A bullied and demoralized gay student at an all-boys school uses a magical flower derived from Shakespeare's "A Midsummer Night's Dream' to turn many in his community gay, including a comely rugby player for himself.
"The IMDb Show" Thanksgiving special: Alan Tudyk ranks his top five droids of all time, we track down the cast of Roman J. Israel, Esq., and we share our favorite Thanksgiving TV episodes with memorable sitcom families.
In a suburb of London, young Jamie is escaping sport hours, to avoid being the victim of his comrades. Young Ste, his neighbor, is beaten by his father, and comes to sleep overnight. They discover new feelings, sleeping in the same bed.
If you had a love-potion, who would you make fall madly in love with you? Timothy, prone to escaping his dismal high school reality through dazzling musical daydreams, gets to answer that question in a very real way. After his eccentric teacher casts him as Puck in A Midsummer Night's Dream, he stumbles upon a recipe hidden within the script to create the play's magical, purple love-pansy. Armed with the pansy, Timothy's fading spirit soars as he puckishly imposes a new reality by turning much of his narrow-minded town gay, beginning with the rugby-jock of his dreams. Ensnaring family, friends and enemies in this chaos, Timothy forces them to walk a mile in his musical shoes. The course of true love never did run smooth; it's a bumpy ride. Written by
In the scene from All Things Shall Be Peace, as the characters and Ms. Tebbit are under the tree, Cole (in the gray shirt) is standing behind Ms. Tebbit and Donna. In the next shot, Cole is kneeling in front of them. In the next shot Cole is standing behind them again. See more »
Were the World Mine may not be perfect, but it is inspiring, with a brilliant and durable concept (a queer interpretation and extension of A Midsummer Night's Dream). Like a previous reviewer, I just saw this at the San Francisco Int'l LGBT Film Festival, where it was indeed a solid crowd pleaser and one of my three favorite features in the festival. The film grew from the director's short film "Fairies" (which was also memorable) and I dare say that the music and lyrics, and certainly the lead performers, deserve to have him tighten it up a bit, somehow get lots more money, and carry this forward to a remake a la Baz Luhrmann ("Moulin Rouge") or Julie Taymor ("Across the Universe"). In a way, the material is both weighty and fanciful enough to really need that level of realization to be properly appreciated. As is, though, "Were the World Mine" moved me to tears, made me laugh many times, and made me want to listen to its few songs again, more closely!
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