A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A troubled young boy, Oskar, is trying to cope with the loss of his father. Oskar starts lashing out at his mother and the world. Until a year later, he discovers a mysterious key in his father's belongings and embarks on a scavenger hunt to find the matching lock, just as he used to when his father was alive. On this journey he is bound to meet a lot of people and learn a lot about himself and his family, but will he ever find the lock? Written by
Shipped to some theaters under the name "The Locksmith". See more »
When Oskar and his mother are recounting the people Oskar visited, after they discuss Leigh-Anne Black, both clearly refer to "Lona Black" (at 01:49:58 and 01:50:02) as she is shown in flashbacks and the subtitles show both saying Lona Black as well, but the end credits (in order of appearance) list Mona Black after Leigh-Anne Black and do not list Lona Black. Since no one named Mona Black is mentioned in the film, it is an error in the end credits. See more »
There are more people alive now than have died in all of human history, but the number of dead people is increasing. One day, there isn't going to be any room to bury anyone anymore. So, what about skyscrapers for dead people, that are built down. They could be underneath the skyscrapers for living people, that are built up. We could bury people 100 floors down. And a whole dead world could be underneath the living one.
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Extremely Loud & Incredibly Close film will stay with me until the last of my days. Phenomenal, poetic, extraordinary. All performances are beyond excellent, perfectly chosen. I cannot recommend this film enough, words are boundless when talking about this particular film. I am very picky, not a critic but very picky and have tastes in films you could never dream up. If you dislike this film, shame on you, you clearly have no taste or lack it because you're obsessed with mainstream qualities. I am a blunt and to the point kind of gal, so don't be so personal. I am tired of crappy films and when I finally watch a grand one, I will boast like no other. There is something in this film for everyone, everyone. You will cry, if not, you should, it's good for you.
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