2 items from 2016
It may be tasteless, but National Lampoon captured the campus experience in a way no UK film has ever managed
I once saw National Lampoon’s Animal House at a back-to-school midnight show at the University of California at Santa Barbara in September 1984. I hadn’t counted on the entire two rows of frat-boys behind me who recited every single line of dialogue, in unison, just seconds before the characters onscreen did. It was the first time I realised the term “cult movie” really meant something. Here were a group of people who were modelling their lives – for good or ill, mostly ill – on a movie that spoke directly to their own college experience. One that, as a few epic, real frat-house parties soon showed me, was infinitely more colourful than my own, albeit infused with a sinister sense of everyone growing up way too fast.
Compared to my monochrome, »
- John Patterson
The British filmmaker took his second feature, Road To Perdition, to the Lido in 2002 where it competed for the coveted Golden Lion.
“I’m very honoured to have been asked by Alberto to lead the International Jury for Venezia 73,” said Mendes of the festival’s artistic director, Alberto Barbera.
“I’ve always had a strong personal connection with Venice; as a student I worked for three months at the Peggy Guggenheim Collection way back in 1984, and my happiest film festival memory is launching Road To Perdition at Venice in 2002.
“I am thoroughly delighted to be coming back to the Lido this year and welcoming a wealth of international filmmaking talent.”
Barbera said: “Sam Mendes’ work is a particularly effective »
- firstname.lastname@example.org (Michael Rosser)
2 items from 2016
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