In the summer of 2004, on a car journey in Eastern Europe, Pavla Fleischer met and fell in love with Eugene Hutz, lead singer of New York's Gypsy Punk band Gogol Bordello. Captivated by his... See full summary »
A young Jewish American man endeavors to find the woman who saved his grandfather during World War II in a Ukrainian village, that was ultimately razed by the Nazis, with the help of an eccentric local.
Despondent over his breakup with Desiree, Zia slashes his wrists and goes to an afterlife peopled by suicides, a high-desert landscape dotted by old tires, burned-out cars, and abandoned sofas. He gets a job in a pizza joint. By chance, Zia learns that Desiree offed herself a few months after he did, and she's looking for him. He sets off with Eugene (an electrocuted Russian rocker) to find her, and they pick up a hitchhiker, Mikal, who's looking for the People in Charge, believing she's there by mistake. They're soon at the camp of Kneller, where casual miracles proliferate. They hear rumors of a miraculous king. Can Zia find Desiree? Then what? Where there's death there's hope. Written by
Eugene (Shea Whigham) isn't smoking pot throughout the film, he's actually smoking tobacco cigarettes. Actor Whigham noticed director Goran Dukic smoked loose tobacco and rolled his own cigarettes and carried it in a plastic bag, and said that's what he wanted Eugene to smoke. See more »
After Mikal and Zia sleep together on the beach, just before they wake up from the shouts of Kneller, Mikal is barefoot. In the next scene, still sleeping, she has red shoes on her feet. See more »
I stumbled upon the trailer on the internet, and it looked like it had all the makings of a quirky indie film: an interesting setup, a road trip, Tom Waits, so I was excited to see it, and... I don't know, it just fell kind of flat for me. It was neither all that funny, or all the dramatic, just sort of plodded along. There were whole spans of this movie that were aimless and without spark. The characters never become full or interesting. It's not bad, it's not good, it felt like cinematic purgatory. I just kept waiting for the movie to take off, but then it was over. Patrick Fugit does a good job trying to make an incredibly uncompelling character watchable, and Shea Wigham's a riot when given the chance. Still, you'll spend the movie wishing there had been a more experienced director, crew and a more innovative writer (Charlie Kaufman, vielleicht?)
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