Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that ... See full summary »
Nick Hume is a mild-mannered executive with a perfect life, until one gruesome night he witnesses something that changes him forever. Transformed by grief, Hume eventually comes to the disturbing conclusion that no length is too great when protecting his family.
David Kirmani,a medical professional, lives in an apartment with his sweetheart, Erica Bain, a radio host, and his dog. They usually take the dog out for a stroll in nearby Central Park and let him run and fetch. One day while at the park they let the dog run without a leash, and when he does not return or respond to their calls, they frantically search for him. They eventually find him being held by three men who want a reward. When David refuses, they start to molest Erica and David intervenes. Two of the men assault the couple, while the third uses a camcorder to film this incident. Erica is knocked unconscious, and regains her senses several days later in a hospital. She is told the shocking news that David was killed and the dog is missing. A traumatized Erica returns home to try and regain her life. She also visits the police station but does not get much help. Fearful of a repeat of this type of incident, she gets an unlicensed gun and carries it with her all the time. One day ... Written by
Before Jodie Foster was attached to this movie, the character of Erica was supposed to be a newspaper reporter. Foster changed her job to radio host because she thought that her being a print journalist didn't "didn't set a mood for the film and it wasn't as compelling in terms of the narrative" as being a radio reporter was. Foster also wanted to specify that Erica worked for the real news organization National Public Radio, but NPR declined to allow their name to be used in the movie because of the vigilante aspects of the plot. See more »
The first time Erica goes to the Police Station and is asked to wait she is wearing a white T-Shirt under her hoody sweatshirt. When she walks out of the Police Station and into the Gun Shop, the white T-Shirt is now a red T-Shirt. See more »
[voiceover, doing her radio show]
I'm Erica Bain. And as *you* know, I walk the city. I bitch and moan about it. I walk and watch and listen, a witness to all the beauty and ugliness that is disappearing from our beloved city. Last week took me to the gray depths of the East River where Dmitri Panchenko swims his morning laps, like he has every morning since the 1960s. And today I walked by the acres of scaffolding outside what used to be the Plaza Hotel. And I thought about Eloise....
[...] See more »
"I think someone should just take this city and just... just flush it down the f***in' toilet", says Travis Bickle (Robert De Niro), in "Taxi Driver". He wants to protect the young prostitute Iris (Jodie Foster) from some pigs, and give her a better future. 31 years later, Iris is a popular radio host whose fiancé (Naveen Andrews) is killed in a random attack. She decides to avenge him, and other helpless people, with her own hands.
If not for Jodie Foster's presence, I probably wouldn't bother watching "The Brave One" (even though I admire most of Neil Jordan's films). It's easy to call this a morally sick movie, because that's what is... but it's not sicker than any other bloody action thriller out there. Watching a "fragile" woman like Foster becoming Charles Bronson in skirts is both entertaining and (questionably) gratifying. Who's never fantasized: what if I could just kill all the scum around me? Like "Falling Down" and so many other flicks, "The Brave One" appeals to our lower instincts, and - mildly - makes us imagine what would we do in Jodie's shoes, and how "simple and satisfying" it'd be just to kill them all. That'd be the easiest, quickest 'solution' to our nightmares, and on a second look, that's not as sick as we'd think... just desperate and cathartic.
Far from being a great movie or intellectually instigating as, say, "Dogville", "The Brave One" is worth seeing for Jodie's performance and for its unapologetic badassery in times of false, excessive morality. 6.5/10.
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