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Amando de Ossorio,
Narciso Ibáñez Serrador
In 1966, somewhere in Russia, a wounded woman drives a truck to an isolated farm with two babies. Forty years later, the film producer Marie Jones leaves her daughter in California and travels back to her home land in the wilderness of Russia. Marie is one of the children and had received a phone call from the notary public Andrei Misharin that had told her where the farm of her family is. Marie arrives in the abandoned house and meets the stranger Nicolai that tells her that he had also received a call from Misharin and he is her twin brother. Weird things happen in the house and Marie and Nicolai are haunted by eerie ghosts of themselves. Further, they find that they are trapped in the house and can not leave the place. Written by
Claudio Carvalho, Rio de Janeiro, Brazil
When Marie and Nicolai enter a room for discussion, she places a box in front of the door after closing it. After the discussion, Nicolai goes to the door and opens it, but the box is not there. See more »
Taking us back and forth 40 years in Russia and it is obvious not a lot has changed from 1966 up until today, I found this to be an exceptional use of location to create a dark eerie presence and visual display on screen. Director Nacho Cerda got the most out of the 2 lead roles (Anastasia Hille and Karel Roden), I had never seen either one of them and I think they did a reasonably good job working out the kinks of the film. The story is the only thing that really bothered me, I tried to stay with it but honestly there were some times that I did get a little lost but every time I found myself wondering what was going on, the characters answered my questions. I was wondering how Nicolai got to the house and Marie asked him that very question. I thought the movie was well thought out and sound affects and visuals really helped draw you in to the film. A lot of moments that made my wife jump and grab my arm tighter.
24 of 40 people found this review helpful.
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