In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York's Gypsy Punk band Gogol Bordello. Captivated by his... See full summary »
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
This vibrant concert film/documentary includes three years of highlights from the intimate Vermont music and arts festival (2004-2006). Performers include: Gogol Bordello, Cyro Baptista and... See full summary »
Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope. Written by
When Eugene kills himself on stage by pouring a beer onto his guitar, he is drinking "Dead Guy Ale", brewed by Rogue Brewing Company. See more »
Around the 25:35 mark in the movie, the car pulls over to the right shoulder to stop for the hitchhiker. Yet in the next scene, when the driver puts it into reverse, it is back on the right lane of the road, not in the shoulder. After the car stops and picks up the hitchhiker, it again changes position about a minute later, and its tires are shown over the shoulder line, although it had stopped earlier in the middle of the lane. See more »
They went to the North Pole or whatever the place Nanuk is from is called. He wanted to meet her family and get into that throat singing, saw playing, weird instruments, and all that stuff. It's good that he's back into music, I think. And me? I think I finally understand what Kneller was trying to say.It only happens if it doesn't matter. It comes without effort. Maybe Eugene's right. Maybe I only get stuck on girls I don't have a chance of being with. I am glad for Mikal, though. I hope she ...
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I stumbled upon the trailer on the internet, and it looked like it had all the makings of a quirky indie film: an interesting setup, a road trip, Tom Waits, so I was excited to see it, and... I don't know, it just fell kind of flat for me. It was neither all that funny, or all the dramatic, just sort of plodded along. There were whole spans of this movie that were aimless and without spark. The characters never become full or interesting. It's not bad, it's not good, it felt like cinematic purgatory. I just kept waiting for the movie to take off, but then it was over. Patrick Fugit does a good job trying to make an incredibly uncompelling character watchable, and Shea Wigham's a riot when given the chance. Still, you'll spend the movie wishing there had been a more experienced director, crew and a more innovative writer (Charlie Kaufman, vielleicht?)
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