A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope. Written by
This is one of "those" movies. You know the kind - like a catchy tune the vibe of this movie stays in your head... the movie had all the chances in the world to be depressing, but it was far from it, there are only a few drama elements and the title is not deceiving, it truly is a love story and a beautiful one at that and also threaded with great humor, when I laughed, I laughed hard. And I would probably cry if the ending was any different.
I won't go into possibilities and impossibilities of metaphysical, because that's absolutely not what this story is about; purgatory, if you will, is only the stage, where the romantic play is performed, with that, it's innovative though actually daring, as it was probably obvious the box office would never explode from what 'Wristcutters' would make. In my opinion, the movie is so well made it would have been great even if it was stripped of suicide thing and it was just a plain love story. Oh and Shannyn Sossamon was so convincing, I think I'm in love with her now. ;)
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