FBI agent Jennifer Marsh is tasked with hunting down a seemingly untraceable serial killer who posts live videos of his victims on the Internet. As time runs out, the cat and mouse chase becomes more personal.
A frustrated man decides to take justice into his own hands after a plea bargain sets one of his family's killers free. He targets not only the killer but also the district attorney and others involved in the deal.
Martine offers Terry a lead on a foolproof bank hit on London's Baker Street. She targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal.
Stephen Campbell Moore
As homicide detective Thomas Craven investigates the death of his activist daughter, he uncovers not only her secret life, but a corporate cover-up and government collusion that attracts an agent tasked with cleaning up the evidence.
When Keller Dover's daughter and her friend go missing, he takes matters into his own hands as the police pursue multiple leads and the pressure mounts. But just how far will this desperate father go to protect his family?
David Kirmani,a medical professional, lives in an apartment with his sweetheart, Erica Bain, a radio host, and his dog. They usually take the dog out for a stroll in nearby Central Park and let him run and fetch. One day while at the park they let the dog run without a leash, and when he does not return or respond to their calls, they frantically search for him. They eventually find him being held by three men who want a reward. When David refuses, they start to molest Erica and David intervenes. Two of the men assault the couple, while the third uses a camcorder to film this incident. Erica is knocked unconscious, and regains her senses several days later in a hospital. She is told the shocking news that David was killed and the dog is missing. A traumatized Erica returns home to try and regain her life. She also visits the police station but does not get much help. Fearful of a repeat of this type of incident, she gets an unlicensed gun and carries it with her all the time. One day ... Written by
Before Jodie Foster was attached to this movie, the character of Erica was supposed to be a newspaper reporter. Foster changed her job to radio host because she thought that her being a print journalist didn't "didn't set a mood for the film and it wasn't as compelling in terms of the narrative" as being a radio reporter was. Foster also wanted to specify that Erica worked for the real news organization National Public Radio, but NPR declined to allow their name to be used in the movie because of the vigilante aspects of the plot. See more »
In the scene where she receives a package and before the opens the box, you can clearly see and hear something moving on the floor in the room behind her (through the glass doors). It looks like a stand for a microphone or camera being pulled out of the view. See more »
[voiceover, doing her radio show]
I'm Erica Bain. And as *you* know, I walk the city. I bitch and moan about it. I walk and watch and listen, a witness to all the beauty and ugliness that is disappearing from our beloved city. Last week took me to the gray depths of the East River where Dmitri Panchenko swims his morning laps, like he has every morning since the 1960s. And today I walked by the acres of scaffolding outside what used to be the Plaza Hotel. And I thought about Eloise....
[...] See more »
OK, probably on first glance everyone will see the similarity with previous (male dominated) vigilante films. But that's a quick, superficial response. I have to say that everyone at the preview here in Miami on 9/10/07 was knocked out by what this film truly does. It takes us on an uncharted ride through the eyes of an intelligent NY woman who's pretty much got her life by the tail. She's got good work, a fiancé with whom she is in love, friends who are supportive and a future that seems bright. Her life works, maybe even constitutes a "charmed" life. Then life in the "safest big city in the world" grinds her up like just so much meat going through a Cuisinart on high. A senseless attack in Central Park and her life, her love and even her dog are gone... in a matter of seconds. She can never go back to who she was, but the world she lives in post-attack, seems to have no room for her as she is. It is after this "prologue" that the essential story really begins. This is a film about the way violence strips you of your identity and changes you irrevocably. It explores in detail how you can become someone even you can't recognize in the bathroom mirror when loss, grief, anxiety, terror and depression take over. And what makes this interesting & screen-worthy, is the journey the character takes is very different from that of others before her in this genre. First, because it is experienced totally through her eyes, ears and sensibilities. Second, because for the first time I can recall, after a lifetime of sitting in the dark and watching films, the character I gladly identify with is a woman. Yes, it appears Ms. Foster has made some definite changes in her selection of material - she's gone from victim to vigilante over the course of a couple of decades. I admit that I have enjoyed all of her work, but if she doesn't get an Oscar nomination for her work in this film, everyone in Hollywood needs to be institutionalized. She carries the film, is on screen for 97% of the time, has changed her look and style to become a believable New Yorker... the no-nonsense hair, clothes and stride of a woman who earns her living via the sounds and rhythms of Manhattan. She shows a wide range in this part... at once sarcastic, then nurturing, smoky-voice seductive, yet warm & vulnerable and finally, a shell-shocked survivor who appears cold-blooded, but is really suffering from post-traumatic stress syndrome of the highest order. She does not strike one false note. Her supporting cast is strong and the relationship that evolves between her character and the Detective is edgy and in the end, fulfilling. I hope that the audiences see what I & the rest of the preview audience saw in this film... a character study that's "dead on" in its dramatic arc. From what I understand, Ms. Foster often takes on roles that were originally written for men. She will only entertain work that offers dimensionality. Therefore, this may have been the logical conclusion of that cycle. As a final note... it's about time the studios realized that women can have a dark side, too. (The police comments in the film regarding the nature of women who kill are very interesting & provocative.)I am looking forward to the DVD release and its "extras." I am hoping she will be an active voice on the commentary. I would love to know what she created as her character's back story and future story. Beyond her talent as an actor, her authenticity as an artist, and her outstanding mind... she has a charisma that underscores all of her work.This one's a film that will effect you not only during its screen time, but afterward during the postmortem you & your friends will most surely have. Don't miss this film!
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