Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring ... See full summary »
In this second installment of the Whispering Corridors series, a young girl finds a strange diary, capable of arousing hallucinations, kept by two of her senior fellow-students who seem to have an unusually close bond.
Two clowns living in Korea's Chosun Dynasty get arrested for staging a play that satirizes the king. They are dragged to the palace and threatened with execution but are given a chance to save their lives if they can make the king laugh.
"As One" is the cinematic retelling of the first ever post-war Unified Korea sports team, hastily formed to participate in the 41st World Table Tennis Championships in 1991. Following the ... See full summary »
Lee Jeok-yo is a 70ish year old man who is a respected poet. He cares fondly for his 30ish year old disciple Seo Ji-woo. The world of these two men are shaken when 17-year-old high school ... See full summary »
A guy with a talent for cards makes his way into the dangerous world of underground gambling in this crime thriller from South Korea. Go-ni (Jo Seung-woo) is a small-town guy with a big ... See full summary »
Set years ago in the era of the Joseon Dynasty, the story follows a young police officer named Namsoon (Ha Ji-won) who, along with her fellow officers, discovers a counterfeit ring operating out of the area they've been assigned to protect. However, as the criminals aren't just printing up their own money, they also plan to use it to topple the economy and take down the government. As her investigative work continues, Namsoon soon makes the acquaintance of a young man known only as Sad Eyes (Gang Dong-won), for the way that he looks out at you from underneath his hair - he doesn't say much, but he's got that look and that's all it takes to pique Namsoon's interest in him, even if she shouldn't be thinking those thoughts about someone she might have to toss in jail. Of course, Namsoon can't deny her feelings even if the object of her affection belongs behind bars, and it's not long before she's starting to act on her emotions. Written by
I don't know how many of the reviewers of this movie realize just how difficult some of the visual effects the director managed to pull off really are. I'm currently an art student and I've helped in the filming of more than a few movies in my life and I've seen more movies than most people have even heard of and yet this movie has stood near the top of the list of my favorite films since I saw it. Now maybe I'm biased because this movie has more emotion depicted in one scene of swordplay than movies like the Notebook. If you missed it the first time through you were obviously reading a book by its cover because its story is told through expressions and movements of the characters not through the traditional blunt, in your face talking which can sometimes neglect the need for visuals in a movie. Half the movies that have come out in the past five years wouldn't be worth a damn except for their dialog. They would be better as books on tape. This movie is all about the visuals and how they blend with an amazing score. Very few directors can pull off emotions through pure visual splendor and music. How this has a barely above a five rating is disgusting. I recommend this movie to anyone. They say the plot is thin but if your just basing that off the dialog you've missed three quarters of the story. Watch the actors body language and how the music builds upon it.
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