Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
The middle-class couple Linda Hanson and Jim Hanson lives a wasted and routine relationship with their two daughters in their comfortable house in the suburbs. On a Thursday morning, the local sheriff visits Linda and tells her that her husband died in a car accident on the previous day. On the next morning, when Linda awakes, she finds Jim safe and sound at home. When she awakes on the next morning, she realizes that her days are out of order, but her family and friends believe she is insane. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The film was supposed to be shot in New Orleans, but Hurricane 'Katrina' forced the filmmakers to choose another location. See more »
When Linda approaches the garbage can to grab the missing page from the Yellow Book, the phone on the desk nearby is positioned diagonally, with the antenna pointed towards the trash can, and the scene cuts to a different focus. When it cuts back and she reaches for the phone, the antenna is pointing the other way. See more »
You see history's full of explained phenomena. Nobody knows why. Some people thought they suffered from what the ancients called "Blasphemare absens fides." The dangers of the faithless.
It's the notion that nature abhors a vacuum, even a spiritual one. People who've lost their beliefs, they're like empty vessels, more susceptible to having their lives taken over by forces bigger than themselves
Almost like a curse.
Or a miracle.
Yeah, well, I don't believe in miracles.
[...] See more »
Despite the rather thorough drubbing it suffered at the hands of some of the nation's most prestigious critics, "Premonition" is actually a pretty well-thought-out and tightly wound thriller, given emotion and heart by its star, Sandra Bullock. It's not a movie I would be wiling to go to the mat for, but as throwaway thrillers go, this one is really not half bad.
Bullock plays Linda Quinn Hanson, a suburban mother of two, who receives the shattering news that her husband has been killed in an auto accident. However, when she wakes up the next morning, she finds him, strangely, sitting in the kitchen, suddenly alive and well, benignly sipping coffee before heading off to work. The question quickly arises, did she dream the story of his death, is she dreaming now, or is she undergoing some sort of mental crisis precipitated by the shock of her loss? Or is she caught in some sort of bizarre time warp that allows her to jump back and forth between the periods before and after his "death," and, if so, might she be able to step in and alter the course of events to prevent the accident from happening in the first place?
In both concept and form, "Premonition" is pretty much an assembly-line thriller designed to tweak the audience's brain cells for a couple of hours before sending everyone home with not a whole heck of a lot left to think about once it's over. Still, it's intriguing enough while it lasts and only the true nitpickers among us will feel compelled to put its twists and turns in logic under the scrutiny of a critical microscope. Despite a few weak moments in her performance, Bullock actually makes us care about the character and the very strange thing that is happening to her.
"The Premonition" is by no means a classic - or even first rate - chiller, but those with a few spare hours on their hands and a penchant for brain-puzzlers could do worse than check it out.
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