| Photos (see all 4 | slideshow) |
| Taysir Alony | ... | Himself - Journalist | |
| Sayeed Mirza Hussain | ... | Himself - Bamiyan Cave Dweller (as Sayyed Mirza Hussain) | |
| Peter Mettler | ... | Narrator - English version | |
| Nelofer Pazira | ... | Herself - Journalist | |
| Zémaryalaï Tarzi | ... | Himself - Archaeologist | |
| Xuanzang | ... | Himself |
Directed by | |||
| Christian Frei | |||
Produced by | |||
| Christian Frei | .... | producer | |
| Madeleine Hirsiger | .... | co-producer | |
| Paul Riniker | .... | co-producer | |
| Peter Spoerri | .... | line producer: pre-production | |
Original Music by | |||
| Jan Garbarek | |||
| Philip Glass | |||
| Steve Kuhn | |||
| Arvo Pärt | |||
Cinematography by | |||
| Peter Indergand | |||
Film Editing by | |||
| Christian Frei | |||
| Denise Zabalaga | (uncredited) | ||
Production Management | |||
| Bernard Weber | .... | executive production manager | |
Second Unit Director or Assistant Director | |||
| Denise Zabalaga | .... | assistant director | |
Sound Department | |||
| Florian Eidenbenz | .... | sound designer | |
| Florian Eidenbenz | .... | sound mixer | |
| Mark Kenna | .... | consultant: Dolby film sound | |
| Julien Martin | .... | foley recording engineer | |
| Dieter Meyer | .... | sound | |
| Gadou Naudin | .... | foley artist | |
Visual Effects by | |||
| Paul Avondet | .... | visual effects | |
| Patrick Lindenmaier | .... | visual effects supervisor | |
| Patrick Lindenmaier | .... | visual effects | |
Camera and Electrical Department | |||
| Massoum Quesmat | .... | additional cinematography: UNESCO sequence | |
Editorial Department | |||
| Paul Avondet | .... | color correction | |
| Loredana Cristelli | .... | edit supervisor | |
| Patrick Lindenmaier | .... | color correction | |
| Denise Zabalaga | .... | assistant editor | |
Music Department | |||
| Manfred Eicher | .... | music consultant | |
Other crew | |||
| Paul Bucherer | .... | advisor: Afghanistan Museum | |
| Swen Connrad | .... | video footage: historic sequence | |
| Claudia De Morsier | .... | translator: Chinese | |
| Julius Effenberger | .... | legal advisor | |
| Béatrice Eglin | .... | production assistant | |
| Béatrice Eglin | .... | researcher: television news compilation | |
| Allegra Grevelius | .... | translator: English | |
| Armin Grün | .... | advisor: ETH Zurich | |
| Arham Haq | .... | translator: Dari | |
| Shoaib Harris | .... | translator | |
| James Lewis | .... | video footage: historic sequence | |
| Richard Liu | .... | translator | |
| Christian Manhard | .... | advisor: UNESCO Paris | |
| Belinda Pudil | .... | production accountant | |
| Thomas Pudil | .... | production accountant | |
| Yves Raeber | .... | translator: French | |
| Paul Riniker | .... | narration supervisor | |
| Jan Rofekamp | .... | world sales | |
| Satar Samim | .... | translator | |
| Top Treuhand | .... | production accountant | |
| Denise Zabalaga | .... | translator: Arabic | |
| Denise Zabalaga | .... | translator: Dari | |
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| Fahrenheit 9/11 | A Mighty Heart | Disarm | Syriana | Le monde selon Bush |
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| Full cast and crew | Company credits | External reviews |
| IMDb Documentary section | IMDb Switzerland section | Add this title to MyMovies |
I just saw this film at the Florida Film Fest and I can't believe that it made it into the fest at all. I am sure that the film makers went to a great deal of trouble, but the resulting film has almost no structure and no interest in Buddism.
There was a great deal of hand held footage of the camera zoomed in and pointed at the ground as someone walked along creating the "Blair Witch seasick " effect.
I did not feel that the filmmakers had a point of view that I did not agree with. It seemed that there was no point of view at all, just people poking around broken rocks. Again, I know how hard it is even to make a short film in your own back yard, so I feel bad saying this, but the subject is so rich that a much better film could be made with a different script and stock footage.