| Photos (see all 32 | slideshow) |
| Ludacris | ... | Narrator (as Chris 'Ludacris' Bridges) | |
| Darnellia Russell | ... | Herself | |
| Bill Resler | ... | Himself | |
| Devon Crosby Helms | ... | Herself (as Devon Crosby-Helms) | |
| Meghan Miller | ... | Herself | |
| Jade White | ... | Herself | |
| Lindsey Wilson | ... | Herself | |
| Mike 'Riderman' Silva | ... | Himself | |
| Emily Watson | ... | Herself | |
| Hillary Seidel | ... | Herself | |
| Aaron Jack | ... | Himself | |
| Maria Mendoza | ... | Herself | |
| Keasha Beward | ... | Herself | |
| April Swafford | ... | Herself | |
| Maude Lepley | ... | Herself | |
| Joyce Walker | ... | Herself | |
| Joel Waters | ... | Himself | |
| Marjorie Russell | ... | Herself | |
| Jerry Ronk | ... | Himself | |
| Shannon Costello | ... | Herself | |
| Jenny Wild | ... | Herself | |
| Alex Jessup | ... | Himself | |
| Emiko Harris | ... | Herself | |
| Leondrae Morris | |||
| Betty Harris | ... | Herself | |
| Urika Russell | ... | Herself | |
| Leyla Khastou | ... | Herself | |
| Tracey Leddo | ... | Herself | |
| Secoy Clemmons | ... | Herself | |
| Trekayla Clemmons | ... | Herself | |
| Kenyon Luce | ... | Himself | |
| Malia O'Neil | ... | Herself | |
| Mike Colbrese | ... | Himself | |
| Kelli Cutright | ... | Herself |
Directed by | |||
| Ward Serrill | |||
Writing credits | ||
| Ward Serrill | (written by) | |
Produced by | |||
| Alice de Muizon | .... | associate producer | |
| Larry Estes | .... | executive producer | |
| Lois Greenberg | .... | associate producer | |
| Liz Manne | .... | producer | |
| Richard Palacios | .... | associate producer | |
| Ward Serrill | .... | producer | |
| Amy Stodghill | .... | associate producer (as Amelia Stodghill) | |
Original Music by | |||
| The Angel | |||
Cinematography by | |||
| Ward Serrill | (director of photography) | ||
Film Editing by | |||
| Eric Frith | |||
Production Management | |||
| Mary Daisey | .... | post-production manager: Flying Spot | |
| Kelli Garces | .... | post-production manager: Flying Spot | |
| Thomas Carl McGuinness | .... | post-production supervisor | |
Art Department | |||
| Alex Bates | .... | graphic designer | |
| Lucy Woodworth | .... | graphic artist: Flying Spot | |
Sound Department | |||
| Pat Cockburn | .... | sound recordist: narration, Bad Animals | |
| Gideon Cohen | .... | sound recordist: narration, Bad Animals | |
| Mark Griswold | .... | additional sound: Bad Animals | |
| Steve Heinke | .... | sound recordist: narration, Bad Animals | |
| Dave Howe | .... | sound mixer: Bad Animals | |
| Matt Hutchinson | .... | sound recordist: narration, Bad Animals | |
| Michael McAuliffe | .... | sound designer: Bad Animals (as Mike McAuliffe) | |
| Joshua Monroy | .... | sound recordist: narration, Bad Animals | |
| Peter Roberts | .... | additional sound: Bad Animals | |
| Ward Serrill | .... | sound recordist: Bad Animals | |
| Eric Soma | .... | additional sound: Bad Animals | |
| Wendi Wills | .... | sound supervisor: post-production, Bad Animals | |
| Daniel Sperry | .... | sound consultant: Dolby (uncredited) | |
Camera and Electrical Department | |||
| Katherine Bragdon | .... | additional camera operator | |
| Wendy Jo Carlton | .... | additional camera operator | |
| David Fox | .... | additional cinematographer | |
| Bruce Hudson | .... | additional camera operator | |
| Charlie Kirkwood | .... | additional camera operator | |
| Kirk Miller | .... | additional camera operator | |
| Richard Palacios | .... | additional camera operator | |
| Ryan Purcell | .... | additional camera operator | |
| Ryan Purcell | .... | lighting | |
| Hilary Seidel | .... | additional camera operator | |
| Scott Seidel | .... | additional camera operator | |
| Aaron Stadler | .... | additional camera operator | |
| Diana Wilmar | .... | additional cinematographer | |
| Ray Woodhouse | .... | additional camera operator | |
Editorial Department | |||
| Shane Dillon | .... | on-line editor: Flying Spot | |
| Kurt Feldhun | .... | additional editor | |
| Tim Harader | .... | additional editor | |
| Steve Harris | .... | on-line editor: Flying Spot | |
| Troy Murison | .... | on-line editor: Flying Spot | |
| Stephen R. Myers | .... | post-production consultant (as Stephen Myers) | |
