| Hugues de Montalembert | ... | Himself | |
| Lindsey Pehrson | ... | Girl on Street |
Directed by | |||
| Gary Tarn | |||
Writing credits(in alphabetical order) | ||
| Hugues de Montalembert | narration | |
| Hugues de Montalembert | story | |
Produced by | |||
| John Battsek | .... | producer | |
| Alfonso Cuarón | .... | executive producer | |
| Nick Fraser | .... | executive producer: BBC | |
| Julie Goldman | .... | co-executive producer | |
| Krysanne Katsoolis | .... | co-executive producer | |
| Andrew Ruhemann | .... | executive producer | |
| Caroline Stevens | .... | co-executive producer | |
| Nicole Stott | .... | associate producer | |
| Frida Torresblanco | .... | executive producer | |
Original Music by | |||
| Gary Tarn | |||
Cinematography by | |||
| Gary Tarn | |||
Film Editing by | |||
| Gary Tarn | |||
Production Design by | |||
| Gary Tarn | |||
Sound Department | |||
| Nigel Squibbs | .... | sound editor | |
| Gary Tarn | .... | sound | |
Visual Effects by | |||
| Gary J. Brown | .... | digital effects artist | |
Camera and Electrical Department | |||
| Luke Eder | .... | additional camera operator | |
Animation Department | |||
| Belinda Blacklock | .... | animation producer | |
Editorial Department | |||
| Jonathan Liebert | .... | digital cinema mastering | |
| Tim Waller | .... | senior colorist | |
Music Department | |||
| Alex Nikolic | .... | music video | |
Other crew | |||
| Alex Nikolic | .... | media producer | |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Documentary section | IMDb UK section |
Being born blind necessitates accommodation to the sighted world from day one, but what kind of struggle does a person face when blinded much later in life.
In Hugues de Montalembert's case, not only was his sight taken away but it was the primary sense he utilized for maintaining his chosen profession as a painter. All it took was one mugger's desperate gesture to render him disabled and forever unemployed.
Rather than try to re-create the circumstances and do a straight interview with Hugues, director Gary Tarn has undertaken a much more artistic approach to show just what has been lost when you leave the sighted world for one of darkness or extreme blurriness.
While Hugues retells his struggles during the intervening years, the screen is filled with images of life in New York city and occasionally the blurry view that Hugues would have of the same scenes the viewer can observe with perfect clarity.
Not for all tastes, but if you're sick of 'talking-head' fact-flicks then this meditation on loss and rehabilitation could be of value. You never know when you might find yourself struck blind either accidentally or as the victim of a crime. This film helps to fill in some of the details of that worst-case scenario.