| Photos (see all 19 | slideshow) | Videos (see all 18) |
Directed by | |||
| Paul Greengrass | |||
Writing credits(WGA) | ||
| Paul Greengrass | (written by) | |
Produced by | |||
| Mairi Bett | .... | line producer | |
| Tim Bevan | .... | producer | |
| Michael Bronner | .... | associate producer | |
| Liza Chasin | .... | executive producer | |
| Eric Fellner | .... | producer | |
| Paul Greengrass | .... | producer | |
| Debra Hayward | .... | executive producer | |
| Lloyd Levin | .... | producer | |
| Kate Solomon | .... | associate producer | |
Original Music by | |||
| John Powell | |||
Cinematography by | |||
| Barry Ackroyd | |||
Film Editing by | |||
| Clare Douglas | |||
| Nikola Filipovic | (TVC) (Serbia) (Montenegro) | ||
| Richard Pearson | |||
| Christopher Rouse | |||
Casting by | |||
| Sig De Miguel | |||
| Daniel Hubbard | |||
| John Hubbard | |||
| Amanda Mackey Johnson | |||
| Cathy Sandrich | |||
Production Design by | |||
| Dominic Watkins | |||
Art Direction by | |||
| Romek Delmata | |||
| Joanna Foley | |||
| Alan Gilmore | (supervising art director) | ||
Costume Design by | |||
| Dinah Collin | |||
Makeup Department | |||
| Kirstin Chalmers | .... | hair designer | |
| Kirstin Chalmers | .... | makeup designer | |
| Francesca Crowder | .... | key hairdresser | |
| Peta Dunstall | .... | hair stylist | |
| Peta Dunstall | .... | makeup artist | |
| Renata Gilbert | .... | makeup artist | |
| Patricia Grande | .... | hairdresser: New Jersey | |
| Kristie Matthiae | .... | hair stylist | |
| Kristie Matthiae | .... | makeup artist | |
| Donald McInnes | .... | hair stylist | |
| Donald McInnes | .... | makeup artist | |
| Sharon O'Brien | .... | makeup artist (as Sharon Paula O'Brien) | |
| Eva Polywka | .... | makeup artist: New Jersey | |
| Sara Riesel | .... | makeup artist: second unit | |
| Laura Schiavo | .... | hair stylist (as Loz Schiavo) | |
| Laura Schiavo | .... | makeup artist (as Loz Schiavo) | |
| Julia Wilson | .... | makeup artist (as Julia Willson) | |
Production Management | |||
| Sasha Harris | .... | production manager | |
| Michael Solinger | .... | post-production supervisor | |
| Bryan Thomas | .... | unit production manager: New York | |
Second Unit Director or Assistant Director | |||
| Julie A. Bloom | .... | first assistant director: New York (as Julie Bloom) | |
| Tom Brewster | .... | third assistant director | |
| Chris Carreras | .... | first assistant director | |
| William Dodds | .... | assistant director: dailies | |
| Chris Forster | .... | second unit director | |
| Robert Grayson | .... | first assistant director: second unit (as Robert P. Grayson) | |
| Sallie Anne Hard | .... | key second assistant director (as Sallie Hard) | |
| Kiersten Pilar Miller | .... | second assistant director: New York | |
| Matt Power | .... | second second assistant director: New York | |
| Nick Shuttleworth | .... | third assistant director: second unit | |
Art Department | |||
| Monica Black | .... | graphics assistant | |
| Leigh Chesters | .... | carpenter | |
| James Collins | .... | art department assistant | |
| Jordan Crockett | .... | draughtsman | |
| Emma Davis | .... | production buyer | |
| Jonathan Downing | .... | stand-by prop | |
| Joe Hawthorne | .... | carpenter | |
| Kathy Heaser | .... | graphic artist | |
| Oliver Howlett | .... | plasterer | |
| Peter Mayhew | .... | carpenter | |
| Rachid Quiat | .... | assistant art director | |
| Eva Radke | .... | art department coordinator: New York | |
| Kevin L. Raper | .... | graphic designer | |
| William F. Reynolds | .... | set decorator: New York | |
| Malcolm Roberts | .... | construction coordinator | |
| Sally Ross | .... | art department coordinator | |
| Sarah Stuart | .... | stand-by art director | |
| Clem Price Thomas | .... | art director: New York | |
| Graham Weames | .... | carpenter | |
Special Effects by | |||
| Ben Broadbridge | .... | special effects crew | |
| Andrew Bunce | .... | special effects crew | |
| Keith Dawson | .... | special effects technician | |
