| Photos (See all 15 | slideshow) | Videos (see all 6) |
| Keir O'Donnell | ... | The Laugh | |
| Katheryn Winnick | ... | Tabitha | |
| Laura Breckenridge | ... | Shelby | |
| Jessica Lucas | ... | Lisa | |
| Tad Hilgenbrink | ... | Rob (as Tad Hilgenbrinck) | |
| Reid Scott | ... | Dan | |
| Rena Owen | ... | Psychiatrist | |
| Kevin Gage | ... | Tryton | |
| Brennan Bailey | ... | Danny | |
| Preston Bailey | ... | Max | |
| Shauna Duggins | ... | Woman In Truck | |
| Fernanda Dorogi | ... | Cat | |
| Eyad Kurd-Misto | ... | Child Laugh | |
| Karley Scott Collins | ... | Child Tabitha | |
| Jadin Gould | ... | Child Shelby | |
| Alisha Boe | ... | Child Lisa | |
| David Steven Waine | ... | Puppeteer | |
| rest of cast listed alphabetically: | |||
| Ashley Arnold | ... | School Girl (uncredited) | |
| David Arnold | ... | Playground Boy (uncredited) | |
Directed by | |||
| John Simpson | |||
Writing credits(WGA) | ||
| Jake Wade Wall | (written by) | |
Produced by | |||
| Neal Edelstein | .... | producer | |
| Merideth Finn | .... | executive producer | |
| Mike Macari | .... | producer | |
| Udi Nedivi | .... | co-producer | |
Original Music by | |||
| Marco Beltrami | |||
Cinematography by | |||
| Mark Garrett | (director of photography) | ||
Film Editing by | |||
| David Handman | |||
| Chris G. Willingham | (as Chris Willingham) | ||
Casting by | |||
| Johanna Ray | |||
Production Design by | |||
| Craig Stearns | |||
Art Direction by | |||
| Bence Erdelyi | |||
| Mihály Molnár | |||
Costume Design by | |||
| Andrea Flesch | |||
Makeup Department | |||
| Jake Garber | .... | special makeup effects artist: additional photography | |
| Hildegard Haide | .... | key makeup artist | |
| Éva Kozma | .... | makeup artist | |
| Iván Pohárnok | .... | special makeup effects artist | |
| K.G. Ramsey | .... | hair department head | |
| John Rosengrant | .... | special makeup effects supervisor: Stan Winston Studio | |
Production Management | |||
| Balázs Harmati | .... | unit manager | |
| Erik Holmberg | .... | executive in charge of production | |
| Norbert Kroó | .... | assistant unit manager | |
| Jody Levin | .... | executive in charge of post-production | |
| Udi Nedivi | .... | unit production manager | |
| Darin Read | .... | post-production supervisor | |
| Frank Salvino | .... | post-production supervisor | |
| Matthew Spiegel | .... | production supervisor | |
| Miklós Tóth | .... | production manager | |
Art Department | |||
| Laura Evans | .... | set decorator: additional photography | |
| Gergely Kajdi | .... | lead greensman | |
| Zsuzsa Kismarty-Lechner | .... | draughtsperson | |
| Péter Koronghy | .... | set dresser | |
| Péter Kovács | .... | construction coordinator | |
| Attila Digi Kövári | .... | on-set dresser | |
| Dim McRemnant | .... | graphic artist | |
| László Nagyidai Jr. | .... | construction manager | |
| Szilvia Paros | .... | art department coordinator | |
| Gábor Posevitz | .... | property master | |
| Zsolt Sajgó | .... | construction manager | |
| Lajos E. Szabó | .... | stand-by painter | |
| Marton Szalay | .... | set dresser | |
| Jeffry C. Voorhees | .... | on-set dresser: additional photography | |
| Csaba Vásári | .... | stand-by carpenter | |
| Balázs M. Kovács | .... | props (uncredited) | |
Sound Department | |||
| Christopher Alba | .... | first assistant sound editor | |
| Anita Cannella | .... | foley artist | |
| Rob Cunningham | .... | utility sound technician: Los Angeles | |
| Klair Ethridge | .... | boom operator: Los Angeles | |
| Steve Finnigan | .... | adr recordist | |
| Alan Freedman | .... | adr mixer | |
| Gary Gegan | .... | sound re-recording mixer | |
| Jonathan Golodner | .... | foley editor | |
| Paul Hackner | .... | dialogue editor | |
| Matthew Iadarola | .... | supervising re-recording mixer | |
| Amy Kane | .... | foley artist | |
| János Köporosy | .... | sound mixer | |
| Mark Larry | .... | supervising sound editor | |
