| Photos (See all 33 | slideshow) | Videos (see all 5) |
| Ludacris | ... | Narrator (as Chris 'Ludacris' Bridges) | |
| Darnellia Russell | ... | Herself | |
| Bill Resler | ... | Himself | |
| Devon Crosby Helms | ... | Herself (as Devon Crosby-Helms) | |
| Meghan Miller | ... | Herself | |
| Jade White | ... | Herself | |
| Lindsey Wilson | ... | Herself | |
| Mike 'Riderman' Silva | ... | Himself | |
| Emily Watson | ... | Herself | |
| Hillary Seidel | ... | Herself | |
| Aaron Jack | ... | Himself | |
| Maria Mendoza | ... | Herself | |
| Keasha Beward | ... | Herself | |
| April Swafford | ... | Herself | |
| Maude Lepley | ... | Herself | |
| Joyce Walker | ... | Herself | |
| Joel Waters | ... | Himself | |
| Marjorie Russell | ... | Herself | |
| Jerry Ronk | ... | Himself | |
| Shannon Costello | ... | Herself | |
| Jenny Wild | ... | Herself | |
| Alex Jessup | ... | Himself | |
| Emiko Harris | ... | Herself | |
| Leondrae Morris | |||
| Betty Harris | ... | Herself | |
| Urika Russell | ... | Herself | |
| Leyla Khastou | ... | Herself | |
| Tracey Leddo | ... | Herself | |
| Secoy Clemmons | ... | Herself | |
| Trekayla Clemmons | ... | Herself | |
| Kenyon Luce | ... | Himself | |
| Malia O'Neil | ... | Herself | |
| Mike Colbrese | ... | Himself | |
| Kelli Cutright | ... | Herself |
Directed by | |||
| Ward Serrill | |||
Writing credits | ||
| Ward Serrill | (written by) | |
Produced by | |||
| Alice de Muizon | .... | associate producer | |
| Larry Estes | .... | executive producer | |
| Lois Greenberg | .... | associate producer | |
| Liz Manne | .... | producer | |
| Richard Palacios | .... | associate producer | |
| Ward Serrill | .... | producer | |
| Amy Stodghill | .... | associate producer (as Amelia Stodghill) | |
Original Music by | |||
| The Angel | |||
Cinematography by | |||
| Ward Serrill | (director of photography) | ||
Film Editing by | |||
| Eric Frith | |||
Production Management | |||
| Mary Daisey | .... | post-production manager: Flying Spot | |
| Kelli Garces | .... | post-production manager: Flying Spot | |
| Thomas Carl McGuinness | .... | post-production supervisor | |
Art Department | |||
| Alex Bates | .... | graphic designer | |
| Lucy Woodworth | .... | graphic artist: Flying Spot | |
Sound Department | |||
| Pat Cockburn | .... | sound recordist: narration, Bad Animals | |
| Gideon Cohen | .... | sound recordist: narration, Bad Animals | |
| Mark Griswold | .... | additional sound: Bad Animals | |
| Steve Heinke | .... | sound recordist: narration, Bad Animals | |
| Dave Howe | .... | sound mixer: Bad Animals | |
| Matt Hutchinson | .... | sound recordist: narration, Bad Animals | |
| Michael McAuliffe | .... | sound designer: Bad Animals (as Mike McAuliffe) | |
| Joshua Monroy | .... | sound recordist: narration, Bad Animals | |
| Peter Roberts | .... | additional sound: Bad Animals | |
| Ward Serrill | .... | sound recordist: Bad Animals | |
| Eric Soma | .... | additional sound: Bad Animals | |
| Wendi Wills | .... | sound supervisor: post-production, Bad Animals | |
| Daniel Sperry | .... | sound consultant: Dolby (uncredited) | |
Camera and Electrical Department | |||
| Katherine Bragdon | .... | additional camera operator | |
| Wendy Jo Carlton | .... | additional camera operator | |
| David Fox | .... | additional cinematographer | |
| Bruce Hudson | .... | additional camera operator | |
| Charlie Kirkwood | .... | additional camera operator | |
| Kirk Miller | .... | additional camera operator | |
| Richard Palacios | .... | additional camera operator | |
| Ryan Purcell | .... | additional camera operator | |
| Ryan Purcell | .... | lighting | |
| Hilary Seidel | .... | additional camera operator | |
| Scott Seidel | .... | additional camera operator | |
| Aaron Stadler | .... | additional camera operator | |
| Diana Wilmar | .... | additional cinematographer | |
| Ray Woodhouse | .... | additional camera operator | |
Editorial Department | |||
| Shane Dillon | .... | on-line editor: Flying Spot | |
| Kurt Feldhun | .... | additional editor | |
| Tim Harader | .... | additional editor | |
