| Macarena Gómez | ... | Clara | |
| Nuria González | ... | Portera | |
| Adrià Collado | ... | Mario | |
| Ruth Díaz | ... | Chica | |
| Roberto Romero | ... | Hijo Portera | |
| David Sandanya | ... | Niño | |
| rest of cast listed alphabetically: | |||
| Julieta Marocco | |||
Directed by | |||
| Jaume Balagueró | |||
Writing credits | ||
| Jaume Balagueró | (screenplay) and | |
| Alberto Marini | (screenplay) | |
Original Music by | |||
| Roque Baños | |||
| Mariano Marín | |||
Cinematography by | |||
| Pablo Rosso | |||
Film Editing by | |||
| Frank Gutiérrez | (as Fran Gutiérrez) | ||
Art Direction by | |||
| Alain Bainée | |||
Set Decoration by | |||
| Marina Pozanco | |||
Costume Design by | |||
| Núria Cardoner | |||
Makeup Department | |||
| Mariona Trias Campana | .... | makeup artist (as Mariona Trias) | |
| Imma Pérez | .... | hair stylist | |
| José Quetglás | .... | makeup artist | |
Production Management | |||
| Bernat Rifé | .... | assistant production manager | |
| Marta Sánchez | .... | production manager | |
| Félix Rodríguez | .... | post-production manager (uncredited) | |
Second Unit Director or Assistant Director | |||
| Pepo Alba | .... | second assistant director | |
| Inés Lugo | .... | second second assistant director | |
Art Department | |||
| Chan Canelo | .... | painter | |
| Jun Matsuura | .... | storyboard artist | |
| Marina Pozanco | .... | assistant art director | |
Sound Department | |||
| Rubén Carregal | .... | foley editor | |
| Rubén Carregal | .... | foley recordist | |
| Manuel Carrión | .... | sound effects editor | |
| Iñaki Díez | .... | boom operator | |
| Dani Fontrodona | .... | sound | |
| Oriol Tarragó | .... | supervising sound editor | |
Visual Effects by | |||
| Sergio Garcia Abad | .... | senior cgi artist | |
| Úrsula García | .... | visual effects producer | |
| Pablo Hernández-Meléndez | .... | senior cgi artist | |
| Laura Maynadé | .... | digital intermediate coordinator | |
| Inma Nadela | .... | digital compositor | |
| Guillermo Orbe | .... | digital compositor | |
| Thorsten Rienth | .... | digital compositor | |
| Rubén Sanz | .... | visual effects line producer | |
| Rafa Solorzano | .... | visual effects supervisor | |
Stunts | |||
| Chuck Torres | .... | stunt double | |
Costume and Wardrobe Department | |||
| Fran Cruz | .... | wardrobe assistant | |
Editorial Department | |||
| Sandra Picher | .... | post-production coordinator | |
| Laura Sanchez | .... | film scanner | |
Other crew | |||
| Vicente Canales | .... | head of sales | |
| Joan Coll | .... | production assistant | |
| Pol Gutiérrez | .... | production runner | |
| Helena Moreno Núñez | .... | development executive | |
| Anna Oms | .... | documentation | |
| Martin Samper | .... | making-of | |
| Elena Serra | .... | development executive | |
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| 99.9 | High Tension | Animal Kingdom | Oldboy | Rear Window |
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| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Spain section |
"To Let" is a satisfyingly chilling tale about a psychotic estate agent and the unfortunate visitors to a decaying apartment block.
This is a splendid made for television movie that just goes to show that Euro horror is alive and well. The production doesn't mess about - the pace is fast and the shocks are constant. A genuinely tense atmosphere is maintained throughout the film. The performances from the small cast are also excellent.
A highly recommended installment from talented director Jaume Balagueró, best known for his (REC) movies. Balagueró really seems to love his creepy apartment blocks as there are small touches of (REC) in this earlier work.
8 out of 10.