Crashing (2007)Having been kicked out of his house by his wife, writer Richard McMurray crashes on the couch of two sexy co-eds where he just might find the inspiration to complete his second novel. Director:Gary Walkow |
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Crashing (2007)Having been kicked out of his house by his wife, writer Richard McMurray crashes on the couch of two sexy co-eds where he just might find the inspiration to complete his second novel. Director:Gary Walkow |
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| Cast overview, first billed only: | |||
| David Cross | ... |
Space Station Man
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Caleigh White | ... |
Space Station Woman
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| Campbell Scott | ... |
Richard McMurray
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| Alex Kingston | ... |
Diane Freed
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| Izabella Miko | ... |
Kristen
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| Lizzy Caplan | ... |
Jacqueline
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Devin Barry | ... |
Brad
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| Holly Reiser | ... |
Revised Space Station Woman
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Alexandra Safford | ... |
Unseen Woman
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Alayna Corrick | ... |
Real Estate Woman (segment "Jacqueline's Real Estate Fiction")
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Duane Clark | ... |
Real Estate Man (segment "Jacqueline's Real Estate Fiction")
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Randall Hastings | ... |
Barton (segment "Kristin's Bowling Ball Fiction")
(as Randy Hastings)
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| Nora Kirkpatrick | ... |
Barton's Girlfriend (segment "Kirstin's Bowling Ball Fiction")
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Nash Garrison | ... |
Barton's Bud #1 (segment "Kristin's Bowling Ball Fiction")
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| Patrick Graves | ... |
Barton's Bud #2 (segment 'Kristin's Bowling Ball Fiction)
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Richard McMurray's first novel was a success, but his second novel is sitting unfinished on his computer in his house, which his wife just locked him out of. After a speaking engagement at a local college, Richard accepts the invitation from two sexy college students to crash on their couch. He should only be there for a day or two but legal battles with his soon-to-be ex-wife, pressures from his editor and publisher, and more importantly, his new-found inspiration just might keep him there longer. He's using them as his muses, they're using him for writing guidance, but what are they all supposed to do about that sexual tension? Written by napierslogs
This film is nothing less than a master-class in writing fiction. I quite understand the previous commentator's negative review; and I can see that this film will appeal to a very limited audience. If you have any interest at all in the craft of writing, particularly in the struggle to represent the human condition in words, then this is definitely the film for you. If not, it isn't. I would like to leave the review there, nothing further needs to be said. However, reviews must be at least 10 lines so I'll simply point this out: film-makers with the courage to tackle specialised subjects that will not appeal to mainstream audiences must be supported if we are to avoid CGI mediocrity. Give this superbly acted gem a chance!