Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring ... See full summary »
After being convicted for fraud, one month has passed since CHOI Chang-Hyuk's release from jail. But this time around he's got an elaborate plan cooked up. It's the biggest bank heist in ... See full summary »
1st Street is a curious neighborhood untouched by the aids of modern living like proper plumbing and Internet. Pilje cruises into 1st Street with the intention to drive out its inhabitants ... See full summary »
A serial killer targeting elementary school students is on the loose. When the most probable suspect dies and the case looks like it's reached a dead end, police brass decide to create a ... See full summary »
"As One" is the cinematic retelling of the first ever post-war Unified Korea sports team, hastily formed to participate in the 41st World Table Tennis Championships in 1991. Following the ... See full summary »
Young-mi (played by the fresh and wonderful Ha Ji-won) lost her parents when she was still young, but despite such hardship, she manages to live her life cheerfully. Helping her out is a ... See full summary »
Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating out of the area they've been assigned to protect. However, as the criminals aren't just printing up their own money, they also plan to use it to topple the economy and take down the government. As her investigative work continues, Namsoon soon makes the acquaintance of a young man known only as Sad Eyes (Gang Dong-won), for the way that he looks out at you from underneath his hair - he doesn't say much, but he's got that look and that's all it takes to pique Namsoon's interest in him, even if she shouldn't be thinking those thoughts about someone she might have to toss in jail. Of course, Namsoon can't deny her feelings even if the object of her affection belongs behind bars, and it's not long before she's starting to act on her emotions. Written by
I just saw this at the Toronto Film Festival. I really looked forward to it, after watching the trailer. The cinematography was no doubt a visual feast, beautiful composition and choreography, a lot of the time it resembles a comic book, the mysterious "sad eyes" and the exaggerated Namsoon, but the entire film just feels like a big loop of artistic sequence, a bit of story, artistic sequence, etc etc. After a while, it seems that a lot of it are just there for eye candy, didn't really do much in terms of contributing to the story, eventually it just became tiresome and repetitive. I can't say it was bad at all, but just the cinematography wasn't engaging enough, it was a sharp contrast of gorgeous visuals and an insipid story.
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