Ben Campbell is a young, highly intelligent, student at M.I.T. in Boston who strives to succeed. Wanting a scholarship to transfer to Harvard School of Medicine with the desire to become a doctor, Ben learns that he cannot afford the $300,000 for the four to five years of schooling as he comes from a poor, working-class background. But one evening, Ben is introduced by his unorthodox math professor Micky Rosa into a small but secretive club of five. Students Jill, Choi, Kianna, and Fisher, who are being trained by Professor Rosa of the skill of card counting at blackjack. Intrigued by the desire to make money, Ben joins his new friends on secret weekend trips to Las Vegas where, using their skills of code talk and hand signals, they have Ben make hundreds of thousands of dollars in winning blackjack at casino after casino. Ben only wants to make enough money for the tuition to Harvard and then back out. But as fellow card counter, Jill Taylor, predicts, Ben becomes corrupted by greed ... Written by
The problem Prof. Rosa mentions in class with the three doors is known as the Monty Hall problem. See more »
The two-siblings question posed by Rosa in his classroom is a popular thought problem, which often appears in the first chapter of introductory level probability books or in newspaper puzzle pages. It most certainly would not have had such a stymieing effect on a class of MIT mathematics students. See more »
Basic strategy says that you should hit that!
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This film screened at the SXSW Film Festival in Austin, TX. It is a reasonable well-made based-on-a-true-story film that tells the story of a group of MIT students who attempt to make a fortune counting cards in Vegas. The screenplay apparently plays pretty fast-and-loose with the version told in the book. Never-the-less, the acting is excellent - especially Jim Sturgess in the role of the lead student. Honestly, his accent was so good that I didn't realize - until he came on stage afterward - that he was British. He does a great job with the mannerisms to give you a real sense of the character's evolution. Kevin Spacey and Laurence Fishburne are solid - although Fishburne's role is fairly small. The minor characters are not as well-developed as they could have been. The cinematography of both Boston and Las Vegas is quite good, especially on the big screen. It's an interesting story, but they could have edited down a bit to make it move a little quicker. This is a good film, but it probably could have been a lot better.
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