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No Country for Old Men (2007)
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No Country for Old Men (2007)

R  |   |  Crime, Drama, Thriller  |  21 November 2007 (USA)
8.1
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Ratings: 8.1/10 from 546,003 users   Metascore: 91/100
Reviews: 1,490 user | 481 critic | 37 from Metacritic.com

Violence and mayhem ensue after a hunter stumbles upon a drug deal gone wrong and more than two million dollars in cash near the Rio Grande.

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(screenplay), (screenplay), 1 more credit »
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Top 250 Movies #165 | Won 4 Oscars. Another 168 wins & 98 nominations. See more awards »

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Cast

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Storyline

In rural Texas, welder and hunter Llewelyn Moss discovers the remains of several drug runners who have all killed each other in an exchange gone violently wrong. Rather than report the discovery to the police, Moss decides to simply take the two million dollars present for himself. This puts the psychopathic killer, Anton Chigurh, on his trail as he dispassionately murders nearly every rival, bystander and even employer in his pursuit of his quarry and the money. As Moss desperately attempts to keep one step ahead, the blood from this hunt begins to flow behind him with relentlessly growing intensity as Chigurh closes in. Meanwhile, the laconic Sherrif Ed Tom Bell blithely oversees the investigation even as he struggles to face the sheer enormity of the crimes he is attempting to thwart. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

You've never been anywhere like No Country See more »

Genres:

Crime | Drama | Thriller

Motion Picture Rating (MPAA)

Rated R for strong graphic violence and some language | See all certifications »

Parents Guide:

 »
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Details

Official Sites:

| |  »

Country:

Language:

|

Release Date:

21 November 2007 (USA)  »

Also Known As:

Sin lugar para los débiles  »

Filming Locations:

 »

Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend:

$1,226,333 (USA) (2 November 2007)

Gross:

$74,273,505 (USA) (4 April 2008)
 »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

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Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Joel Coen and Ethan Coen share the record of four Oscar nominations for a single person for the same film (in this case, shared by the two) with Orson Welles' four nominations for Citizen Kane (1941) and Warren Beatty's for Reds (1981). The Coens' four nominations are for Best Picture (as producers with Scott Rudin), Best Director, Best Adapted Screenplay, and Best Editing (under the pseudonym Roderick Jaynes). Welles was nominated both Best Picture (also as producer) and Best Director, as well as Best Original Screenplay (won, and shared with Herman J. Mankiewicz), and Best Actor. On the other hand, Beatty was nominated for Best Picture (also as producer), Best Director (won), Best Original Screenplay with Trevor Griffiths and Best Actor. See more »

Goofs

When Sheriff Bell is driving up to the motel as the Mexicans drive away, his seat belt holder is clearly attached to the B pillar on the car. When Bell gets out of the vehicle at the motel, the seat belt holder is now attached to the upper part of the door itself. See more »

Quotes

[first lines]
Ed Tom Bell: I was sheriff of this county when I was twenty-five years old. Hard to believe. My grandfather was a lawman; father too. Me and him was sheriffs at the same time; him up in Plano and me out here. I think he's pretty proud of that. I know I was. Some of the old time sheriffs never even wore a gun. A lotta folks find that hard to believe. Jim Scarborough'd never carried one; that's the younger Jim. Gaston Boykins wouldn't wear one up in Comanche County. I always liked to hear about ...
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Connections

Featured in The Tonight Show with Jay Leno: Episode #19.61 (2010) See more »

Soundtracks

Puño de tierra
Written by Michael Eloy Sánchez
Performed by Angel H. Alvarado Jr., David A. Gomez, Milton Hernandez and John Mancha
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Frequently Asked Questions

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User Reviews

 
You Don't Get Perfection Like This Very Often
3 January 2008 | by (United States) – See all my reviews

If you're a Coen brothers fan, you're gonna be extremely delighted with NO COUNTRY FOR OLD MEN. This is Ethan and Joel at the pinnacle of their directing careers, something that should not be missed by anyone interested in film or entertainment. Forget FARGO. Push aside THE BIG LEBOWSKI. Move over O' BROTHER WHERE ART THOU. No Country is leaps and bounds beyond those. In fact, it reigns supreme as 2007's best film.

I don't always agree with movie critics but this time they got it right. It is the first time that Associated Press reviewers David Germain and Christy Lemire have both selected the same film as their #1 pick. With more award nominations than you could shake a stick at (including four Golden Globes, three Screen Actors Guilds, probably a gaggle of Oscars and many, many, many others), No Country will undeniably have directors, actors and screenwriters jumping up on stage come awards ceremony time.

Equal parts thriller, western, crime-drama, and action, No Country weaves a tapestry of excellence throughout its length.

The first note of excellence must be directed at Spanish actor Javier Bardem. Probably not very well known to most American audiences, Javier has cemented himself as the leader in portraying a psychopathic killer and (dare I say it!) has surpassed that of Anthony Hopkins in his SILENCE OF THE LAMBS Hannibal Lecter role (something that I thought would never happen). Ruthless, unforgiving, sociopathic, and in desperate need of a new hair style, Anton Chigurh (Bardem) is flawless. Every time he showed up on-screen I felt a chill run through my bones ("Call it"). Absolutely perfect.

The next note of excellence must go to Josh Brolin and Tommy Lee Jones. Llewelyn Moss (Brolin, PLANET TERROR) is the lucky/unlucky soft-spoken Texas cowpoke/hunter who stumbles across a veritable fortune in drug money only to be relentlessly pursued by killer Anton. Mr. Moss' gradual decline in health (mainly due to wounds inflicted on him by Anton) is painful to watch up until the very end. Sheriff Bell (Tommy Lee Jones) is the opposite of Anton Chigurh. He doesn't understand all of the death and destruction laid at his feet. He longs for a time when murders were easy to track and solve, not these new-fangled deaths where bullets aren't used (air-guns do just fine) and there seems to be no rhyme or reason to their patterns.

The fourth (perhaps this should've been first) note of excellence goes to the Coen brothers for their perfect adaptation of Cormac McCarthy's novel by the same name. Many lines of dialogue were lifted verbatim from the novel itself, including the ending monologue by Tommy Lee. It's noteworthy to mention here that the Coen brothers not only directed but wrote the screenplay, too.

The final note has to go Cinematographer Roger Deakins (he's worked with the Coen brothers on many occasions and also did the exemplary JARHEAD work). Every scene was so well thought-out and so convincingly filmed that viewers are carried freakishly easy through this incredible story.

It's difficult to do justice to this film with one short review, simply because there are so many great elements to it. The casting was spectacular — with Woody Harrelson (NORTH COUNTRY) and Kelly Macdonald (THE GIRL IN THE CAFÉ) pulling in exceptional supporting roles — as was Carter Burwell's haunting original musical score and Mary Zophres impeccable costume designs.

If you missed this film at your local cineplex, you may have gypped yourself from experiencing this amazing cinematic event. Now you've gotta wait for the DVD to be released and then ...it's your call.


143 of 264 people found this review helpful.  Was this review helpful to you?

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