Sam sets out on a global journey to find out why this music has been consistently stereotyped, dismissed and condemned and yet is loved so passionately by its millions of fans. Along the way, Sam explores metals' obsession with some of life's most provacative subjects - sexuality, religion, violence and death - and discovers some things about the culture that even he can't defend. Shot on location in the UK, Germany, Norway, Canada and the US, this documentary is the first of its kind. It is both a defense of a long-misunderstood art form and a window for the outsider into the spectacle that is heavy metal. Written by
The 21 year sentence in Norway is called "life sentence", so the life sentence in Norway is 21 years. See more »
Dunn also mentions the "Filthy 15", a list of artists with lyrics considered obscene in one of a number of ways. Sam mentions that, of the 15, 8 are metal bands- he has miscounted. Upon reviewing the list, Danish black metal band Mercyful Fate make the list but bump the count to 9 bands. They are also not highlighted like the other metal bands sharing spots on the list. See more »
Nobody wants to be the weird kid; you just somehow end up being the weird kid and can't figure out how you got there. And metal is like that, except it's all the weird kids in one place.
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I saw this movie at an outdoor summer screening in a local park, and it was brilliant to hear the sounds of the metal we know and love pounding out through the park on a Sunday night.
The film was a considered, thoughtful journey through some of the questions that plague the minds of those who aren't part of the metal community. Such as what the fans are like, how they get into metal, why they stay with metal and rarely stray from the various genres that it has. Others include sexuality, girls in metal, and so on.
Each aspect of the documentary was soundly explored, rationally argued, and balanced. For instance, on the one hand you get the perspective of groupies, and then of groupies from bands. You get differing opinions.
In fact, the documentary is a boon for both the metal community and the non-metal community alike. On the one hand, the mettles can revel in the exploration of their community and genres; on the other, the wider community can gain some real insight into the workings of the community.
I must admit that some of the humour that our (predominantly metal) audience felt at the posturing of the Norwegian Black Metal scene, and other parts, the rest of the audience didn't necessarily get. The humour is often something which you must be part of the community to understand, which is why it all appears so serious to the rest of society: they don't get the humour.
All in all, a well-wrought, skillfully crafted, and well argued documentary. Of course there were subgenres and things missing, but you get that with all docos - there just isn't the time to do it. Given the limitations, Metal: a headbanger's journey, makes the most of it and does it well.
Highly recommended viewing.
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