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Takeshis' (2005) More at IMDbPro »

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Takeshis' (2005) -- Sinematurk - Trailer (Flash)

Overview

User Rating:
6.5/10   1,647 votes
MOVIEmeter: ?
Up 1% in popularity this week. See why on IMDbPro.
Director:
Writer:
Takeshi Kitano (written by)
Contact:
View company contact information for Takeshis' on IMDbPro.
Release Date:
5 November 2005 (Japan) more
Genre:
Tagline:
500% Kitano - nothing to add!
Plot:
Beat Takeshi, a prominent actor, meets a lookalike named Kitano, who is a struggling actor, but after the meeting, Kitano's dreams take a violent, surreal turn. full summary | add synopsis
Awards:
1 nomination more
NewsDesk:
(2 articles)
Takeshi Kitano's new yakuza film has a title and a still. Woot!
 (From Twitch. 2 December 2009, 2:04 PM, PST)

Festival du Nouveau Cinéma!
 (From ioncinema. 13 October 2005)

User Reviews:
What's in an apostrophe more (22 total)

Cast

  (in credits order)

Takeshi Kitano ... Beat Takeshi / Mr. Kitano (as Beat Takeshi)
Kotomi Kyôno ... Takeshi's Girl Friend / Kitano's Female Neighbor
Kayoko Kishimoto ... Mahjong Parlor Woman / Audition Producer / Customer
Ren Ôsugi ... Takeshi's Manager / Taxi Driver
Susumu Terajima ... Takeshi's Friend / Kitano's Yakuza Neighbor
Tetsu Watanabe ... TV Wardrobe Master / Noodle Cook / Audition Actor
Akihiro Miwa ... Himself
Naomasa Musaka
Kôichi Ueda
Tsutomu Takeshige
Beat Kiyoshi
Junya Takaki ... Himself
Shôgo Kimura
Kanji Tsuda
Makoto Ashikawa
Tamotsu Ishibashi
Kunihiro Matsumura
Toshi
Shoken Kunimoto
Shinji Uchiyama
D.J. Hanger (as DJ Hanger)
rest of cast listed alphabetically:
Tadanobu Asano
Taigi Kobayashi

Jonathan Legg ... American soldier
Takashi Nishina
Taichi Saotome ... Unnamed young man
Junya Takagi
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Directed by
Takeshi Kitano 
 
Writing credits
(in alphabetical order)
Takeshi Kitano  written by

Produced by
Masayuki Mori .... producer
Takio Yoshida .... producer
 
Original Music by
Nagi 
 
Cinematography by
Katsumi Yanagijima 
 
Film Editing by
Takeshi Kitano 
Yoshinori Ôta 
 
Production Design by
Norihiro Isoda 
 
Art Direction by
Norihiro Isoda 
 
Costume Design by
Yohji Yamamoto 
 
Sound Department
Senji Horiuchi .... sound
 
Special Effects by
Kikuo Notomi .... armourer
Kikuo Notomi .... pyrotechnician
 
Camera and Electrical Department
Hitoshi Takaya .... gaffer
 
Other crew
Richard Lormand .... publicist: international
 

Production CompaniesDistributorsOther Companies
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Additional Details

Also Known As:
Fractal (Japan) (working title)
more
Runtime:
108 min
Country:
Language:
Color:
Aspect Ratio:
1.85 : 1 more
Sound Mix:
Filming Locations:

Fun Stuff

Trivia:
Kitano conceived the idea during the shooting of Sonatine (1993). Then called 'Fractals', the idea was to depict how an ordinary person's dreams would create an imaginative world, where the dream person's dream's would create another imaginative world and so on, going back and forth between his actions in reality and those in his imaginary worlds. The project was, for many reasons, put off throughout the years, until Kitano rewrote the storyline and made himself the protagonist. more
Quotes:
[after first meeting Kitano without the clown makeup]
Beat Takeshi: He does looks like me.
more
Movie Connections:
References "Shakugan no Shana" (2005) more

FAQ

This FAQ is empty. Add the first question.
8 out of 10 people found the following review useful.
What's in an apostrophe, 28 April 2006
7/10
Author: Kil_Killion from Japan

TAKESHIS' I have been thinking about what exactly the apostrophe in the title is doing.

An apostrophe is used to indicate the omission of a letter or letters from a word, the possessive case, or the plurals of numbers, letters, and abbreviations. To have a plural of "Takeshi", you just add an "s". To show that Takeshi owns something, you would simply write "Takeshi's thing". Therefore, the title "Takeshis'" would be the possessive of the plural "Takeshis".

Perhaps the title isn't (incorrectly) denoting a plural, but actually means that this film belongs to "more than one Takeshi"? It belongs to all of Takeshi's personas, and characters. It COULD just be another example of misuse of the poor apostrophe, but maybe Takeshi studied hard at school, and has dedicated this self-parody to himself, and his own multiplicity.

That being said, he reportably not all of the Takeshis are happy, as one was reportably quoted as saying: "Today I saw the film again and it's terrible. 'Who the hell made this?' I thought to myself. I set out to make a strange, groundbreaking film, and I think it succeeds, but it feels like I made a car that was so fast I couldn't drive it and fell out. If I win the Grand Prix, it must mean I'm nearing death, so I don't need it. This period is over. Next time I'm going to make an orthodox film in the style of the masters and then maybe I'll win." I think he was being too hard on himself (himselves?), but perhaps it never ends for an artists such as him (them?).

OK, enough with the plural jokes, and they probably only amuse me anyway. I just finished watching the film. It had been sitting on my shelf for a while, and I needed to relax after a frustrating mêlée in Half-Life 2 (Nova Prospekt!). I had intentionally read as little as I could about this film beforehand, and I had almost no idea what to expect when the film began. However, I instantly knew that I was watching a Takeshi Kitano film - the unmistakable style of the director completely permeates this film. Besides, there was a big blue "K" at the start.

This film is like some kind of flushing out of Kitano's creative musings. It is surreal and dreamlike, free form, and has some fantastic images and compositions. The film is almost totally devoid of complex narrative, and is instead experimental and perhaps introspective for the director. Perhaps this is what his dreams are like, and if he means what he said above, maybe this film is the end of an era - the final digestive process before moving on to the next creative banquet.

I truly respect Kitano for his bold creativity in film. He seems to attack it as he does his painting. He creates for himself, and I am sure whatever his next project is, it will be unmistakably his own.

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