After a series of Broadway flops, songwriter Bert Hanley (Dixon) goes to work at a musical camp for young performers. Inspired by the kids, he finds an opportunity to regain success by staging an altogether new production.
An offbeat romantic comedy about a decent guy, Ray Tuckby, with a dead-end life in the dead-end town of Trona, CA. After encouragement from a stranger whom he happens upon, Ray begins to dream again. He sheds the parasites in his life, musters the nerve to pursue his childhood love, and finally takes back his community by toppling the local teenage Meth-baron.
After a break up, Jenny moves in with writer Kelly, her filmmaker husband, and their child. Despite a rocky start, Jenny's influence helps Kelly realize that an evolution in her life, career and relationship is necessary for her happiness.
Luke and Kate are coworkers at a brewery who spend their nights drinking and flirting heavily. One weekend away together with their significant others proves who really belongs together and who doesn't.
Coming of age in Plainsboro, New Jersey. High school student Hal Hefner stutters. On the evening his parents stop arguing and separate, 43 miles away at the state tournament, his school's legendary debater, Ben Wekselbaum, goes blank mid-sentence, Ben's teammate Ginny Ryerson doesn't get a first-place trophy, and the world changes. That fall, to Hal's amazement, Ginny recruits him for the debate team, mentors him, and will be his partner. He still has his stutter, but he works hard and he falls in love with Ginny. On the day of the first debate of the season, the world changes again. From then until the day of the state tournament, Hal has a lot to sort out. Is love rocket science? Written by
After the disqualification, the outline of a body microphone pack can be seen through Hal's sport coat (rear waistband). See more »
Um... but I'll have a slice of the, of your, one of your, um, a slice of, the, the p-p... the... the the pizza.
[puts one slice of pizza on a plate]
You can pay me when you're through.
You know why don't I make it not just on... not jus not o-one not of the not one slice of the but uh I'll uh I'll have uh not one.
I'm gonna close up in a bit, why don't you just take all three. Otherwise they're gettin' trashed.
[puts two more slices on the plate]
[raises hands in triumph]
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With another entry in the "coming of age" category, I really was pleasantly surprised to find--if not an original--a deeply-felt, honest portrayal of the trials of adolescence. The strongest aspects were the performances from the entire cast with Anna Kendrick and Vincent Piazza being standouts. Of course, the fine work of Reese Thompson will be rewarded by the praise he deserves (and hopefully awarded).
But this deeply personal film has many fine moments, both hysterically funny and painfully revealing. Because it refuses to be predictable--even in the final moments--I believe it will stand above other films of this genre. A well chosen score will keep it from becoming dated. It's never glib towards a range "bent" characters, and chooses to leave the smart remarks for the characters and not the film itself. Despite the subject of repressed anger and expressed rage, there's a sweetness that avoids the sentimental.
Clearly Jeffery Blitz needed to tell this story. And I hope he has many more for us in the future.
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