| Steve Harris | .... | on-line editor: Flying Spot | |
| Troy Murison | .... | on-line editor: Flying Spot | |
| Stephen R. Myers | .... | post-production consultant (as Stephen Myers) | |
| Tim Neff | .... | on-line editor: Flying Spot | |
| Amy Stodghill | .... | assistant editor (as Amelia Stodghill) | |
| Jeff Tillotson | .... | electronic film timer: Flying Spot | |
| Tiffany Verzal | .... | additional editor | |
| Dan Niemiec | .... | post-production assistant (uncredited) | |
Music Department | |||
| The Angel | .... | music producer | |
| Steve Delbert | .... | music recordist: band | |
| Kurt Feldhun | .... | additional composer: score | |
| Susan Jacobs | .... | music supervisor | |
| Brian Richards | .... | music editor | |
| Robert Russell | .... | musician: upright and electric bass | |
| Michael Sackler-Berner | .... | assistant music supervisor (uncredited) | |
Transportation Department | |||
| Steven 'Crash' Arroz | .... | driver: van | |
Other crew | |||
| Alex Bates | .... | technical supporter | |
| Katherine Bragdon | .... | story advisor | |
| Matt Clarke | .... | story advisor | |
| Tricia Cooke | .... | story advisor | |
| Jake Farmer | .... | web site designer | |
| Steve Hay | .... | story advisor | |
| Dave Hunsaker | .... | story advisor (as David Hunsaker) | |
| David Liu | .... | story advisor | |
| Michael McMann | .... | story advisor | |
| Bill Neal | .... | legal services | |
| Cathleen O'Connell | .... | consultant: stock footage | |
| Allison Roberts | .... | tape logging | |
| Pat Sanford | .... | chief executive: Flying Spot | |
| Doug Serrill | .... | usher | |
| June Serrill | .... | usher | |
| Daniel Steinman | .... | legal services | |
| Amy Stodghill | .... | tape logging (as Amelia Stodghill) | |
| Neil Sussman | .... | legal services | |
| Lucy Woodworth | .... | title designer: Flying Spot | |
| Cassandra Barbour | .... | rights and clearances (uncredited) | |
| Kurt Feldhun | .... | story consultant (uncredited) | |
| Laura Sevier | .... | rights and clearances (uncredited) | |
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| Coach Carter | 17 Again | Murderball | Gracie | Godley Girls |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb USA section |
"A full-court press the whole game. No offensive strategy, just run like hell." Sounds like Hoop Dreams territory--the same go gettem' spirit resides with the newest entry in the basketball rags to riches genre, Heart of the Game.
In late 1990's Seattle, the Roosevelt High Roughriders get a greenhorn coach in Prof. Bill Resler, a middle aged tax professor, who has a heart and a dream. His recruit, Darnellia Russell, will help him reach that goal of going to the state championship. Along the way they'll have to fight the Washington Interscholastic Activities Association, her pregnancy, and talented competition.
The themes for each season best symbolize the scorched-earth attitude of the scrappy coach and his warriors: Pride of Lions and Pack of Wolves are two of the scarier ones, coupled with chants such as "Draw Blood" and "'Put your teeth in their necks." No prisoners in their game, but it all does make for an exciting doc.
Even though I'm not interested in spending much time watching athletic events, I am a sucker for theses athletics stories because they always depict young people finding truth and honor and their futures along the way. That romantic view of sports is tempered by the fact that they don't always win the game but almost always the heart.
"What I know," Coach Resler says, "is that Darnellia is brilliant. The one issue she has to conquer is, believing in how smart she is." The documentary by director Ward Serrill perhaps too much focuses on Darnellia's challenges, but she deserves attention as charismatic and downright cinematic as she is. There are others, including the coach, whose stories could be the centerpiece, but none better than Darnellia's for all the components of compelling film-making.
"Have fun," coach Resler tells the players after every timeout. Have fun you will if you let yourself watch these winners play.