| Tim Neff | .... | on-line editor: Flying Spot | |
| Amy Stodghill | .... | assistant editor (as Amelia Stodghill) | |
| Jeff Tillotson | .... | electronic film timer: Flying Spot | |
| Tiffany Verzal | .... | additional editor | |
| Dan Niemiec | .... | post-production assistant (uncredited) | |
Music Department | |||
| The Angel | .... | music producer | |
| The Angel | .... | music programmer | |
| The Angel | .... | musician: all other instruments | |
| The Angel | .... | score recordist: synthesizers | |
| Steve Delbert | .... | music recordist: band | |
| Kurt Feldhun | .... | additional composer: score | |
| Susan Jacobs | .... | music supervisor | |
| Brian Richards | .... | music editor | |
| Robert Russell | .... | musician: upright and electric bass | |
Transportation Department | |||
| Steven 'Crash' Arroz | .... | driver: van | |
Other crew | |||
| Alex Bates | .... | technical supporter | |
| Katherine Bragdon | .... | story advisor | |
| Matt Clarke | .... | story advisor | |
| Tricia Cooke | .... | story advisor | |
| Jake Farmer | .... | web site designer | |
| Steve Hay | .... | story advisor | |
| David Hunsaker | .... | story advisor | |
| David Liu | .... | story advisor | |
| Michael McMann | .... | story advisor | |
| Bill Neal | .... | legal services | |
| Cathleen O'Connell | .... | consultant: stock footage | |
| Allison Roberts | .... | tape logging | |
| Pat Sanford | .... | chief executive: Flying Spot | |
| Doug Serrill | .... | usher | |
| June Serrill | .... | usher | |
| Daniel Steinman | .... | legal services | |
| Amy Stodghill | .... | tape logging (as Amelia Stodghill) | |
| Neil Sussman | .... | legal services | |
| Lucy Woodworth | .... | title designer: Flying Spot | |
| Cassandra Barbour | .... | rights and clearances (uncredited) | |
| Kurt Feldhun | .... | story consultant (uncredited) | |
| Laura Sevier | .... | rights and clearances (uncredited) | |
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| IMDb Documentary section | IMDb USA section | Add this title to MyMovies |
The Heart of the Game This is one of the great documentary achievements of the year. There have been so many stunning documentary films lately that they are beginning to provide far more revelation and insight into our times than most fictional works. The Heart of the Game is one of the most stunning examples. To review this as a sports film gives it little of the credit it deserves. What these remarkable filmmakers have done is to fashion a "sports genre" movie into a perfect gem of a film about adolescence, class, race, education, competition, gender, inspiration, and the gallant nature of the everyday the heroes and heroines in our midst. Directed by Ward Serrill, edited by Eric Frith and co-produced by Liz Manne, I think it rivals Grizzly Man in its ability to resonate beyond its own expectations and achieve something akin to poetry.
The filmmakers have put together a rousing portrait of two lives - University of Washington tax professor and women's basketball coach Bill Resler and basketball prodigy Darnellia Russell. Together with an ensemble of colorful and committed women athletes and coaches, they overcome a string of obstacles and turns of good and bad fortune that couldn't be scripted into a work of fiction any more powerfully. That the events you see actually unfolded as the film was being shot is remarkably good luck. They have taken the two hundred hours of footage over six years and beautifully fashioned it into a riveting story that will not only inspire but will blow your mind. The audience is evidence. I cannot remember the last time that heard a sophisticated older audience such as attended this screening, actually yell at the screen, comment out loud, sit on the edge of their seats, and applaud DURING the film. I'm not a sports fan at all. I dislike in many ways the tribal mentality of the commercial sporting event. But this film is way beyond a film for sports fans. It ought to be required viewing for any teacher, and for that matter, any high school class. Rather than another tired anecdote from the rarified world of celebrity let's see Bill Resler and Darnellia Russell on Letterman, Leno, Oprah. These are heroes worth hearing from.