In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York's Gypsy Punk band Gogol Bordello. Captivated by his... See full summary »
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope. Written by
When Eugene kills himself on stage by pouring a beer onto his guitar, he is drinking "Dead Guy Ale", brewed by Rogue Brewing Company. See more »
When Kneller finds Mikal and Zia sleeping on the beach, we see a needle poking through Zia's shirt. In the next shot, the needle is gone. (A short scene of dialogue where Zia takes the needle out of his shirt was edited out.) See more »
I'm not sitting in the back.
Cause everybody knows guy in the back seat doesn't have a cock.
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This is one of "those" movies. You know the kind - like a catchy tune the vibe of this movie stays in your head... the movie had all the chances in the world to be depressing, but it was far from it, there are only a few drama elements and the title is not deceiving, it truly is a love story and a beautiful one at that and also threaded with great humor, when I laughed, I laughed hard. And I would probably cry if the ending was any different.
I won't go into possibilities and impossibilities of metaphysical, because that's absolutely not what this story is about; purgatory, if you will, is only the stage, where the romantic play is performed, with that, it's innovative though actually daring, as it was probably obvious the box office would never explode from what 'Wristcutters' would make. In my opinion, the movie is so well made it would have been great even if it was stripped of suicide thing and it was just a plain love story. Oh and Shannyn Sossamon was so convincing, I think I'm in love with her now. ;)
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