Take a terrifying plunge into the warped mind of a disturbed young woman. Desperate to get her life back on track, the unstable Streak takes a job as a security guard, working the graveyard... See full summary »
Karen, Sarah, and Emma Tunney are all moving to a small town in Pennsylvania where, unknown to them, in 1913, a horrid mine accident trapped dozens of children alive, underground. But there's a problem. They're still alive.
Chloë Grace Moretz
Trapped in an isolated gas station by a voracious Splinter parasite that transforms its still living victims into deadly hosts, a young couple and an escaped convict must find a way to work together to survive this primal terror.
Young Penny goes on a retreat with her psychologist; the intention is to help her overcome her phobia, an intense fear of cars. Unexpected events find her in a nightmarish situation where her worst fears come true.
In 1966, somewhere in Russia, a wounded woman drives a truck to an isolated farm with two babies. Forty years later, the film producer Marie Jones leaves her daughter in California and travels back to her home land in the wilderness of Russia. Marie is one of the children and had received a phone call from the notary public Andrei Misharin that had told her where the farm of her family is. Marie arrives in the abandoned house and meets the stranger Nicolai that tells her that he had also received a call from Misharin and he is her twin brother. Weird things happen in the house and Marie and Nicolai are haunted by eerie ghosts of themselves. Further, they find that they are trapped in the house and can not leave the place. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
After Marie rows across the river and starts walking, the boat started to float away. The first shot shows the front of the boat (pointed end) toward Marie, moving backward. The second shot shows the boat moving forward with the rear facing Marie. Then the last shot of the boat shows the front pointing toward Marie again moving backward. See more »
Nacho Cerda's first feature length film is a true masterpiece. Definitely one of the most frightening films I have seen in years, thanks in part to great writing, acting, sound, cinematography, and a menacing electronic soundtrack by David Kristian, who IMHO is the future of horror film music. Anyone who has already seen Cerda's previous efforts will know what I am talking about when I say he is a master at creating repulsively beautiful images that stay with you long after the film is over. Cerda doesn't pull any punches, whether he's aiming at your gut or at your brain. Forget what you think you know about ghost stories, The Abandoned makes movies like An American Haunting and other recent supernatural flicks seem like kiddie fare. Thank you Mr. Cerda, thank you!
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