| Piotr Jagielski | ... | Kundel | |
| Agnieszka Nagórzycka | ... | Kuleczka | |
| Edyta Jungowska | ... | Kundel's Mother | |
| Barbara Szkaluba | ... | Kuleczka's sister (as Basia Szkaluba) | |
| Pawel Wilczak | ... | Kuleczka's Father | |
| Marcin Sztabinski | ... | Chudy | |
| Lucjan Bienkowski | ... | Stary | |
| Agnieszka Podsiadlik | ... | Waitress | |
| Elzbieta Okupska | ... | Cook | |
| Janusz Chabior | ... | Guy | |
| Przemyslaw Bluszcz | ... | Policeman | |
| Tomasz Beker | ... | Young Policeman | |
| Kevin Rolof | ... | Young Kundel | |
| Piotr Andrykowski | ... | Gang Member | |
| Mateusz Andrykowski | ... | Gang Member | |
| Kamil Bitau | ... | Gang Member | |
| Lukasz Caban | ... | Gang Member | |
| Patryk Gola | ... | Gang Member | |
| Michal Hardzin | ... | Gang Member | |
| Dawid Kuszel | ... | Gang Member | |
| Patryk Kuszel | ... | Gang Member |
Directed by | |||
| Dorota Kedzierzawska | |||
Writing credits(in alphabetical order) | ||
| Dorota Kedzierzawska | writer | |
Produced by | |||
| Artur Reinhart | .... | producer | |
Original Music by | |||
| Michael Nyman | |||
Cinematography by | |||
| Artur Reinhart | |||
Film Editing by | |||
| Dorota Kedzierzawska | |||
| Artur Reinhart | |||
Casting by | |||
| Magdalena Daniel | |||
Production Design by | |||
| Monika Konarzewska | |||
Costume Design by | |||
| Mariola Dziomdziora | |||
Makeup Department | |||
| Anna Nobel-Nobielska | .... | makeup artist | |
Production Management | |||
| Wieslaw Lysakowski | .... | production manager | |
| Karolina Samojlowicz | .... | assistant production manager | |
Sound Department | |||
| Bartosz Putkiewicz | .... | sound | |
| Reinhard Stergar | .... | production sound mixer | |
Stunts | |||
| Tomasz Krzemieniecki | .... | stunts | |
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| Pora umierac | Wrony | Nic | Diably, diably | Gucia |
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| Full cast and crew | Company credits | External reviews |
| IMDb Drama section | IMDb Poland section | Add this title to MyMovies |
Dorota Kedzierzawska: "I Am"/"Jestem" (Poland, 2005). 100 minutes. No US distributor. Shown at the New York Film Festival, Lincoln Center, September 27, 2005.
An eleven-year-old (Piotr Jagielski) escapes from an orphanage and returns to his hometown where the other kids call him "Mongrel" and his young alcoholic mother (Edyta Jungowska) kicks him out again. Undaunted, he sets up quarters of his own in an abandoned barge. "Mongrel's" survival stratagems and day-to-day encounters show he's not only resourceful but a fundamentally good person. He and an unhappy girl his age (Agnieszka Nagorzycka) from a posh house nearby discover a sense of affection and love in each other's company. "Mongrel" forages, sells scrap metal, and deals with some of the adults in town. Dreaming of being a poet some day, he avoids the bad kids who chase him and sniff glue and doesn't drink or smoke. Prize-winning cinematographer Arthur Reinhardt used systems of bungee cords to stay close to the young actors and eschewed steadicams and hand-held cameras. Panovision Polska actually donated funds and equipment. The resulting gorgeous soft-colored sepia-toned wide-screen images make this quiet film beautiful to behold, and the director has an extraordinary way with child actors. Composer Michael Nyman (who did the scores for five Peter Greenaway films as well as "The Piano," "Gattaca," and "The End of the Affair") has provided music that's both sweeping and intimate. This is no "Ratcatcher" or "400 Blows": this boy is marginal and independent enough to create his own wholly separate world -- at least for a while. It's unlikely this would attract a wide audience, and the images are almost too pretty and tend to highlight a certain Polyannaish spunkyness that at times infringes on the true secrets of childhood with adult philosophizing. At the press screening however, Kedzierzawska explained that the main character was based on a real child she met who lived in the woods and dreamed of being a poet.
The director and cinematographer were on hand for questions after the NYFF press screening, which helped clarify the movie's inspiration and how it was made.