In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (firstname.lastname@example.org)
The credited editor for this film, Roderick Jaynes, is a pseudonym for Joel Coen and Ethan Coen, who have co-edited, co-directed, and co-written all of their movies since Blood Simple. (1984) New York magazine reported that they devised the pseudonym when Guild membership rules would not allow two co-credited editors on the same film. Jaynes was nominated for an Oscar for editing Fargo (1996) and "No Country for Old Men", but he has never won one. Joel Coen told New York magazine that if Jaynes had won the Oscar, the Academy would have allowed the award presenter to accept the award on "his" behalf. See more »
The opening scene of the police car features a 1990 Chevrolet Caprice and not a 1980 (or earlier). This is evident from the front door mounted seat belt mechanism, which was only used on the 1990 square-body models before the car was totally redesigned in 1991. There are also numerous mid-late 80's Caprices in the film - all too new for the setting of 1980. These cars are easily identifiable by taillight and grille design to differentiate them from a 1980-84ish car. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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If you like films that literally take your breath away, then this goes to the top of the list.
As stated elsewhere, Javier Bardem is so spectacularly evil and menacing that, if I were Mrs Bardem, I'd be worried about him coming home at night. The man exuded controlled evil, and I found myself not breathing when he came onto screen, yet couldn't take my eyes from him
a truly mesmerising presence.
Tommy Lee Jones turns in a belter of a performance, and mention should also be made of Kelly MacDonald who nails a faultless Texan accent alongside a multi-layered performance (despite the paucity of her screen time).
Beautifully shot, as you would expect, and with some (welcome) moments of humour amongst the gore, this is a very very fine film. Miss it at your peril, because when those little golden men are being handed out next year in LA, I predict a lot of them will be going to this film. A belter.
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