Jung-Ho a famous photographer who has a special ability to read people's minds, has just returned to Korea from abroad. Jung-Ho still can't get rid of traumatic memories of his late ... See full summary »
Officers Kyung-yoon CHO and Eun-joo PARK are on the hunt a killer following duo of ghastly murders. The victims carry a common military past, and the secret of their past must be unraveled to find the killer.
In Seoul, parts not matching of severed copses of three men are found in cars and bags left in public spaces. Detective Cho, who is under investigation of the Internal Affairs, is assigned ... See full summary »
A missing person case involving a female university student and the victim in a hit and run case appears to be the same person. Detectives look for a witness. A witness, Min Soo-Ah appears,... See full summary »
Blood Rain tells the story of a slew of grisly murders plaguing a small, fairly isolated island village. However, it's not just the mounting death toll that's causing residents to worry, ... See full summary »
One day, the only son of famous news anchor HAN Kyung-bae, disappears without a trace. Soon, the kidnapper calls the mother demanding a $100,000 ransom. The police assign a veteran ... See full summary »
"Best Seller" is a thriller centered around writer Hee-Soo (Eom Jeong-Hwa) who moves to a small house in a rural area after becoming involved in a plagiarism scandal. Hee-Soo then hears a ... See full summary »
A mysterious person calls a young man and informs him that his estranged father has died in a country village. The curious son travels to the town to discover what happened. From there out ... See full summary »
The film is based on a true case from the early 1990s that is known among Koreans as the "disappearance of the frog children." In 1991, five elementary school students told their parents ... See full summary »
Two teenagers joining the same class in a high school die on the same day. The one to be top of the class is killed by a big knife on the street, the other - the second best of the class indeed - seems to be jumped from the top of the school building. Everybody believes that he first killed his classmate and than himself. But when the police finds small pill boxes into the stomachs of both kids confessing their murder two South Korean cops are torn into a new case of murder series. While they try to hunt down the serial killer, more pupils are getting killed... Written by
I think that one of the main differences between Asian and Western cinematographies is that the first ones mix genres more widely than the second ones. The result is that Eastern movies use not to be so predictable as Western films, and this is applicable to commercial titles too. South Korean movies are a good example of this miscellany. Concretely, in "Diary of June" or "Bystanders" ("6-wol-eui Il-gi" is its original title) we can find the typical thriller about a group of cops trying to catch a serial killer, a buddy movie with some touches of comedy, and specially in the last 30 minutes a very intense drama that made me remember the dark social connotations of the Japanese "Confessions". This cocktail of genres is always welcome if script and direction can keep the balance between the elements. Just like a cocktail, that it will be a good one if the ingredients have been mixed and shaken in the right proportion. Fortunately, many Korean movies succeed in this and "Diary of June" is not an exception. As a thriller, it keeps the necessary suspense during its first half. Later the identity of the killer won't be a mystery, but the reason is not a flaw of the script. That's because, since then, the social drama acquires more importance than the criminal investigation. Like "Confessions", the target of the critic is the failure of the educational establishment (including passive teachers and well-intentioned but mistaken parents or relatives). Kids can be cruel, very cruel, but their cruelty is only a reflection of the cruelty (or just unhappiness) showed by adults in front of their astonished faces. We have a very big responsibility for the new generations and too much often we are not conscious of that. Every member of the cast, including the teenagers, is good. But specially Sin Eun-kyeong, as the tough but sensible female cop with her own personal demons, does great work. Well supported by Eric Moon, there is a good chemistry between their characters and some funny moments involving their superior officers. This film is not one of the best of South Korean cinematography (the competence is high) but it works and it goes beyond the simple entertainment thanks to its social message. Not a must see but I highly recommend it.
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