Christine (Alexandra Finder) is married to police officer Uwe (David Zimmerschied) and together with their little girl Clara (played by Pia and Chiara Kleemann) they live in a small town ... See full summary »
Director:
Philip Gröning
Stars:
Alexandra Finder,
David Zimmerschied,
Pia Kleemann
OUR DAILY BREAD is a wide-screen tableau of a feast which isn't always easy to digest - and in which we all take part. A pure, meticulous and high-end film experience that enables the audience to form their own ideas.
Director:
Nikolaus Geyrhalter
Stars:
Claus Hansen Petz,
Arkadiusz Rydellek,
Barbara Hinz
Under threat by fundamentalist terrorists, a group of Trappist monks stationed with an impoverished Algerian community must decide whether to leave or stay.
Director:
Xavier Beauvois
Stars:
Lambert Wilson,
Michael Lonsdale,
Olivier Rabourdin
David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from... See full summary »
Director:
Philip Gröning
Stars:
Sabine Timoteo,
Florian Stetter,
Michael Schech
Ondrej, a young boy who loves bees and bats, is introduced to his new mother, a woman much younger than his father. He brings her a basketful of flowers which she starts to throw in the air... See full summary »
The artist, Antonio Lopez, tries to paint the quince tree he planted some time back in his garden. Throughout his life, he has worked on the same theme many times, almost as if it were a ... See full summary »
The film dramatizes about a dozen vignettes from the life of St. Francis and his early followers - starting with their return in the rain to Rivotorlo from Rome when the Pope blessed their ... See full summary »
A mute gunfighter defends a young widow and a group of outlaws against a gang of bounty killers in the winter of 1898, and a grim, tense struggle unfolds.
Director:
Sergio Corbucci
Stars:
Jean-Louis Trintignant,
Klaus Kinski,
Frank Wolff
Blind Monk:
Why be afraid of death? It is the fate of all humans. The closer one brings oneself to God, the happier one is. It is the end of our lives. The closer one brings oneself to God, the happier one is, the faster one hurries to meet Him. One should have no fear of death. On the contrary! For us, it is a great joy to find a Father once again.
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Winter, spring, summer, fall...and winter. No, this is not the quasi-eponymous Korean movie. It is the period of time over which the film was shot, around 2002. It is a documentary on the Grande Chartreuse cloister situated in a deep valley above the city of Grenoble, France. A couple of dozen monks live there. There are novices on probation and seniors long having made their vow of permanent ascetic life. The rhythm of their daily cloistered routines is the backbone of the film: frequent prayers, meals eaten alone in individual private apartments, execution of assigned chores, etc. From Monday to Saturday few words are exchanged. The only sounds are those of human movement, work activities, church bells and chirps from the surrounding forest. The only music to be heard is that of liturgical evening chants.
Not every aspect of monastic life is covered. As the director explains, this is not an informational film. It is a long contemplation on ascetic life. It may seem too long after two hours. The tedious repetitiveness is purposeful however. Even on-the-screen quotes are shown multiple times throughout the movie accentuating that repetitiveness. It is enough to convince us that it takes a special individual to commit to such constrained existence, one modulated only by the moods of the seasons. We are presented with snapshots of odd moments: monks frolicking in the snow; preparing a vegetable garden for spring seeding; a summer Sunday outing when monks are free to socialize and, on this day, they discuss the appropriateness of washing one's hands before meals (a contrarian monk has a simple solution: don't get your hands dirty).
Despite the isolation, there are signs the outside world is not too far. Fruits are served with supermarket produce number stickers still attached, correspondence and bills arrive and managed with a laptop computer (no evidence of an Internet connection), and some of the tools are distinctly modern.
It's a quiet film. Too long and soporific for some, possibly inspiring to others. What stayed with me after watching 162 minutes of this is the plain beauty of the cloister and the reminder of a life style that we may have thought extinct in the West.
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Winter, spring, summer, fall...and winter. No, this is not the quasi-eponymous Korean movie. It is the period of time over which the film was shot, around 2002. It is a documentary on the Grande Chartreuse cloister situated in a deep valley above the city of Grenoble, France. A couple of dozen monks live there. There are novices on probation and seniors long having made their vow of permanent ascetic life. The rhythm of their daily cloistered routines is the backbone of the film: frequent prayers, meals eaten alone in individual private apartments, execution of assigned chores, etc. From Monday to Saturday few words are exchanged. The only sounds are those of human movement, work activities, church bells and chirps from the surrounding forest. The only music to be heard is that of liturgical evening chants.
Not every aspect of monastic life is covered. As the director explains, this is not an informational film. It is a long contemplation on ascetic life. It may seem too long after two hours. The tedious repetitiveness is purposeful however. Even on-the-screen quotes are shown multiple times throughout the movie accentuating that repetitiveness. It is enough to convince us that it takes a special individual to commit to such constrained existence, one modulated only by the moods of the seasons. We are presented with snapshots of odd moments: monks frolicking in the snow; preparing a vegetable garden for spring seeding; a summer Sunday outing when monks are free to socialize and, on this day, they discuss the appropriateness of washing one's hands before meals (a contrarian monk has a simple solution: don't get your hands dirty).
Despite the isolation, there are signs the outside world is not too far. Fruits are served with supermarket produce number stickers still attached, correspondence and bills arrive and managed with a laptop computer (no evidence of an Internet connection), and some of the tools are distinctly modern.
It's a quiet film. Too long and soporific for some, possibly inspiring to others. What stayed with me after watching 162 minutes of this is the plain beauty of the cloister and the reminder of a life style that we may have thought extinct in the West.