| Mike Marino | .... | foley mixer | |
| Michael C. Moore | .... | sound mixer: Los Angeles | |
| Steve Schatz | .... | sound mixing recordist | |
| Peter Schulteisz | .... | assistant sound | |
| Szabolcs Stella | .... | boom operator | |
| Eric Thompson | .... | adr mixer | |
| Bryan O. Watkins | .... | sound effects editor | |
Special Effects by | |||
| Veronika Dobos | .... | special effects assistant | |
| Damian Fisher | .... | special effects technician | |
| István Gittinger | .... | pyrotechnician | |
| Gyula Krasnyánszky | .... | pyro supervisor | |
| Lindsay MacGowan | .... | effects coordinator: Stan Winston Studio | |
| Norbert Orosz | .... | pyrotechnician | |
| László Pintér | .... | pyrotechnician | |
| Lino Stavole | .... | special effects technician: KNB Effects Group | |
| David Waine | .... | special effects coordinator | |
Visual Effects by | |||
| Mandy Arnold | .... | digital effects artist | |
| Ronald Arredondo | .... | visual effects gaffer: Cinema Production Services, Inc. | |
| Greg Baxter | .... | visual effects producer | |
| Daniel Birnbaum | .... | digital compositor | |
| Chris Dawson | .... | motion control camera operator | |
| Giovanni Dulay | .... | visual effects: Cinema Production Services, Inc. | |
| Tim Fescoe | .... | compositor | |
| Scott Hankel | .... | digital effects artist | |
| Balázs Harmati | .... | motion control operator | |
| Matt Hennessy | .... | visual effects | |
| Bob Hurrie | .... | visual effects producer: Cinema Production Services, Inc. | |
| Christopher Johnson | .... | visual effects: Cinema Production Services Inc | |
| John Joyce | .... | visual effects coordinator: Cinema Production Services, Inc. | |
| Michael Joyce | .... | visual effects supervisor: Cinema Production Services, Inc. | |
| Morgan McDermott | .... | visual effects | |
| Dennis McHugh | .... | visual effects director of photography: Cinema Production Services, Inc. | |
| Daniel Molina | .... | digital compositor | |
| Csaba Nemesházi | .... | visual effects | |
| Corinne Pooler | .... | visual effects producer: Digital Dream | |
| Jerry Pooler | .... | visual effects supervisor: Digital Dream | |
| Marco Recuay | .... | digital effects supervisor: Digital Dream | |
| Ariel Velasco-Shaw | .... | visual effects supervisor (as Ariel Velasco Shaw) | |
Stunts | |||
| Andrea Barat | .... | stunt driver | |
| Endre Botka | .... | stunts | |
| Krisztián Botka | .... | stunts | |
| Erika Cziráky | .... | stunts | |
| Shauna Duggins | .... | stunts | |
| Balázs Farkas | .... | stunts | |
| Kinga Gavalda | .... | stunt double: Katheryn Winnick | |
| Kinga Gavalda | .... | stunt double: Tabitha | |
| Zoltán Gulyás Kiss | .... | stunt coordinator: Hungary | |
| Zoltán Gulyás Kiss | .... | stunt double: Rob | |
| Craig Jensen | .... | stunts | |
| Rob King | .... | stunt coordinator | |
| Gergely Korpácsi | .... | stunts (as Gergely Horpácsi) | |
| Norbert Kovács | .... | stunts | |
| László Kósa | .... | stunt double: Keir O'Donnel | |
| György Kökényesi | .... | stunts | |
| Zsolt Viktor Magyari | .... | stunt driver | |
| Gábor Pesta | .... | stunts | |
| Tamás Pintér | .... | stunts (as Tamás 'Oroszlán' Pintér) | |
| Kristóf Párdányi | .... | stunt driver | |
| Kristóf Párdányi | .... | stunts | |
| Peter Rode | .... | stunt double | |
| Dennis Scott | .... | stunts (as Dennis Ray Scott) | |
| Kinga Trimmel | .... | assistant stunt coordinator | |
| László Ujvári | .... | stunts | |
| Tyler Vogt | .... | stunts | |
Camera and Electrical Department | |||
| László Bille | .... | camera operator | |
| Attila Bogyai | .... | electrician | |
| Ryan Bradley | .... | grip | |
| Zsolt Büti | .... | rigging gaffer | |
| Craig Cooper | .... | dolly grip | |
| Zoltán Dzsupin | .... | second assistant camera: "d" camera | |
| Riley Garrett | .... | camera trainee | |
| Doane Gregory | .... | still photographer | |
| György Horváth | .... | focus puller: third camera | |