| Michael Dawson | .... | special effects coordinator (as Mike Dawson) | |
| Stuart Digby | .... | senior special effects technician | |
| Tony Edwards | .... | special effects crew | |
| Terry Flowers | .... | special effects crew | |
| Hayley J. Williams | .... | special effects crew (as Hayley Williams) | |
| Joss Williams | .... | special effects consultant | |
Visual Effects by | |||
| Louie Alexander | .... | digital cleanup artist: Framestore CFC | |
| Kris Anderson | .... | digital compositor | |
| Oliver Atherton | .... | digital compositor | |
| Richard Bain | .... | digital compositor: Bain VFX | |
| Michael Bartlett | .... | compositor: LipSync Post | |
| Paul Beard | .... | visual effects line producer: Men From Mars | |
| Robin Beard | .... | digital effects artist | |
| Nicolas Bernard | .... | digital effects artist: BUF | |
| Philip Bland | .... | digital cleanup artist | |
| Vanessa Boyce | .... | digital artist: Double Negative | |
| Jamie Briens | .... | matchmove artist: Double Negative | |
| Andre Brizard | .... | digital compositor: Double Negative | |
| Nik Brownlee | .... | digital compositor: Double Negative | |
| Jason Burnett | .... | scanning and recording: Framestore CFC | |
| Andy Burrow | .... | scanning and recording manager: Framestore CFC | |
| Florent Cadel | .... | digital effects artist: BUF | |
| Simon Carr | .... | digital effects artist | |
| Peter Chiang | .... | visual effects supervisor | |
| Darren Christie | .... | digital compositor: Double Negative | |
| Alastair Crawford | .... | digital artist: Double Negative | |
| Enid Dalkoff | .... | digital compositor | |
| Sean Danischevsky | .... | digital artist: Double Negative | |
| Oliver Deen | .... | digital effects artist | |
| Jo Dixon | .... | visual effects editor | |
| Jean-François D'Izarny | .... | digital effects artist: BUF | |
| Harriet Donington | .... | visual effects producer | |
| Paul Doogan | .... | scanning and recording: Framestore CFC | |
| Stefan Drury | .... | visual effects producer: LipSync Post | |
| Laurens Ehrmann | .... | visual effects supervisor: BUF | |
| Stephen Elson | .... | visual effects producer: Baseblack | |
| Nadia Essid | .... | digital effects artist: BUF | |
| Daniel Evans | .... | technical director: Double Negative | |
| Stuart Farley | .... | 3D supervisor: Double Negative | |
| Ellie Faustino | .... | digital artist: Double Negative | |
| Simon Frame | .... | visual effects producer | |
| Fortunato Frattasio | .... | digital artist | |
| Mikael Genachte-Lebail | .... | digital effects artist: BUF | |
| Rohit Gill | .... | digital artist: Double Negative | |
| Peter Godden | .... | matchmove artist: Double Negative | |
| Joe Godfrey | .... | scanning and recording: Framestore CFC | |
| Pawel Grochola | .... | digital artist: Double Negative | |
| James Guy | .... | digital artist: Double Negative | |
| Charlie Habanananda | .... | data operator: Framestore CFC | |
| Julia Hall | .... | compositor: LipSync Post (as Julia Blake) | |
| Alistair Hamer | .... | film mastering engineer: Framestore CFC | |
| Pete Hanson | .... | studio manager: Double Negative | |
| Gavin Harrison | .... | matchmove artist: Double Negative | |
| Adam Hawkes | .... | digital cleanup artist: Framestore CFC | |
| Adam Hawkes | .... | head of digital retouch and restoration | |
| Sarah Hemsley | .... | visual effects producer: The Senate VFX | |
| Ben Hicks | .... | digital compositor | |
| Richard Higham | .... | digital artist: The Senate VFX | |
| Tom Hocking | .... | digital effects artist | |
| Noel Hocquet | .... | digital effects artist: BUF | |
| Jan Hogevold | .... | executive producer: Framestore CFC | |
| Alex Hope | .... | visual effects producer: Double Negative | |
| Simon Hughes | .... | digital compositor: Double Negative | |
| Stephen James | .... | digital paint artist: Double Negative | |
| Marc Jones | .... | matchmove artist: Framestore-CFC | |
| Tim Jones | .... | digital artist: Double Negative | |
| Sasha Jovanovic | .... | digital compositor: Baseblack | |
