| Videos (see all 2) |
| Danica McKellar | ... | Emily | |
| Jay Kenneth Johnson | ... | Johnny | |
| William Forsythe | ... | Willy | |
| Sean Kanan | ... | Vincent King | |
| Juliet Landau | ... | Mary Shelley | |
| Justin Chon | ... | Ricky | |
| Travis Schuldt | ... | Tim | |
| Adrienne Frantz | ... | Maddy | |
| Gabrielle Richens | ... | Sylvia | |
| Noah Guy | ... | Tatooed Keg Pumper | |
| Kane Hodder | ... | First Victim | |
| Burt Young | ... | J.T. Bates | |
| Tony Burton | ... | Sheriff Stoker | |
| Won-G | ... | Q (as Wondgy Bruny) | |
| Mike Wittlin | ... | Mr. Argento | |
| Suzie Pollard | ... | Featured extra | |
| Jenna Morasca | ... | Tim's Girlfriend | |
| Teague Cowley | ... | Dismembered Hunter | |
| rest of cast listed alphabetically: | |||
| Richard Comeau | ... | Vincent's Father (uncredited) | |
| Tammy Felice | ... | Maddy's Tough Girlfriend (uncredited) | |
| Cody Hartman | ... | Young Vincent (uncredited) | |
| Daryl J. Johnson | ... | Sweet D (uncredited) | |
| Lochlyn Munro | ... | Deputy Radley (uncredited) | |
| Clifford Parks | ... | Brandon (uncredited) | |
| Tonia Marie Rosée | ... | Sherrie (uncredited) | |
Directed by | |||
| Matt Flynn | |||
Writing credits(in alphabetical order) | ||
| Matt Flynn | ||
Produced by | |||
| Stephen Fromkin | .... | line producer | |
| Brian Hartman | .... | producer | |
| Kyle Dean Jackson | .... | post-production producer | |
| Sean Kanan | .... | producer | |
| Joe Knee | .... | co-producer | |
| Kim Eva Matuka | .... | associate producer | |
| Alan Pao | .... | post-production producer | |
| Elsa Ramo | .... | co-producer | |
| Mike Wittlin | .... | executive producer | |
| Mike Wittlin | .... | producer | |
Original Music by | |||
| Scott Glasgow | |||
Cinematography by | |||
| Roger Chingirian | |||
Film Editing by | |||
| Kyle Dean Jackson | |||
Casting by | |||
| Derick LaSalla | |||
Production Design by | |||
| John O. Hartman | (as John Hartman) | ||
Art Direction by | |||
| Lendie Lee | |||
Costume Design by | |||
| Annie Bloom | |||
Makeup Department | |||
| Autumn Butler | .... | key special makeup effects | |
| Myke Michaels | .... | makeup department head | |
| Myke Michaels | .... | special makeup designer | |
| Alex Noble | .... | special makeup effects artist | |
| Shay Pulliam | .... | special makeup effects artist | |
| Traci E. Smithe | .... | hair department head | |
| Jenna Tibbetts | .... | key makeup artist | |
Art Department | |||
| Phillip Broste | .... | storyboard artist | |
| Joe Megna | .... | assistant property master | |
| Kristeen Reimnitz | .... | scenic painter | |
| Mark Richardson | .... | property master | |
| Hillel Chaim Smith | .... | property master | |
Sound Department | |||
| Miriam Cole | .... | adr coordinator | |
| Casey A. Fife | .... | sound designer | |
| Casey A. Fife | .... | sound editor | |
| Frank Herman | .... | boom operator | |
| Andrew Ing | .... | dialogue editor | |
| Andrew Ing | .... | sound effects editor | |
| Sam C. Lewis | .... | adr recordist | |
| Sam C. Lewis | .... | foley recordist | |
| Michael J. McDonald | .... | sound re-recording mixer (as Michael McDonald) | |
| Michael J. McDonald | .... | supervising sound editor (as Michael McDonald) | |
| G.W. Pope III | .... | sound effects editor | |
| Alan B. Samuels | .... | sound mixer | |
Special Effects by | |||
| Ian Eyre | .... | special effects foreman | |
Visual Effects by | |||
| Peter Allendale | .... | digital compositor | |
| Kenneth Armstrong | .... | digital compositor | |
| Joseph Bailey | .... | digital compositor | |
| Jon Berry | .... | digital intermediate editor | |
| Phillip Broste | .... | effects animator | |
| Tim Carras | .... | visual effects supervisor | |
| Joshua D. Comen | .... | main title producer: Comen VFX | |
| Elizabeth Marriner | .... | digital compositor | |
| Narbeh Tatoussian | .... | digital intermediate colorist | |
Stunts | |||
| Kane Hodder | .... | stunts | |
| Kelly Kerby | .... | stunts | |
| G. Peter King | .... | stunt coordinator | |
| Rene Mousseux | .... | stunt coordinator | |
| Tarah Paige | .... | stunt double: Emily | |