| János Kiss | .... | key grip | |
| Christopher TJ McGuire | .... | MK-V AR operator | |
| 'Kis Gromek' László Molnár | .... | electrician | |
| Attila Pfeffer | .... | Steadicam assistant | |
| Michael Pinkey | .... | camera operator: additional unit | |
| András Pozsár | .... | rigging | |
| Péter Rácz Tiger | .... | video assist operator | |
| István Török | .... | grip | |
| Chris Updegrave | .... | grip | |
| György Vesztergombi | .... | focus puller | |
| Balázs Várszegi | .... | video assist operator: second unit | |
| Ádám Wallner | .... | assistant camera | |
Casting Department | |||
| Jenny Jue | .... | casting associate | |
| Tamás Kertész | .... | extras casting | |
Costume and Wardrobe Department | |||
| Mari Csáki | .... | dresser / set supervisor | |
| Mónika Matyi | .... | assistant costume designer | |
Editorial Department | |||
| Gary Burritt | .... | negative cutter | |
| Janó Fekete | .... | colorist: dailies | |
| Christopher Johnston | .... | first assistant editor | |
| Harry Muller | .... | color timer | |
| Gyula István Mózes | .... | assistant editor | |
| Mike Sowa | .... | digital intermediate colorist | |
Music Department | |||
| Pete Anthony | .... | conductor | |
| Pete Anthony | .... | orchestrator | |
| Johnny Caruso | .... | music editor | |
| Matt Franko | .... | music preparation | |
| Rossano Galante | .... | orchestrator | |
| Jim Honeyman | .... | orchestrator | |
| John Kurlander | .... | music recording engineer | |
| John Kurlander | .... | score mixer | |
| Michael John Mollo | .... | orchestration assistant | |
| Dana Niu | .... | music arranger | |
| Victor Pesavento | .... | music preparation | |
| Peter Rotter | .... | music contractor | |
| Buck Sanders | .... | musical sound designer | |
| Josh Sarles | .... | music engineer | |
| Josh Sarles | .... | score pro tools recordist | |
| Dennis Smith | .... | composer: additional music | |
| James Thatcher | .... | musician: french horn | |
| Ceiri Torjussen | .... | composer: additional music | |
| Marcus Trumpp | .... | composer: additional music | |
Transportation Department | |||
| L. Chip Crosby Jr. | .... | transportation captain: second unit, Los Angeles | |
| István Ivanov | .... | driver | |
| James Lowder | .... | transportation coordinator | |
| Eniko Orosz | .... | transportation assistant | |
| Enikö Orosz | .... | transportation coordinator assistant | |
| Zsolt Somogyi | .... | transport coordinator | |
| Sandor Tabanyi | .... | picture car coordinator | |
| Kristen Wadsworth | .... | driver | |
Thanks | |||
| D.L. Smith | .... | very special thanks | |
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| The Professional: Golgo 13 | Darkness Falls | Machete | Repo Men | Kick-Ass |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Please please don't watch this film.
I'll get to the point.
1. Its really slow (the film is only 1.5 hours. 1 hour of it is needless padding).
2. Its dull (it has 3 separate stories, each of which take about 10-15 minutes to get going, and then the "horror" part lasts about 1-2 minutes) 3. Its cliché (there is nothing you haven't seen before, which can be OK, except its SO cliché, there is no fear factor) 4. It has no scary bits (there is no suspense and because its slow, dull and cliché, its hard to feel scared. Even my girlfriend fell asleep and she scares really easy). The scariest part of this film is the cover.
5. It would be hard to direct a film more poorly than this. The director has attempted to copy other films and done so with no innovation or interest factor at all. This film probably will (and should) ruin the directors career. I don't like to be horrible, so if the director were prepared to openly apologise for this film, I'd gladly give him another chance. Otherwise he owes me 1.5 hours of my life).
6. Its the first film to make me feel angry at the waste of my life 7. Oh and its dull.
Please please don't watch this film. You will be disappointed.