| Abraham Kambanopoulos | .... | CG artist: Double Negative | |
| Alexander Kaminski | .... | matchmove artist: Double Negative | |
| John Kilshaw | .... | digital effects artist: Double Negative | |
| Brian Krijgsman | .... | assistant colourist: Framestore CFC | |
| Danius Kvedaras | .... | compositor: LipSync Post | |
| Pedro Lara | .... | digital compositor: Double Negative (as Pedro Garcia) | |
| Kirsty Lawlor | .... | digital artist: Double Negative | |
| Isaac Layish | .... | digital effects artist | |
| Aaron Lear | .... | digital cleanup artist: Framestore CFC | |
| Rick Leary | .... | 3D supervisor: Double Negative | |
| Simon Leech | .... | visual effects supervisor: The Senate VFX | |
| Pierson Lippard | .... | digital compositor: Baseblack | |
| John Lockwood | .... | digital effects supervisor: Machine | |
| Kevin Lowery | .... | film mastering assistant: Framestore CFC | |
| Sherin Mahboob | .... | junior digital artist | |
| David Margolis | .... | digital compositor | |
| Helena Masand | .... | look development: Double Negative | |
| Claire McGrane | .... | senior producer: Framestore CFC | |
| Gurel Mehmet | .... | digital matte painter: Double Negative | |
| Sarah Micallef | .... | digital intermediate producer: Framestore CFC | |
| Maria Michalopoulou | .... | data operator: Framestore CFC | |
| Neil Miller | .... | matte painter | |
| John Moffatt | .... | digital supervisor: Double Negative | |
| Eddy Moussa | .... | digital effects artist: BUF | |
| Tristan Myles | .... | digital compositor: Double Negative | |
| Paul Nilsson | .... | digital artist: Machine | |
| Stuart Nippard | .... | digital cleanup artist: Framestore CFC | |
| Collette Nunes | .... | digital cleanup artist: Framestore CFC | |
| Loris Paillier | .... | digital effects artist: BUF | |
| Ami Patel | .... | digital artist: Double Negative | |
| Tom Pegg | .... | digital effects artist: Men-from-Mars | |
| Enrico Perei | .... | digital compositing artist | |
| Dan Perry | .... | scanning and recording: Framestore CFC | |
| Fred Place | .... | senior digital compositor | |
| Matthew Plummer | .... | visual effects producer: Double Negative (as Matt Plummer) | |
| Tristan Porter | .... | digital compositor: Baseblack | |
| Brennan Prevatt | .... | digital compositor | |
| Charlotte Raffi | .... | visual effects producer: BUF | |
| Eddy Richard | .... | digital effects artist: BUF | |
| Dave Robinson | .... | systems engineer | |
| Angela Rose | .... | compositor: LipSync Post | |
| Gavin Round | .... | editorial: Framestore CFC | |
| Jackie Rowson | .... | digital effects artist | |
| Christoph Salzmann | .... | digital compositor: Double Negative | |
| Aatesh Shah | .... | systems engineer: Framestore CFC | |
| Foad Shah | .... | digital compositor: Double Negative | |
| Matthew Shaw | .... | digital compositor: Double Negative | |
| Asa Shoul | .... | colourist: Framestore CFC | |
| William Skellorn | .... | visual effects editorial: Double Negative | |
| Baptiste Sola | .... | digital effects artist: BUF | |
| Lyndall Spagnoletti | .... | digital cleanup artist: Framestore CFC | |
| Christopher Stack | .... | imaging supervisor: Digiscope | |
| Nick Stanley | .... | digital cleanup artist: Framestore CFC | |
| Tom Steadman | .... | matchmove artist: Double Negative | |
| Jim Steel | .... | senior digital compositor: Double Negative | |
| Jelena Stojanovic | .... | digital compositor | |
| Steve Street | .... | digital effects supervisor: Machine | |
| Maria Stroka | .... | producer: Framestore CFC | |
| Christopher Sweet | .... | studio assistant: Double Negative | |
| Clare Tinsley | .... | visual effects producer: Double Negative | |
| James Tomlinson | .... | digital artist: Double Negative | |
| Sanju Travis | .... | digital compositor: Double Negative | |
| Dan Victoire | .... | data operator: Framestore CFC | |
| Eugénie von Tunzelmann | .... | effects animator | |
| Eugénie von Tunzelmann | .... | visual effects: Double Negative | |
| Steve Wagendorp | .... | assistant colourist: Framestore CFC | |
