Depressed housewife learns her husband was killed in a car accident the day previously, awakens the next morning to find him alive and well at home, and then awakens the next day after to a world in which he is still dead.
A grief-stricken mother takes on the LAPD to her own detriment when it stubbornly tries to pass off an obvious impostor as her missing child, while also refusing to give up hope that she will find him one day.
The middle-class couple Linda Hanson and Jim Hanson lives a wasted and routine relationship with their two daughters in their comfortable house in the suburbs. On a Thursday morning, the local sheriff visits Linda and tells her that her husband died in a car accident on the previous day. On the next morning, when Linda awakes, she finds Jim safe and sound at home. When she awakes on the next morning, she realizes that her days are out of order, but her family and friends believe she is insane. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Not a remake of the Japanese film of the same name. See more »
When Linda is about to get the injection, Dr. Roth is first on her right side then when the camera goes to a further view, he's seen on her left side. Then when he actually gives her the injection, he's on her right side again. See more »
You see history's full of explained phenomena. Nobody knows why. Some people thought they suffered from what the ancients called "Blasphemare absens fides." The dangers of the faithless.
It's the notion that nature abhors a vacuum, even a spiritual one. People who've lost their beliefs, they're like empty vessels, more susceptible to having their lives taken over by forces bigger than themselves
Almost like a curse.
Or a miracle.
Yeah, well, I don't believe in miracles.
[...] See more »
Relative newcomers, writer Bill Kelly and director Mennan Yapo, have concocted a testy little conundrum of a movie titled PREMONITION: whether the audience decides to step into their little nightmare or reject the premise that powerful emotions can drive the brain to peculiar directions of functioning will be the divisive break in acceptance of the film's premise. It is a fairly well done, thought provoking experience and is carried by some better than average performances by a strong cast.
The Hanson family is introduced as the husband Jim (Julian McMahon) and wife Linda (Sandra Bullock) buy their new home. Jump forward after the credits to a family that now includes two young schoolgirls (Shyann McClure and Courtney Taylor Burness), a seemingly mildly depressed Linda and a workaholic Jim. Abruptly, Linda is informed by a police officer that Jim has died in an auto accident and her close friend (Nia Long) and mother (Irene Ziegler) help Linda through the early moments of the tragedy. Yet Linda continues to 'relive' moments: one day Jim is dead the next he is alive, and all of the pieces of the puzzle that erode Linda's mind become clues to investigate information she doesn't want to know. She encounters a warped psychiatrist (Peter Stormare) and a possible 'other woman' in Jim's life (Amber Valletta), and as she attempts to mold the puzzle pieces to make sense, she learns about the possible 'why' of the mental state in which she is trapped.
The film has problems holding credibility, but then the premise is a novel enough to allow such missteps. Sandra Bullock takes over this role completely, gains our empathy, and in the end the film works because of her. She is becoming an actress who is learning the value of understatement and that aspect of her craft serves her well. No, this is not a great movie, but it is a well-produced little mystery that asks the audience to engage both mind and imagination, and that is a good thing! Grady Harp
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