| Ann Scott | .... | stunt double | |
| C.C. Taylor | .... | stunt double | |
Casting Department | |||
| Sally Jackson | .... | casting assistant | |
Costume and Wardrobe Department | |||
| Mayumi Masaoka | .... | costume supervisor | |
| Sarah Peters | .... | wardrobe assistant | |
| Carmen Thompson | .... | costumer | |
Editorial Department | |||
| Sebastian Perez-Burchard | .... | digital intermediate editor | |
Music Department | |||
| James Barth | .... | music editor | |
| Mikael Carlsson | .... | executive soundtrack producer | |
| Tim Rodier | .... | orchestrator | |
Other crew | |||
| Renetta G. Amador | .... | script supervisor | |
| Darryll DiPietro | .... | production assistant | |
| Gabrielle Eisenstadt | .... | production assistant | |
| Rosemary Flynn | .... | production assistant | |
| Sean E. McCarthy | .... | production assistant | |
| Bryan Porter | .... | production assistant | |
| Elsa Ramo | .... | production legal | |
| Alex Reveliotty | .... | production assistant | |
| Diane Schulz | .... | set medic (as Diane Schulz-Graves) | |
| Stan Szewczyk | .... | production assistant | |
| Peter Addison Webb | .... | production legal associate | |
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| Torso | Terror Train | The Howling | Slaughter High | What Have You Done to Solange? |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb USA section |
Some things, despite being good, should never have happened: N.W.A. caused the creative hip-hop of the 80s to be buried underneath hordes of unpleasant gangsta rappers; Disney-Pixar's magical films have replaced the charm of hand-drawn animation with sterile CGI; postmodern horror classic Scream launched a thousand dull horror films that thought they were clever. Which brings me to Hack!, a film that very much follows Scream's template, with a touch of (underdeveloped) reality TV satire. Seven students and their teacher come to an island for a biology project; soon, of course, they are being hacked apart. Hack! tries to freshen up its slasher clichés by introducing a snuff twist, but it adds nothing to the film other than some annoying shots through an old-fashioned, wind-up camera, while the way the film tempers its classical horror references (The Birds, Psycho, Texas Chainsaw Massacre) with more modern phenomena (Saw, cult TV series Desperate Housewives, reality show Survivor) feels like a desperate bid to be hip.
Technically, this film is a mess. Shots slip randomly in and out of focus: some are a few seconds long, some scenes continue far after their end; continuity seems to have been deliberately disregarded, the music seems to be totally unrelated to what is happening on the film (I believe if you listen to your favourite album while you watch, a la Dark Side of the Rainbow, it will match up better); in one scene, it is so clear stock footage is being used that you feel a bit embarrassed.
The script fares no better: moronic characters spout film references with such unsubtlety that every gentle nod is a headbutt, every playful nudge an elbow in the ribs. The acting is appallingly inane (other than the always-lovely Danica McKellar's turn as Emily) and plot holes gape at you at every moment: characters act with no motivation, every boy and girl couple up despite having nothing in common. In spite of all its flaws, however, there is something likable about Hack!. I can't for the life of me place what it is, but it's there. This is a film, bless it, that really tries hard, but it ultimately fails. It fails because it wallows in its own stupidity while trying to be all clever-clever with the audience, it fails because it believes that pointing out that it is full of clichés prevents the clichés from being boring, and it fails because its constant self-referentiality soon becomes a drag. People, it's been eleven years since Scream; surely it's time for a new horror bandwagon?
In the end, while I would sincerely like to declare this film a cult classic, I cannot possibly score it in the upper half of scores - so it gets a 4, the highest score a bad film can get.