The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by
Kenneth Chisholm (firstname.lastname@example.org)
When Llewelyn is talking to the INS agent at the border crossing, the same Ford Mustang passes behind him twice in the same direction. See more »
Ed Tom Bell:
I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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The thing is, I get what this film is saying. I get the message. I can read the expressions on Tommy Lee Jones increasingly craggy face. I get that he looks lost. I get that a Josh Brolin who finds a million pounds which belongs to gangsters is playing with fire as he tries to run with it which most of the film dwells on. I get that the contractor pursuing him is a psycho with twisted principles. The film has brilliantly executed moments of tension. The acting is delightfully subtle and passive except for, justifiably, Javier, who plays the psychotic pursuer with such frightening menace that whenever he appears on screen, you will shiver with dread at what he will do next. So why am I giving this 4/10? Simple. The ending was unsatisfying. I get the message of the film. Fine. I value a good ending to a story. If an ending does not satisfy me, morally, I take away a couple of marks. If an ending is too pretentious, I take away even more marks. If you are not fussed with endings, then you will enjoy the film. However, I do not understand why this is rated as Oscar worthy (regardless of what I think of the ending). Its technically accomplished but ultimately shallow save for some great moments of tension. But for a Coen Brothers film this is a major disappointment.
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