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A female forensic psychiatrist discovers that all of one of her patient's multiple personalities are murder victims. She will have to find out what's happening before her time is finished.
Directors:
Måns Mårlind,
Björn Stein
Stars:
Julianne Moore,
Jonathan Rhys Meyers,
Jeffrey DeMunn
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
Jigsaw locks a few unlucky people in a booby trapped shelter and they must find a way out before they inhale too much of a lethal nerve gas and die. But they must watch out, for the traps Jigsaw has set in the shelter lead to death also.
An American nurse living and working in Tokyo is exposed to a mysterious supernatural curse, one that locks a person in a powerful rage before claiming their life and spreading to another victim.
Director:
Takashi Shimizu
Stars:
Sarah Michelle Gellar,
Jason Behr,
William Mapother
In 1966, somewhere in Russia, a wounded woman drives a truck to an isolated farm with two babies. Forty years later, the film producer Marie Jones leaves her daughter in California and travels back to her home land in the wilderness of Russia. Marie is one of the children and had received a phone call from the notary public Andrei Misharin that had told her where the farm of her family is. Marie arrives in the abandoned house and meets the stranger Nicolai that tells her that he had also received a call from Misharin and he is her twin brother. Weird things happen in the house and Marie and Nicolai are haunted by eerie ghosts of themselves. Further, they find that they are trapped in the house and can not leave the place. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Writer Karim Hussain said that the film was inspired by obsessions with family and the double aspects of everybody's lives. Also, Hussain based his work on some experiences he lived at his father's farm as a child. See more »
Goofs
When Marie and Nicolai enter a room for discussion, she places a box in front of the door after closing it. After the discussion, Nicolai goes to the door and opens it, but the box is not there. See more »
Spanish director Nacho Cerda's THE ABANDONED is like the beautiful, unholy marriage of Lucio Fulci (circa THE BEYOND) and Russian art-house master Andrei Tarkovsky -- if that sounds like some high-falutin' pretentious art/horror movie, think again: this film is so downright terrifying I spent half the movie with my hands over my eyes, and my brother confirmed it's one of the scariest flicks he's ever seen. Cerda conjures up a classic Haunted House from Hell (or in this case, the Russian countryside) scenario, and then wrings about as many shocks and spinetingling moments out of it as (in)humanly possible. Some amazing, ear-shredding sound design also adds to the scare factor. Mucho credit goes to main screenwriter Karim Hussain for creating a storyline that is at once enigmatic in an unfolding, puzzle-box kind of way and also emotionally resonant and intense. Again, if you long for the days of classic Fulci shockers with a strong dose of PICNIC AT HANGING ROCK/THE LAST WAVE dreamlike vibe thrown in -- check this one out. A winner all the way.
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Spanish director Nacho Cerda's THE ABANDONED is like the beautiful, unholy marriage of Lucio Fulci (circa THE BEYOND) and Russian art-house master Andrei Tarkovsky -- if that sounds like some high-falutin' pretentious art/horror movie, think again: this film is so downright terrifying I spent half the movie with my hands over my eyes, and my brother confirmed it's one of the scariest flicks he's ever seen. Cerda conjures up a classic Haunted House from Hell (or in this case, the Russian countryside) scenario, and then wrings about as many shocks and spinetingling moments out of it as (in)humanly possible. Some amazing, ear-shredding sound design also adds to the scare factor. Mucho credit goes to main screenwriter Karim Hussain for creating a storyline that is at once enigmatic in an unfolding, puzzle-box kind of way and also emotionally resonant and intense. Again, if you long for the days of classic Fulci shockers with a strong dose of PICNIC AT HANGING ROCK/THE LAST WAVE dreamlike vibe thrown in -- check this one out. A winner all the way.