IMDb > No Country for Old Men (2007)
No Country for Old Men
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No Country for Old Men (2007) More at IMDbPro »

Photos (see all 49 | slideshow) Videos (see all 65)
No Country for Old Men (2007) -- The octogenarian odd couple of film criticism, the Reel Geezers, review No Country for Old Men.
No Country for Old Men (2007) -- No Country for Old Men Trailer
No Country for Old Men (2007) -- Clip: Phone call
No Country for Old Men (2007) -- Interview: Joel & Ethan Coen "On The Basic Story"
No Country for Old Men (2007) -- Trailer for this Cohen Brothers classic

Overview

User Rating:
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No change in popularity this week. See why on IMDbPro.
Directors:
Writers (WGA):
Joel Coen (screenplay) &
Ethan Coen (screenplay) ...
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Contact:
View company contact information for No Country for Old Men on IMDbPro.
Release Date:
21 November 2007 (USA) more
Tagline:
There Are No Clean Getaways more
Plot:
Violence and mayhem ensue after a hunter stumbles upon some dead bodies, a stash of heroin and more than $2 million in cash near the Rio Grande. full summary | full synopsis
Plot Keywords:
Awards:
Won 4 Oscars. Another 94 wins & 45 nominations more
NewsDesk:
(713 articles)
User Comments:
You Don't Get Perfection Like This Very Often more (1245 total)

Cast

  (Cast overview, first billed only)

Additional Details

MPAA:
Rated R for strong graphic violence and some language.
Runtime:
122 min
Country:
Language:
Color:
Aspect Ratio:
2.35 : 1 more
Sound Mix:

Fun Stuff

Trivia:
Josh Brolin was making Grindhouse (2007) when he was turned on to role of Moss. He asked the film's director Robert Rodriguez if he could borrow a video camera for his audition tape, and he ended up having his audition elaborately shot with the theatrical camera they were using, directed by Quentin Tarantino, and with Marley Shelton as Carla Jean. When the Coens saw Brolin's tape, their response was that they loved the lighting. more
Goofs:
Continuity: In the trailer, Lewellen asks Carla Jean, rhetorically, "Baby, at what point would you quit bothering to look for your two million dollars?" For him to know that there was $2 million in the case, he would have had to have gone through the money and counted it, which means he would have found the transponder. more
Quotes:
[first lines]
Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun...
more
Movie Connections:
Soundtrack:
Las maņanitas more

FAQ

What does Wells mean when he remarks to The Man Who Hired Wells: "I counted the floors of this building from the street. There's one missing?"
What happened to the money?
What happens at the El Paso motel near the end?
more
84 out of 143 people found the following comment useful.
You Don't Get Perfection Like This Very Often, 3 January 2008
10/10
Author: fwomp from United States

If you're a Coen brothers fan, you're gonna be extremely delighted with NO COUNTRY FOR OLD MEN. This is Ethan and Joel at the pinnacle of their directing careers, something that should not be missed by anyone interested in film or entertainment. Forget FARGO. Push aside THE BIG LEBOWSKI. Move over O' BROTHER WHERE ART THOU. No Country is leaps and bounds beyond those. In fact, it reigns supreme as 2007's best film.

I don't always agree with movie critics but this time they got it right. It is the first time that Associated Press reviewers David Germain and Christy Lemire have both selected the same film as their #1 pick. With more award nominations than you could shake a stick at (including four Golden Globes, three Screen Actors Guilds, probably a gaggle of Oscars and many, many, many others), No Country will undeniably have directors, actors and screenwriters jumping up on stage come awards ceremony time.

Equal parts thriller, western, crime-drama, and action, No Country weaves a tapestry of excellence throughout its length.

The first note of excellence must be directed at Spanish actor Javier Bardem. Probably not very well known to most American audiences, Javier has cemented himself as the leader in portraying a psychopathic killer and (dare I say it!) has surpassed that of Anthony Hopkins in his SILENCE OF THE LAMBS Hannibal Lecter role (something that I thought would never happen). Ruthless, unforgiving, sociopathic, and in desperate need of a new hair style, Anton Chigurh (Bardem) is flawless. Every time he showed up on-screen I felt a chill run through my bones ("Call it"). Absolutely perfect.

The next note of excellence must go to Josh Brolin and Tommy Lee Jones. Llewelyn Moss (Brolin, PLANET TERROR) is the lucky/unlucky soft-spoken Texas cowpoke/hunter who stumbles across a veritable fortune in drug money only to be relentlessly pursued by killer Anton. Mr. Moss' gradual decline in health (mainly due to wounds inflicted on him by Anton) is painful to watch up until the very end. Sheriff Bell (Tommy Lee Jones) is the opposite of Anton Chigurh. He doesn't understand all of the death and destruction laid at his feet. He longs for a time when murders were easy to track and solve, not these new-fangled deaths where bullets aren't used (air-guns do just fine) and there seems to be no rhyme or reason to their patterns.

The fourth (perhaps this should've been first) note of excellence goes to the Coen brothers for their perfect adaptation of Cormac McCarthy's novel by the same name. Many lines of dialogue were lifted verbatim from the novel itself, including the ending monologue by Tommy Lee. It's noteworthy to mention here that the Coen brothers not only directed but wrote the screenplay, too.

The final note has to go Cinematographer Roger Deakins (he's worked with the Coen brothers on many occasions and also did the exemplary JARHEAD work). Every scene was so well thought-out and so convincingly filmed that viewers are carried freakishly easy through this incredible story.

It's difficult to do justice to this film with one short review, simply because there are so many great elements to it. The casting was spectacular — with Woody Harrelson (NORTH COUNTRY) and Kelly Macdonald (THE GIRL IN THE CAFÉ) pulling in exceptional supporting roles — as was Carter Burwell's haunting original musical score and Mary Zophres impeccable costume designs.

If you missed this film at your local cineplex, you may have gypped yourself from experiencing this amazing cinematic event. Now you've gotta wait for the DVD to be released and then ...it's your call.

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