7.2/10
61,603
228 user 232 critic

In the Valley of Elah (2007)

A retired military investigator works with a police detective to uncover the truth behind his son's disappearance following his return from a tour of duty in Iraq.

Director:

Writers:

(screenplay), (story) | 1 more credit »

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From $2.99 (SD) on Amazon Video

ON DISC
Nominated for 1 Oscar. Another 2 wins & 17 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Sgt. Dan Carnelli
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Arnold Bickman
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Evie
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Corporal Steve Penning
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Spc. Gordon Bonner
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Spc. Ennis Long
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Mike Deerfield
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Detective Nugent
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Private Robert Ortiez (as Victor Wolf)
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Detective Hodge
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Storyline

In Monroe, Tennessee, Hank Deerfield, an aging warrior, gets a call that his son, just back from 18 months' fighting in Iraq, is missing from his base. Hank drives to Fort Rudd, New Mexico, to search. Within a day, the charred and dismembered body of his son is found on the outskirts of town. Deerfield pushes himself into the investigation, marked by jurisdictional antagonism between the Army and local police. Working mostly with a new detective, Emily Sanders, Hank seems to close in on what happened. Major smuggling? A drug deal gone awry? Credit card slips, some photographs, and video clips from Iraq may hold the key. If Hank gets to the truth, what will it tell him? Written by <jhailey@hotmail.com>

Plot Summary | Plot Synopsis

Taglines:

Sometimes finding the truth is easier than facing it. See more »


Motion Picture Rating (MPAA)

Rated R for violent and disturbing content, language and some sexuality/nudity | See all certifications »

Parents Guide:

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Details

Country:

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Release Date:

28 September 2007 (USA)  »

Also Known As:

Death and Dishonor  »

Filming Locations:

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Box Office

Opening Weekend:

$133,557 (USA) (14 September 2007)

Gross:

$6,777,589 (USA) (15 February 2008)
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Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

This film was originally a potential starring vehicle for Clint Eastwood, who directed Paul Haggis's screenplay for Million Dollar Baby (2004). Eastwood turned it down, despite liking the script very much, and recommended his friend Tommy Lee Jones for the role of Hank Deerfield. See more »

Goofs

Evie (aka "Madame") identifies Penning in the photo with Mike with the photo in the middle of a pile and under some other photos. In a the longer shot, she is seen to have her finger on a photo which is on top of all the others and which actually has three soldiers in the photo. See more »

Quotes

[first lines]
Spc. Gordon Bonner: What are you doing? Get back in the fucking vehicle man! Mike, get back in the fucking vehicle. Let's go, Mike, now!
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Connections

Referenced in Jeopardy!: Episode #25.14 (2008) See more »

Soundtracks

Lost
Written by Annie Lennox
Performed by Annie Lennox
Courtesy of Arista Records, LLC
By Arrangement with Sony BMG Music Entertainment
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Frequently Asked Questions

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User Reviews

 
Surprisingly Poetic and Not Very Political.
30 September 2007 | by (Toronto, Canada) – See all my reviews

This movie is just about perfect. I love how it starts as a genre movie and then transcends into something deeper and soul-searching. Some people just don't like Paul Haggis, but I'm not one of them. I think he's very smart here; he has no political point of view, he handles Charlize Theron perfectly, and the movie forces everybody to think about the troops in a way that isn't simply political rhetoric. I love that Tommy Lee Jones feels the way so many dads do. He's never been better. Watching the police work happen is interesting on it's own, but I like that Charlize Theron is just out to do the job correctly and just shrugs off the chauvinism coming at her from her department. The movie could've gone somewhere with that, but instead just quietly lets us in on it and moves on.

There have been many very good movies the last few years about Iraq-related themes, but I don't think there is a film that captures the feeling of the national mood as good as this one. It's drained of melodrama and just sort of moves forward on really good performances of the whole cast, who all act according to their natures instead of because of stupid plot requirements.


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