David, a recently fired scrapyard worker and Marie, a prostitute, both about 20 years old, meet on New Year's Eve in Berlin and decide to run away together. As David's arm is plastered from... See full summary »
Director:
Philip Gröning
Stars:
Sabine Timoteo,
Florian Stetter,
Michael Schech
Christine (Alexandra Finder) is married to police officer Uwe (David Zimmerschied) and together with their little girl Clara (played by Pia and Chiara Kleemann) they live in a small town ... See full summary »
Director:
Philip Gröning
Stars:
Alexandra Finder,
David Zimmerschied,
Pia Kleemann
Aidai the baksy, or witch doctor, lives in the mountains and helps people. She uses mysterious actions to cure the sick and to give infertile couples children. As capitalist forces begin to... See full summary »
Under threat by fundamentalist terrorists, a group of Trappist monks stationed with an impoverished Algerian community must decide whether to leave or stay.
Director:
Xavier Beauvois
Stars:
Lambert Wilson,
Michael Lonsdale,
Olivier Rabourdin
From opposing ethnicities, Ngabo and Sangwa are tested when old-timers warn, "Hutus and Tutsis should not be friends." An intense and inspiring portrait of youth in Rwanda, 'Munyurangabo' ... See full summary »
Director:
Lee Isaac Chung
Stars:
Jeff Rutagengwa,
Eric Ndorunkundiye,
Jean Marie Vianney Nkurikiyinka
A reconstruction of the trial of Joan of Arc (based entirely on the transcripts of the real-life trial), concerning Joan's imprisonment, interrogation and final execution at the hands of ... See full summary »
Director:
Robert Bresson
Stars:
Florence Delay,
Jean-Claude Fourneau,
Roger Honorat
Whistling, kidnap and a bottle of tippex all feature in this part animated documentary which looks at the violence and corruption women face when entering the male dominated world of ... See full summary »
A group of terrorists want to 'improve' the political clima in Germany by assassinating a leading Poltican, but this attempt fails, and somebody notices, that they are planing something.
Director:
Philip Gröning
Stars:
Stephanie Bothor,
Michael Schech,
David Baalcke
Blind Monk:
Why be afraid of death? It is the fate of all humans. The closer one brings oneself to God, the happier one is. It is the end of our lives. The closer one brings oneself to God, the happier one is, the faster one hurries to meet Him. One should have no fear of death. On the contrary! For us, it is a great joy to find a Father once again.
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Winter, spring, summer, fall...and winter. No, this is not the quasi-eponymous Korean movie. It is the period of time over which the film was shot, around 2002. It is a documentary on the Grande Chartreuse cloister situated in a deep valley above the city of Grenoble, France. A couple of dozen monks live there. There are novices on probation and seniors long having made their vow of permanent ascetic life. The rhythm of their daily cloistered routines is the backbone of the film: frequent prayers, meals eaten alone in individual private apartments, execution of assigned chores, etc. From Monday to Saturday few words are exchanged. The only sounds are those of human movement, work activities, church bells and chirps from the surrounding forest. The only music to be heard is that of liturgical evening chants.
Not every aspect of monastic life is covered. As the director explains, this is not an informational film. It is a long contemplation on ascetic life. It may seem too long after two hours. The tedious repetitiveness is purposeful however. Even on-the-screen quotes are shown multiple times throughout the movie accentuating that repetitiveness. It is enough to convince us that it takes a special individual to commit to such constrained existence, one modulated only by the moods of the seasons. We are presented with snapshots of odd moments: monks frolicking in the snow; preparing a vegetable garden for spring seeding; a summer Sunday outing when monks are free to socialize and, on this day, they discuss the appropriateness of washing one's hands before meals (a contrarian monk has a simple solution: don't get your hands dirty).
Despite the isolation, there are signs the outside world is not too far. Fruits are served with supermarket produce number stickers still attached, correspondence and bills arrive and managed with a laptop computer (no evidence of an Internet connection), and some of the tools are distinctly modern.
It's a quiet film. Too long and soporific for some, possibly inspiring to others. What stayed with me after watching 162 minutes of this is the plain beauty of the cloister and the reminder of a life style that we may have thought extinct in the West.
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Winter, spring, summer, fall...and winter. No, this is not the quasi-eponymous Korean movie. It is the period of time over which the film was shot, around 2002. It is a documentary on the Grande Chartreuse cloister situated in a deep valley above the city of Grenoble, France. A couple of dozen monks live there. There are novices on probation and seniors long having made their vow of permanent ascetic life. The rhythm of their daily cloistered routines is the backbone of the film: frequent prayers, meals eaten alone in individual private apartments, execution of assigned chores, etc. From Monday to Saturday few words are exchanged. The only sounds are those of human movement, work activities, church bells and chirps from the surrounding forest. The only music to be heard is that of liturgical evening chants.
Not every aspect of monastic life is covered. As the director explains, this is not an informational film. It is a long contemplation on ascetic life. It may seem too long after two hours. The tedious repetitiveness is purposeful however. Even on-the-screen quotes are shown multiple times throughout the movie accentuating that repetitiveness. It is enough to convince us that it takes a special individual to commit to such constrained existence, one modulated only by the moods of the seasons. We are presented with snapshots of odd moments: monks frolicking in the snow; preparing a vegetable garden for spring seeding; a summer Sunday outing when monks are free to socialize and, on this day, they discuss the appropriateness of washing one's hands before meals (a contrarian monk has a simple solution: don't get your hands dirty).
Despite the isolation, there are signs the outside world is not too far. Fruits are served with supermarket produce number stickers still attached, correspondence and bills arrive and managed with a laptop computer (no evidence of an Internet connection), and some of the tools are distinctly modern.
It's a quiet film. Too long and soporific for some, possibly inspiring to others. What stayed with me after watching 162 minutes of this is the plain beauty of the cloister and the reminder of a life style that we may have thought extinct in the West.