Set in the south of the United States just after the Civil War, Laurel Sommersby is just managing to work the farm without her husband Jack, believed killed in the Civil War. By all ... See full summary »
Dede is a sole parent trying to bring up her son Fred. When it is discovered that Fred is a genius, she is determined to ensure that Fred has all the opportunities that he needs, and that ... See full summary »
Saxophonist Danny witnesses the murder of his band manager and a deaf-mute girl after a gig. Questioned by the police, he remembers only the orthopedic shoes of the killers' leader. So ... See full summary »
David Kirmani,a medical professional, lives in an apartment with his sweetheart, Erica Bain, a radio host, and his dog. They usually take the dog out for a stroll in nearby Central Park and let him run and fetch. One day while at the park they let the dog run without a leash, and when he does not return or respond to their calls, they frantically search for him. They eventually find him being held by three men who want a reward. When David refuses, they start to molest Erica and David intervenes. Two of the men assault the couple, while the third uses a camcorder to film this incident. Erica is knocked unconscious, and regains her senses several days later in a hospital. She is told the shocking news that David was killed and the dog is missing. A traumatized Erica returns home to try and regain her life. She also visits the police station but does not get much help. Fearful of a repeat of this type of incident, she gets an unlicensed gun and carries it with her all the time. One day ... Written by
Release prints were delivered to theaters with the fake title 'Sweet Revenge'. See more »
When Detective Vitale drives to pick up the iPod kid, he passes a woman wearing jeans walking away from the park bench as he drives up; as he is getting out of his car, we see the same woman walk right by the bench. See more »
[voiceover, doing her radio show]
I'm Erica Bain. And as *you* know, I walk the city. I bitch and moan about it. I walk and watch and listen, a witness to all the beauty and ugliness that is disappearing from our beloved city. Last week took me to the gray depths of the East River where Dmitri Panchenko swims his morning laps, like he has every morning since the 1960s. And today I walked by the acres of scaffolding outside what used to be the Plaza Hotel. And I thought about Eloise....
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Produced with the highest levels of competency and film-making craft...but do we really need to see this story again?
Police detective in New York City is befriended by a female talk-radio hostess who makes acerbic/introspective comments on daily life in the Big Apple; her past as the near-fatal victim of murderous street thugs connects in his mind with the current rash of celebrated vigilante killings...but if his hunch is right, will he be able to arrest someone he has come to admire? Despite a dreamy, somewhat disconnected narrative which gives the proceedings almost a surreal feeling, this violent urban thriller is absorbing and intriguing, if familiar. Jodie Foster is very capable in the role of this intense, mourning and benumbed woman who isn't quite sure what her feelings are regarding the low-life she kills, yet the character as conceived is tough for us to reach. Speaking in a low monotone (and grieving for her slain boyfriend in much the same way), Foster doesn't shake the audience up--and she doesn't propel the film forward. She is highly sympathetic and human, yet she seems to drift through this hellish jungle with a halo and a gun. Director Neil Jordan certainly stacks the deck against her, which should be enough to get viewers rooting for this modern-day "Ms. 45", however the picture remains aloof, detached. As the detective, Terrence Howard does well with an old-hat role, and the actors playing the punks are all quite convincing. There's a plot thread involving an i-phone recording of the beating Foster and her fiancée suffer which doesn't come off (it seems dropped in), and another scene with Foster saving a young woman from a pimp that feels sketchy. Still, the movie looks classy, has skillful editing and a satisfying wrap-up, and makes fine usage of Sarah McLachlan's song "Answer". **1/2 from ****
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