Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
A lonely doctor who once occupied an unusual lakeside home begins exchanging love letters with its former resident, a frustrated architect. They must try to unravel the mystery behind their extraordinary romance before it's too late.
A nine-year-old amateur inventor, Francophile, and pacifist searches New York City for the lock that matches a mysterious key left behind by his father, who died in the World Trade Center on September 11, 2001.
The middle-class couple Linda Hanson and Jim Hanson lives a wasted and routine relationship with their two daughters in their comfortable house in the suburbs. On a Thursday morning, the local sheriff visits Linda and tells her that her husband died in a car accident on the previous day. On the next morning, when Linda awakes, she finds Jim safe and sound at home. When she awakes on the next morning, she realizes that her days are out of order, but her family and friends believe she is insane. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Not a remake of the Japanese film of the same name. See more »
When Linda approaches the garbage can to grab the missing page from the Yellow Book, the phone on the desk nearby is positioned diagonally, with the antenna pointed towards the trash can, and the scene cuts to a different focus. When it cuts back and she reaches for the phone, the antenna is pointing the other way. See more »
Very glad to have seen it, will see it again ASAP.
Here's a clue on how to watch this movie: If you're looking to be disappointed based on any inconsistencies, pay closer attention to the movie. The so-called "inconsistencies" are actually based on a series of events that combine to actually change many of the things you end up seeing happening early on in the movie. Remember: The events that you see happening on the screen aren't happening linearly. The calendar hops all over the place throughout the movie, so it is possible for events that transpire one day to effect what ends up happening in future days. There are two days that are especially noteworthy in terms of what would change the events of the future and they happen toward the end of the movie. Think of how these events will affect the other events that happen in the future and remember that as you see what happens at the end of the movie.
I think the reason this movie hasn't been garnering a lot of critical praise is because movie critics don't really want to have to utilize logic while watching a movie. Another poorly reviewed film starring Sandra Bullock, the truly brilliant The Lake House, was an even bigger victim of movie critics' pathetically anemic logic processing skills. In watching both movies, you really have to keep your faculties alert and not lull yourself into a sense of "okay, I can just turn my brain off now." And really, even though this movie isn't as good as The Lake House, it is equally blessed with the beautiful, talented Ms. Bullock, on top of featuring the beautiful, talented Nia Long, the totally likable Julian McMahon, and some very good acting by the child actors. And the film is very beautiful to look at, too; I now understand why Bullock was raving about the cinematography and direction.
So please do see this movie and don't be dissuaded by the negative remarks. You really do have to pay attention to this film in order to enjoy it, but once you do pay attention, you will be richly rewarded. I'm glad I went to see it and so should you.
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