| Val Wardlaw | .... | visual effects supervisor: Baseblack | |
| Sharon Warmington | .... | digital compositor: Double Negative | |
| Howard Watkins | .... | visual effects supervisor: LipSync Post | |
| Stephen Willey | .... | systems engineer | |
| Guy Williams | .... | visual effects: Double Negative | |
| Anthony Wonsoff | .... | digital compositor | |
| Daniel Wood | .... | digital artist: Double Negative | |
| Annabel Wright | .... | digital cleanup supervisor: Framestore CFC | |
| Trevor Young | .... | digital compositor: Double Negative | |
| Martin Body | .... | lead rotoscope artist: Peerless Camera Co. Ltd (uncredited) | |
| Walter Gilbert | .... | roto/prep artist: Double Negative (uncredited) | |
| Ed Hall | .... | production assistant: Peerless Camera Company (uncredited) | |
| Marc Jouveneau | .... | digital compositor (uncredited) | |
| Diane Kingston | .... | digital effects producer: Peerless (uncredited) | |
| Steve Lynn | .... | systems administrator (uncredited) | |
| Sarah Marchant | .... | Inferno compositing artist (uncredited) | |
| Carlos Poon | .... | matchmove artist: Double Negative (uncredited) | |
| Gavin Round | .... | DI film editorial: Framestore CFC (uncredited) | |
| Paul Round | .... | digital compositor (uncredited) | |
| John Swinnerton | .... | compositor (uncredited) | |
Stunts | |||
| Nick Chopping | .... | stunts | |
| Abbi Collins | .... | stunts | |
| Kelly Dent | .... | stunts | |
| Rick English | .... | stunt double | |
| Dave Fisher | .... | stunts | |
| Amanda Foster | .... | stunts | |
| Sarah Franzl | .... | stunts | |
| Jade Gordon | .... | assistant: Greg Powell | |
| Paul Herbert | .... | stunts | |
| Rowley Irlam | .... | stunts | |
| Paul Kennington | .... | stunts | |
| Jamie Millington | .... | stunts | |
| Daniel Naprous | .... | stunts | |
| Ray Nicholas | .... | stunts | |
| Brian Nickels | .... | stunts | |
| Peter Pedrero | .... | stunts | |
| Greg Powell | .... | stunt coordinator | |
| Dominic Preece | .... | stunt safety (as Dominic Preese) | |
| Alison Ryan | .... | stunts | |
| Gordon Seed | .... | stunts | |
| C.C. Smiff | .... | stunts (as CC Smiff) | |
| Roy Taylor | .... | stunts | |
Casting Department | |||
| Vanessa Baker | .... | adr voice casting | |
| Elizabeth Dionne | .... | casting manager | |
| Brendan Donnison | .... | adr voice casting | |
| Karen E. Etcoff | .... | extras casting: New York | |
| Kelly Valentine Hendry | .... | casting associate: UK | |
Costume and Wardrobe Department | |||
| Sue Casey | .... | costume assistant | |
| Lee Croucher | .... | costume stand-by | |
| Kathy Karbowski | .... | wardrobe supervisor: New York | |
| Liz McGarrity | .... | wardrobe shopper: New York | |
| Emily Newbold | .... | daily costumer | |
| Luan Placks | .... | costume assistant | |
| Richard Sale | .... | assistant costume designer | |
| Marion Weise | .... | costume supervisor | |
Editorial Department | |||
| Esther Bailey | .... | second assistant editor | |
| Christopher Robin Bell | .... | associate editor | |
| Ian Differ | .... | first assistant editor | |
| Alex Fenn | .... | assistant editor | |
| Jolyon Haverson | .... | post-production coordinator | |
| Laurence Johnson | .... | assistant editor | |
| Tom Kinnersly | .... | assembly editor | |
| Mark Wright | .... | negative cutter | |
Music Department | |||
| Nick Angel | .... | music supervisor | |
| John A. Coleman | .... | orchestrator | |
| Germaine Franco | .... | assistant to composer | |
| Gavin Greenaway | .... | conductor | |
| Isobel Griffiths | .... | orchestral contractor | |
| Michael Higham | .... | music editor (as Mike Higham) | |
| Alexandra Hill | .... | music coordinator | |
| Robert Houston | .... | assistant scoring engineer | |
| Dan Lerner | .... | additional score recordist | |
| Fiesta Mei Ling | .... | music copyist | |
| Kathy Nelson | .... | executive in charge of music: Universal Pictures | |
| Simon Rhodes | .... | music scoring mixer | |
| Simon Rhodes | .... | score recordist | |
| John Ashton Thomas | .... | orchestrator | |
