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No Country for Old Men (2007)

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Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

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(screenplay), (screenplay) | 1 more credit »
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304 ( 5)
Top Rated Movies #170 | Won 4 Oscars. Another 156 wins & 132 nominations. See more awards »

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Cast

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Zach Hopkins ...
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Storyline

In rural Texas, welder and hunter Llewelyn Moss (Josh Brolin) discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh (Javier Bardem), on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sheriff Ed Tom Bell (Tommy Lee Jones) blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

You've never been anywhere like No Country See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and some language | See all certifications »

Parents Guide:

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Details

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Release Date:

21 November 2007 (USA)  »

Also Known As:

Sin lugar para los débiles  »

Filming Locations:

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$1,226,333 (USA) (2 November 2007)

Gross:

$74,273,505 (USA) (4 April 2008)
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Company Credits

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Technical Specs

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Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Anton Chigurh's weapon is a captive bolt pistol. It's commonly used to stun cows before slaughter without risk of flying bullets. See more »

Goofs

Moss takes great pains to ensure the concealment of the money before he knew there was a transponder inside it. He is shown doing this by hiding the case inside a ventilation shaft at the Motel in Del Rio and pushing it as far back as possible with the closet rod, and then all the way to the left. Later, Moss gets another room opposite the one he was in--room 38 is behind room 138--and pulls the case from the wrong side. If he was in fact pulling the case from the right side from the second room as shown, the two rooms would have been only the width of the case apart. As it is, the ventilation shaft is in the center of the motel rooms, so since Moss originally had put the case on the far left of the ventilation shaft to the first room, then he would have only been able to grab it from the left side, not the right side, in the second room which was on the opposite side of the building. See more »

Quotes

[first lines]
Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Connections

References Miller's Crossing (1990) See more »

Soundtracks

Puño de tierra
Written by Michael Eloy Sánchez
Performed by Angel H. Alvarado Jr., David A. Gomez, Milton Hernandez and John Mancha
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Frequently Asked Questions

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User Reviews

 
"You don't have to do this."
16 November 2007 | by (United States) – See all my reviews

"You don't have to do this," repeated words in this lingering film, which really does not feel like a typical Coen Brothers film to me. Fargo, had its quirky character and its grotesque moments, but this film is all about a subdued natured intermixed with quick action. For what I expected, I got some of it, but also a bit more of a subdued air and timing than I expected. It would do things in spurts, action at the beginning then a lull and more thunder. It worked great for keeping one on edge, which Brolin did, excellently in the lead role lying awake thinking too hard. Jones too was good in a strong supporting role as a close to retirement sheriff who is on the outside shaking his head at the carnage and mayhem unleashed by the simple finding and taking of a satchel full of money.

The real gem and glue of the film though is Javier Bardem's menacing character who has his own brand of justice, which is extremely harsh and well insane. Even the one who claims to know him cannot even begin to stop or even slow him down. Bardem whom I have not had the pleasure of seeing in anything before is gold and like no other before looks to have the supporting actor award locked up in this performance. His presence is felt, even when he does not show up. That is something I have not seen in film well since probably The Third Man and Orson Welles' character Harry Lime.

I cannot really describe the film that well so I will suffice to say that is best modern western tale I have seen since The Three Burials of Melquiades, which also happened to have Tommy Lee Jones and was directed by him to boot. Another thing I noted was the lack of strong score. The filmmakers just seemed to let the sounds of the creaking boots and the desert landscape speak for the film. It felt natural and a bit menacing.


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