Saxophonist Danny witnesses the murder of his band manager and a deaf-mute girl after a gig. Questioned by the police, he remembers only the orthopedic shoes of the killers' leader. So ... See full summary »
David Kirmani,a medical professional, lives in an apartment with his sweetheart, Erica Bain, a radio host, and his dog. They usually take the dog out for a stroll in nearby Central Park and let him run and fetch. One day while at the park they let the dog run without a leash, and when he does not return or respond to their calls, they frantically search for him. They eventually find him being held by three men who want a reward. When David refuses, they start to molest Erica and David intervenes. Two of the men assault the couple, while the third uses a camcorder to film this incident. Erica is knocked unconscious, and regains her senses several days later in a hospital. She is told the shocking news that David was killed and the dog is missing. A traumatized Erica returns home to try and regain her life. She also visits the police station but does not get much help. Fearful of a repeat of this type of incident, she gets an unlicensed gun and carries it with her all the time. One day ... Written by
At the scene where the two thugs were killed in the subway wagon an officer picks up a spent casing, and states that it is a 9mm and was fired from an automatic weapon. You can't tell by the casing of a cartridge what kind of gun it was fired from, and, besides that, the officer mistakes the Kahr K9 for an automatic, when it is in fact a sub-automatic. See more »
[voiceover, doing her radio show]
I'm Erica Bain. And as *you* know, I walk the city. I bitch and moan about it. I walk and watch and listen, a witness to all the beauty and ugliness that is disappearing from our beloved city. Last week took me to the gray depths of the East River where Dmitri Panchenko swims his morning laps, like he has every morning since the 1960s. And today I walked by the acres of scaffolding outside what used to be the Plaza Hotel. And I thought about Eloise....
[...] See more »
This was entertaining. Sure, one can't help but draw comparisons and think back to the most famous vigilante film of all time: "Death Wish," but this film stands on its own story. No, it's not "Death Wish," but it ain't far from it, storywise. It's different enough to keep us guessing what "Erica" will do next so, in that regard, it's good value for your entertainment dollar, particularly if you enjoy film noirs. This would be labeled a "neo noir" today.
I was a little skeptical about Jodie Foster playing a Charles Bronson-type shooter, but she pulled it off convincingly. The difference in "Erica Bain" and Bronson's "Paul Kersey" was minimal except she seemed to be more depressed over who she had become, once she started killing.
Foster, by the way, shows no signs of slowing down as an actress and this was a juicy role for her.
But don't be misled by this film's screenplay or by Hollywood standards of morality, as they have very little. The fact is, as shown in this film, this woman quickly turns into a killer, a murderer, if even if it was scumbags she was killing, it doesn't justify her actions and, deep inside, she knew it. (It sure is satisfying, though, in a real base sense!)
The ending a little UNsatisfying to a number of reviewers, both here and in national publications. That's all I will say on that, as I don't want to spoil anything for readers who haven't seen the movie. You make up your own mind what you think of it, and the message it conveys.
Suffice to say, if you're looking for an entertaining neo noir, one that serves up your thirst for vengeance a la "Death Wish," this is one to check out at your local rental store.
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