| John Warhurst | .... | additional music editor | |
| Gavyn Wright | .... | orchestra leader | |
Transportation Department | |||
| Jim Buckman | .... | transportation captain: New York | |
| Barrie Williams | .... | transportation captain | |
Other crew | |||
| Kate Bailey | .... | assistant coordinator | |
| Khalid Banoujaafar | .... | location manager | |
| Suzie Batters | .... | assistant to cast | |
| Suzie Batters | .... | production runner | |
| Mohamed Benhmamane | .... | location manager | |
| Adam Byles | .... | floor runner | |
| James Chesterton | .... | production runner | |
| Mike Clark-Hall | .... | production assistant | |
| Katherine DeJesus | .... | first assistant accountant: New York | |
| Chloe Dorigan | .... | assistant: Tim Bevan (as Chloé Dorigan) | |
| Hollie Foster | .... | assistant coordinator | |
| Shefali Ghosh | .... | chief financial officer | |
| Toby Glover | .... | title designer: Cineimage | |
| Michael Gram | .... | co-pilot | |
| Jim Hajicosta | .... | financial controller | |
| Keith Hatcher | .... | location manager | |
| Sam Haveland | .... | additional floor runner | |
| Polly Hope | .... | script supervisor: second unit | |
| Aliza James | .... | assistant: Eric Fellner | |
| Borjan Jovanovich | .... | set production assistant: New York | |
| Shannon Kearney | .... | production assistant: New York | |
| Josh Kesner | .... | location production assistant: New York | |
| Anslem King | .... | production accountant: plate unit | |
| Samantha Knox-Johnston | .... | production coordinator | |
| Paul Langford | .... | assistant location manager | |
| Sandrine Loisy | .... | runner | |
| Jennifer Madeloff | .... | assistant coordinator | |
| Jennifer Madeloff | .... | clearances: USA | |
| Gavin McKenzie | .... | computer and video playback technician: Useful Companies | |
| Tom McMurtry | .... | pilot | |
| Clive Noakes | .... | laboratory contact | |
| Jae-sung Oh | .... | set production assistant | |
| Justin Owen | .... | computer and video supervisor: Useful Companies | |
| Justin Owen | .... | project supervisor: Useful Companies | |
| Andrea Pappas | .... | assistant production coordinator | |
| Patricia Porter | .... | payroll accountant: New York | |
| Jason Potter | .... | assistant accountant | |
| Celina Radwanski | .... | additional set runner | |
| Olimpia T. Rinaldi | .... | production accountant: New York | |
| Jillian Roache | .... | production assistant | |
| Peggy Robinson | .... | location manager: New York | |
| Mark Romanelli | .... | paperwork production assistant | |
| Rob Seager | .... | assistant accountant | |
| Alexander J. Smelson | .... | production assistant: New York | |
| Rob Sorrenti | .... | behind-the-scenes | |
| Simon Staines | .... | creative supervisor: Useful Companies | |
| Andy Stephens | .... | aerial operations manager: Flying Pictures Ltd. | |
| Scott Sullens | .... | production secretary: New York | |
| Drew Tidwell | .... | production coordinator: New York | |
| Andrea Truscott | .... | assistant to director | |
| Sara-Jane Valentine | .... | computer and video coordinator: Useful Companies (as Sara-Jane Owen) | |
| Jo Wallett | .... | production secretary: re-shoots | |
| Elizabeth West | .... | script supervisor (as Liz West) | |
| Barney Wrightson | .... | aerial operations assistant: Flying Pictures Ltd. | |
| David Kirman | .... | computer and video playback technician (uncredited) | |
| Aaron Merrell | .... | production finance: SKE (uncredited) | |
| Ed Symon | .... | daily floor runner (uncredited) | |
Thanks | |||
| Rick Law | .... | special thanks | |
| Philip M. Strub | .... | special thanks | |
| Craig Woythaler | .... | special thanks | |
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| Flight 93 | Red Eye | Die Hard 2 | Face/Off | Munich |
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There are two reasons why people go to the movies. They either go to be amused, entertained or distracted from the pressures of the real world; it's called escapism. The other is to learn, experience, educate, inform and face what our world is all about. Films like Schindler's List, Black Hawk Down, Saving Private Ryan, All the President's Men, and this week another film joins that list; Paul Greengrass' visceral and heartbreaking United 93. Some say it's too soon for a film about 9/11 to come out, but I disagree. I think this film is a bold and important reminder of why we're still fighting to this very day, and it puts us up close and personal with our very enemy; face to face. I don't think I've had such a profound and sober movie going experience like this since I saw The Passion of the Christ, and when the film was over how did the audience react? Applause.
United 93 is shot entirely with hand-held cameras to perfectly capture the realism of the events that happened that day. The film was written and directed by British filmmaker Paul Greengrass, who's previous films include 2004's blockbuster hit The Bourne Supremacy and the critically acclaimed 2002 docu-drama Bloody Sunday, and every frame of his vision is unflinching, intense and heart pounding from it's quiet beginning to it's nerve-wracking and stomach turning finale. The film is never exploitive of the events of 9/11 and always remains respectful to the memories of those on board that fateful plane.
Everybody knows the story, and everybody knows how it's going to end, but that never stops the film from being suspenseful. The film is pretty much void of any character development, and the film never, not even for a second feels like a movie, it looks like a documentary. And I'm sure the way Greengrass has captured the shock, confusion, chaos and panic of that morning is how it must have gone down. The cameras cover the action from all perspectives; from the National Air Traffic Control Center, airport towers, regional air traffic stations, and a military command room where soldiers try to figure out if and when they have the authority to shoot down a necessary target in order to protect Washington. One of the amazing things about United 93 is its casting. The casting of the film includes a number of real life United pilots, stewardesses, air traffic controllers and military personnel, many of them actually playing themselves. The cast of passengers are a group of largely unknowns, which lends great respectability and reality. We are seeing these people for the first time, with no previous knowledge of them as actors and it only works in their favor.
The film opens quietly with several hijackers going through their morning rituals, reading aloud from the Koran; praying to God and kneeling on the floor of their hotel room and then packing their things to head to the Newark airport. And from there we are introduced to several different air traffic controller technicians and we watch as they discover that two planes have been hi-jacked and eventually discover that they've hit the World Trade Center. These scenes are heartbreaking and feel somewhat surreal. But it's not until United flight 93 takes off that the towers are hit and the plane is up in the air when the terrorist's plans are set into motion.
The final fifteen minutes of United 93 will leave you speechless and paralyzed, as a group of passengers plan to attack and over throw the terrorists and try to take back the cockpit. It's intense, violent and overwhelmingly inspiring. The film is a well done memorial, dedicated to those who were killed on September 11th, and I truly believe that the film was done with the utmost respect to those involved and with amazing passion and sensitivity to "get it right". Director Paul Greengrass does get it right, and I honestly believe that it would have been impossible for it to have been done any better than it is here. United 93 is absolutely amazing, and to see a better or more important film this year seems very unlikely, and I think this film should be required viewing for all Americans, but when they feel that they are ready for it, because this is as real as it gets. This film is responsible film-making of the highest level and the experience is both sobering and cathartic.